by streeb » Sun Jul 02, 2006 2:49 pm
<!--EZCODE QUOTE START--><blockquote><strong><em>Quote:</em></strong><hr>and then the whole madchester thing which eventually got Blur elected<hr></blockquote><!--EZCODE QUOTE END--><br><br>Ha ha!! <br><br>Seamus - first band I ever saw live was SLF in Hull, either 79 or 80. I still can't believe my dad let me go - Hull was a coach ride away from my town.<br><br>Notwithstanding Robert Reed's fine post about PJ Rourke's Clash T-shirts, the bottom line for me is that bands like the Clash and SLF put my head straight. Looking back, I think SLF was probably a little more righteous and naive, the Clash a little more complex and cynical, but the results at the time were good. When the Miner's Strike happened, me and my friends STARTED a band, JUST to play at a benefit.<br><br>Friendcatcher - "Fascist Groove Thang" was by Heaven 17, who were largely crap, but that song was massive at my school and a lot of us visited a dictionary to find out what "fascist" meant. Of course, it WAS in the air at the time. Every week, the NME brought politics to youth. It was probably misguided, because Red Wedge was one of the more ostentatious results and was - as you say - a little diabolical. I remember the Redskins coming out against it, which confused me at the time. Neil Kinnock cosying up to Paul Weller etc was a dry run for Cool Britannia, I guess. What a rip. "Laddism", ecstasy, baggy and all that (much as I loved Stone Roses and Happy Mondays) closed the door on political consciousness in the UK's pop culture. Oasis and Blur sealed it.<br><br>Getting back to Paul Weller: I grew up in Grimsby, and once the Jam folded and Style Council began, most of Weller's fans became what we called "Dressers". I suppose they were distantly related to the Mods, but their entire purpose was to take on the trappings of prosperity, even if it meant (and it usually did) stealing fucking Benetton sweaters. To a man, the Dressers were violent, stupid, and actively opposed to the left wing. Very ironic given Weller's efforts, (and another illustration of Robert Reed's point). Don't know what it was like anywhere else, but that was Grimsby in the '80s. <p></p><i></i>