The Evil Hippie

by **Hugh Manatee Wins** » Sun Jun 25, 2006 6:24 pm

The idea that 'nice guys finish last' has been used to discredit the peace movement for a long time. The idea that sexuality, beauty, and pleasure are unheavenly corruptions has been at the core of religious dogmas for eons and is also piled onto the caricature of the 'dirty self-centered hippie,' a perfect psychic foil for American state-controlled media's spartan ideal of an industrial warrior culture. Sex is the opposite of violence and must be demonized by the National inSecurity State as an immoral hedonism that threatens the survival of the group as exemplified in this Associated Press (Operation Mockingbird) article about the extinction of the Bonobo ape. This is a class warfare theme, too, and is embedded in the article. No mention of the US role in devastating the Congo where "unemployed militia men" hunt the "hippie chimp" to feed the elite in cities. Instead a "battle-worn Kalishnakov assault rifle" suggests the Soviet Union created the unfortunate situation. Propaganda accomplishes many things at once at the subconcious level so the 'consumer' doesn't notice them. (Professor Pan and others, this article is a fine example of how fascist themes can be nested in an article that seems to be humanist or 'just science.' Entertainment is loaded with this. Remember how good boy Vietnam soldier Forrest Gump defended his girlfriend from the Evil Hippie?) I have to wonder whether the "Washington-based Bonobo Preservation Initiative" is a CIA cut-out since the keyword 'initiative' is what we are told the stereotypical pot-smoking hippie lacks.- <a href="http://www.foxnews.com/story/0,2933,186978,00.html">www.foxnews.com/story/0,2...78,00.html</a> <blockquote>Quote:<hr>Bonobo 'Hippie Chimp' on Verge of Extinction Tuesday, March 07, 2006 MBIHE-MOKELE, Congo — Scientists are struggling to save the fast-disappearing bonobo, the gentle "hippie chimp" known for resolving squabbles through sex rather than violence. .... "Bonobos are an icon for peace and love, the world's 'hippie chimps,'" said Sally Coxe of the Washington-based Bonobo Conservation Initiative. "To let them die off would be a catastrophe." .... "There is no question that bonobos are seriously threatened," Guabini said, speaking over a shrill forest symphony of birds, animals and insects. "We need urgent measures or there is no way we can protect the species." .... But for poor villagers, bonobos can be lucrative business, with much of the meat heading for expensive, clandestine meals at restaurants in the cities. .... But the peace-loving bonobos are increasingly difficult to sight, and not just because they're good at hiding, suspended from the high branches of trees or swiftly traversing the lattice of thick, muddy roots strewn over the forest floor. .... Hunters in Congo's Equator province say the apes are most easily captured when asleep drunk, so poachers intoxicate them with beer and palm wine. The dazed bonobos are stuffed in bags and carted off to local markets. .... Ipaka, who uses a battle-worn Kalashnikov assault rifle to shoot bonobos sleeping in their nests, said he hunts most often with bands of unemployed militiamen left over from a string of rebellions, coups and conflict that ravaged Congo beginning in the mid-1990s. The bonobo is the subject of age-old songs and legends, and conservationists hope to turn some of those traditions to their advantage.<hr></blockquote> The 'might makes right' so-called Law of the Jungle is used to Orwellify environmentalism into social Darwinism just as the 'we are all in this boat together'-view achieved by the moon landing photos was Orwellified into the gangster economics called globalism and the New World Order. This is what Disney sells to kids as good clean animal tales like 'The Lion King' and 'Chicken Little.' There is even a spin-off from 'The Lion King' as a coloring book called 'The Wild' which is all about "finding your roar." The CIA and FBI neutralized New Left leaders including rock musicians using harassment, drugs, and murder to diffuse the anti-Vietnam War and anti-fascist movements, especially after the campus explosions around the US when National Guardsman shot and killed students in Ohio at Kent State in May, 1970. Jimi Hendrix was soon dead along with Janis Joplin a few months later. Jim Morrison followed not long after. John Lennon was tracked and tapped and then murdered just before the installation of Reagan and more US death squads in Central America. Some excerpts from Alex Constantine and Mae Brussel on The Covert War Against Rock. I won't put this in quotes because it is a copy of something I emailed with comments and I'm not spending more time editing. Funny that my friend didn't receive the email. Filters might be tightening. -HMW) --------------------------------------- The FBI sent out a list of suggestions on how to achieve their goals. They can all be applied to what happened to musicians, youngsters at folk rock festivals, and hippies along the highway. Gather information on their immorality. Show them as scurrilous and depraved. Call attention to their habits and living conditions. Explore every possible embarrassment. Send in women and sex, break up marriages. Have members arrested on marijuana charges. Investigate personal conflicts or animosities between them. Send articles to the newspapers showing their depravity. Use narcotics and free sex to entrap. Use misinformation to confuse and disrupt. Get records of their bank accounts. Obtain specimens of handwriting. Provoke target groups into rivalries that may result in death. "Intelligence Activities and Rights of Americans" Book II, April 26, 1976 Senate Committee Study with Respect to Intelligence <a href="http://www.maebrussell.com/Mae%20Brussell%20Articles/Operation%20Chaos.html">www.maebrussell.com/Mae%2...Chaos.html</a> From Monterey Pop to Altamont OPERATION CHAOS The CIA's War Against the Sixties Counter-Culture by Mae Brussell, November 1976 (unpublished) I DEATH, DRUGS, AND DEPRESSION II THE BEAUTIFUL PEOPLE III THE ENEMY IV THE BATTLEGROUND V THE FINALE...Helter Skelter, Gimme Shelter I DEATH, DRUGS, AND DEPRESSION American and British pop/rock music during the 60's created an art form that has been described as one of the most important cultural revolutions in history. Within a few years, between 1968 and 1976, many of the most famous names associated with this early movement were dead. Mama Cass Elliott (earlier with the Mamas and Papas), Jimi Hendrix, Otis Redding, Brian Jones (helped form the Rolling Stones with Mick Jagger and Keith Richards), Janis Joplin were all at the Monterey Pop celebration, summer 1967. .... "Never again was there a festival such as the one that took place that weekend of 1967. Never was there another event where over thirty rock groups were inflated by no more that the joy of an enraptured audience and the gorgeous pleasure of performance itself. There were eight, nine, ten times as many people running rock festivals taking place only two years later. There was never another Monterey! The weekend was too intoxicating, too radiant, too pure." "Janis Joplin, Buried Alive" Myra Friedman By 1968, the FBI's Counterintelligence Program, and the CIA's Operation Chaos, had included among their long list of domestic enemies "Advocates of New Lifestyles," "New Left," "Apostles of Non-Violence and Racial Harmony" and "Restless Youth." Justification for indexing 300,000 law abiding citizens into files, and wiretapping, bugging, or burglarizing offices was rationalized on the basis that violence was prevalent, the cities were burning. Now we find out that being "non-violent" and wanting "racial harmony," according to recent Congressional investigations, was also a crime. The meeting place for this social, economic, and soon to become political, revolution was at the folk festival, rock concerts, free park love-ins, at the FM radio stations, or home with favorite records. In the music there were many messages. American youth were provided with a wide variety of radio stations to manage, alternative news sources, and new ways to learn what was going on in the world. For the first time, young Americans found themselves with enough space and time to communicate. The space was the entire continent, then the globe. They wandered. Many left homes in large numbers, seeking contacts from strangers in distant communities. The time was often twenty four hours each day. They dropped out from established institutions. Clocks disappeared. Musicians were bringing these young people together from far away places. "I see a great deal of danger in the air. Teenagers are not screaming over pop music anymore, they're screaming for much deeper reasons. We're only serving as a means of giving them an outlet. Pop music is just the superficial tissue. When I'm on the stage I sense that the teenagers are trying to communicate to me, like by telepathy, a message of some urgency. Not about me or my music, but about the world and the way they live. I interpret it as their demonstration against society and it's sick attitudes. Teenagers the world over are weary of being pushed around by half-witted politicians who attempt to dominate their way of thinking and set a code for their living. This is a protest against the system. And I see a lot of trouble coming in the dawn." Mick Jagger 1967 Everything was beautiful until the insanity began. The CIA got into the business of altering human behavior in 1947. "Project Paperclip," an arrangement made by CIA Director Allen Dulles and Richard Helms, brought one thousand Nazi specialists and their families to the United States. They were employed for military and civilian institutions. Some Nazi doctors were brought to our hospitals and colleges to continue further experimentations on the brain. American and German scientists, working with the CIA, then the military, started developing every possible method of controlling the mind. Lysergic Acid Diethylmide, LSD, was discovered at the Sandoz Laboratories, Basel, Switzerland, in 1939 by Albert Hoffman. This LSD was pure. No other ingredients were added. The U.S. Army got interested in LSD for interrogation purposes in 1950. After May, 1956, until 1975, the U.S. Army Intelligence and the U.S. Chemical Corps "experimented with hallucinogenic drugs." The CIA and Army spent $26,501,446 "testing" LSD, code name EA 1729, and other chemical agents. Contracts went out to forty-eight different institutions for testing. The CIA was part of these projects. They concealed their participation by contracting to various colleges, hospitals, prisons, mental hospitals, and private foundations. The LSD I will refer to is the same type of LSD that the CIA used because of the similarity of symptoms between their reports and what happened to musicians or hippies after 1967. We shall be speaking of CIA-LSD, not pure LSD. Government agents and the ability to cause permanent insanity, identical to schizophrenia, without physician or family knowing what happened to the victim. "No physical examination of the subject is required prior to the administration of LSD. A physician need not be present. Physicians might be called for the hope they would make a diagnosis of mental-breakdown which would be useful in discrediting the individual who was the subject of CIA interest. Richard Helms, CIA Director, argued that administering drugs, including poisonous LSD, might be on individuals who are unwitting as this is the only realistic method of maintaining the capability considering the intended operational use to influence human behavior as the operational targets will certainly be unwitting." "Senate Report to Study Governmental Operations with Respect to Intelligence Activities" Book I, page 401, April 1976. When the first reports came out that the CIA could administer a tasteless substance into the beverage of one of their most responsible co-workers, and drive that man into a mental institution, or cause him to jump out of a window to his death, all existing CIA records were destroyed. Hippies and musicians, previously normal and creative, with families and loved ones identical to Dr. Frank Olson, responded in the same manner as Dr. Olson after their introduction to the same drugs. Valuable documentation of LSD experiments should not have been in the hands of CIA Director Richard Helms. January 31, 1973, one day before he retired from the CIA, he removed some possible answers as to the fate of persons minds the past ten years. Helms had been behind all the types of experimentations since 1947. Mind altering projects went under the code names of Operation Chatter, Operation Bluebird/Artichoke, Operation Mknaomi, Mkultra, and Mkdelta. By 1963, four years before Monterey Pop, the combined efforts of the CIA's Directorate of Science and Technology, Department of U.S. Army Intelligence, and U.S. Chemical Corps were ready for any covert operations that seemed necessary. U.S. agents were able to destroy any persons reputation cause by inducing hysteria or excessive emotional responses, temporary or permanent insanity, suggest or encourage suicide, erase memory, invent double or triple personalities inside one mind, prolong lapses of memory, teach and induce racism and hatred against specific groups, cause subjects to obey instructions on the telephone or in person, hypnotically assure no memory remains of the assignments. The CIA has poison dart guns to kill from far away, tranquilizers for pets so the household or neighborhood is not alerted by entry or exit. .... July, 1968, the FBI's counterintelligence operations attacked law abiding American individual's and groups. The stated purpose of these assaults was to disrupt large gatherings, expose and discredit the enemy, and neutralize their selected targets. Neutralization included killing the leaders,if necessary. Preferably, turn two opposing segments of society against each other to do the dirty work for them. Remember that among these dangers to the security of the United States were persons with "different lifestyles" and also "apostles of non-violence and racial harmony." CIA Director Richard Helms warned National Security Advisor Henry Kissinger, Feb. 18, 1969, that their study on "Restless youth" was "extremely sensitive" and "would prove most embarrassing for all concerned if word got out the CIA was involved in domestic matters." The FBI sent out a list of suggestions on how to achieve their goals. They can all be applied to what happened to musicians, youngsters at folk rock festivals, and hippies along the highway. Gather information on their immorality. Show them as scurrilous and depraved. Call attention to their habits and living conditions. Explore every possible embarrassment. Send in women and sex, break up marriages. Have members arrested on marijuana charges. Investigate personal conflicts or animosities between them. Send articles to the newspapers showing their depravity. Use narcotics and free sex to entrap. Use misinformation to confuse and disrupt. Get records of their bank accounts. Obtain specimens of handwriting. Provoke target groups into rivalries that may result in death. "Intelligence Activities and Rights of Americans" Book II, April 26, 1976 Senate Committee Study with Respect to Intelligence The IRS admitted that "people who attend rock concert festivals" were listed among targets for investigation by its special staff. Agent Leon Levine said that "ideological groups such as rock festival patrons were to be watched." >snip< (Here's an excerpt from a book by a good investigative journalist on the CIA-FBI-Mafia influence on rock'n'roll. This chapter is more about Jimi Hendrix' murder and his spooky manager but it is a case in point. Following is an article about the murder of John Lennon. Good chance that Janis Joplin was murdered, too. The blues is a musical style that both black and white people like and get together over. That's a threat to the Powers That Be who use divide-and-conquer to keep the masses hostile to each other. Check out the 'Jack Ruby shoots Lee Harvey Oswald' themed photo in the lower right hand corner of the back jacket. -HMW) <a href="http://www.maebrussell.com/Covert%20War%20Against%20Rock%20back%20cover.html">www.maebrussell.com/Cover...cover.html</a> .... As the music of youth and resistance fell under the cross-hairs of the CIA's CHAOS war, it was probable that Jimi Hendrix—the tripping, peacenik "Black Elvis" of the '60s—should find himself a target. Agents of the pathologically nationalistic FBI opened a file on Hendrix in 1969 after his appearance at several benefits for "subversive" causes. His most cutting insult to the state was participation in a concert for Jerry Rubin, Abbie Hoffman, Tom Hayden, Bobby Seale and the other defendants of the Chicago Seven conspiracy trial,(2) "Get [the] Black Panthers," he told a reporter for a teen magazine, "not to kill anybody, but to scare [federal officials]....I know it sounds like war, but that's what's gonna have to happen. It has to be a war....You come back to reality and there are some evil folks around and they want you to be passive and weak and peaceful so that they can just overtake you like jelly on bread....You have to fight fire with fire."(3) On tour in Liesburg, Sweden, Hendrix was interviewed by Tommy Rander, a reporter for the Gotesborgs-Tidningen. " In the USA, you have to decide which side you're on," Hendrix explained. "You are either a rebel or like Frank Sinatra."(4) In 1979, college students at the campus newspaper of Santa Barbara University (USB) filed for release of FBI files on Hendrix. Six heavily inked-out pages were released to the student reporters. (The deletions nixed information "currently and properly classified pursuant to Executive Order 11652, in the interest of national defense of foreign policy.") On appeal, seven more pages were reluctantly turned over to the UCSB students. The file revealed that Hendrix had been placed on the federal "Security Index," a list of "subversives" to be rounded up and placed in detainment camps in the event of a national emergency. If the intelligence agencies had their reasons to keep tabs on Hendrix, they couldn't have picked a better man for the job than Hendrix's manager, Mike Jeffrey. Jeffrey, by his own admission an intelligence agent,(5) was born in South London in 1933, the sole child of postal workers. He completed his education in 1949, took a job as a clerk for Mobil Oil, was drafted to the National Service two years later. Jeffrey's scores in science took him to the Educational Corps. He signed on as a professional soldier, joined the Intelligence Corps and at this point his career enters an obscure phase. Hendix biographers Shapiro & Glebeek report that Jeffrey often boasted of "undercover work against the Russians, of murder, mayhem and torture in foreign cities....His father says Mike rarely spoke about what he did—itself perhaps indicative of the sensitive nature of his work—but confirms that much of Mike's military career was spent in 'civvies,' that he was stationed in Egypt and that he could speak Russian."(6) There was, however, another, equally intriguing side of Mike Jeffrey: He frequently hinted that he had powerful underworld connections. It was common knowledge that he had had an abiding professional relationship with Steve Weiss, the attorney for both the Hendrix Experience and the Mafia-managed Vanilla Fudge, hailing from the law firm of Seingarten, Wedeen & Weiss. On one occasion, when drummer Mitch Mitchell found himself in a fix with police over a boat he'd rented and wrecked, mobsters from the Fudge management office intervened and pried him loose.(7) Organized crime has had fingers in the recording industry since the jukebox wars. Mafioso Michael Franzene testified in open court in the late 1980s that "Sonny" Franzene, his stepfather, was a silent investor in Buddah Records. .... In 1971, Buddha Records' Bobby Bloom was killed in a shooting sometimes described as "accidental," sometimes "suicide," at the age of 28. Bloom made a number of solo records, including "Love Don't Let Me Down," and "Count On Me." He formed a partnership with composer Jeff Barry and they wrote songs for the Monkees in their late period. Bloom made the Top 10 with the effervescent "Montego Bay" in 1970. Other Mafia-managed acts of the late 1960s were equally apolitical: Vanilla Fudge ("You Keep Me Hangin' On," "Bang, Bang"),(9) Motown's Gladys Knight and the Pips, and Curtis Mayfield.(10) In the '60s and beyond, organized crime wrenched unto itself control of industry workers via the Teamsters Union. Trucking was Mob controlled. So were stadium concessions. No rock bands toured unless money exchanged hands to see that a band's instruments weren't delivered to the wrong airport.(11) Intelligence agent or representative of the mob? Whether Jeffrey was either or both—and the evidence is clear that a CIA/Mafia combination has exercised considerable influence in the music industry for decades—at a certain point, Hendrix must have seen something that made him desperately want out of his management contract with Jeffrey. Monika Dannemann, Hendrix's fiancé at the time of his death, describes Mike Jeffrey's control tactics, his attempts to isolate and manipulate Hendrix, with observations of his evolving awareness that Jeffrey was a covert operator bent on dominating his life and mind: Jimi felt more and more unsafe in New York, the city where he used to feel so much at home. It had begun to serve as a prison to him, and a place where he had to watch his back all the time. In May 1969 Jimi was arrested at Toronto for possession of drugs. He later told me he believed Jeffrey had used a third person to plant the drugs on him—as a warning, to teach him a lesson. Jeffrey had realized not only that Jimi was looking for ways of breaking out of their contract, but also that Jimi might have calculated that the Toronto arrest would be an easy way to silence Jimi.... Jeffrey did not like Jimi to have friends who would put ideas in his dead and give him strength. He preferred Jimi to be more isolated, or to mix with certain people whom Jeffrey could use to influence and try to manipulate him. So in New York, Jimi felt at times that he was under surveillance, and others around him noticed the same. He tried desperately to get out of his management contract, and asked several people for advice on the best way to do it. Jimi started to understand the people around him could not be trusted, as things he had told them in confidence now filtered through to Jeffrey. Obviously some people informed his manager of Jimi's plans, possibly having been bought or promised advantages by Jeffrey. Jimi had always been a trusting and open person, but now he had reason to become suspicious of people he didn't know well, becoming quite secretive and keeping very much to himself.(12) Five years after the death of the virtuoso, Crawdaddy reported that friends of Hendrix felt "he was very unhappy and confused before his death. Buddy Miles recalled 'numerous times he complained about his managers." His chief roadie, Gerry Stickells, told Welch, "he became frustrated...by a lot of people around him."(13) Hendrix was obsessed with the troubles that Jeffrey and company brought to his life and career. The band's finances were entirely controlled by management and were depleted by a tax haven in the Bahamas founded in 1965 by Michael Jeffrey called Yameta Co., a subsidiary of the Bank of New Providence, with accounts at the Naussau branch of the Bank of Nova Scotia and the Chemical Bank in New York.(14) A substantial share of the band's earnings had been quietly drained by Yameta. The banks where Jeffrey opened accounts have been officially charged with the laundering of drug proceeds, a universal theme of CIA/Mafia activity. (The Chemical Bank was forced to plead guilty to 445 misdemeanors in 1980 when a federal investigation found that bank officials had failed to report transactions they knew to derive from drug trafficking.(15) The Bank of Nova Scotia was a key investor in the Bank of Commerce and Credit International, BCCI, once described by Time magazine as "the most pervasive money-laundering operation and financial supermarket ever create," with ties to the upper echelons of several governments, the CIA, the Pentagon and the Vatican.(16) BCCI maintained warm relationships with international terrorists, and investigators turned up accounts for Libya, Syria and the PLO at BCCI's London branch, recalling Mike Jeffrey's military intelligence interest in the Middle East. And then there were bank records from Panama City relating to General Noriega. These "disappeared'' en route to the District of Columbia under heavy DEA guard. An internal investigation later, DEA officials admitted they were at a loss to explain the theft.(17) Friends of Hendrix, according to Electric Gypsy, confiscated financial documents from his New York office and turned them over to Jimi: "One showed that what was supposed to be a $10,000 gig was in fact grossing $50,000." "Jimi Hendrix was upset that large amounts of his money were missing," reports rock historian R. Gary Patterson. Hendrix had discovered the financial diversions and took legal action to recover them.(18) But there was another factor also involving funds. Some of Hendrix's friends have concluded that "Jeffrey stood to make a greater sum of money from a dead Jimi Hendrix than a living one. There was also mention of a one million dollar insurance policy covering Hendrix's life made out with Jeffrey as the beneficiary." The manager of the Experience constructed "a financial empire based on the posthumous releases of Hendrix's previously unreleased recordings."(19) Crushing musical voices of dissent was proving to be an immensely profitable enterprise because a dead rocker leaves behind a fortune in publishing rights and royalties. Roadies couldn't help but notice that Mike Jeffrey, a seasoned military intelligence officer, was capable of "subtle acts of sabotage against them," reports Shapiro. Jeffrey booked the Experience for a concert tour with the Monkees and Hendrix was forced to cancel when the agony of playing to hordes of 12-year-old children, and fear of a parental backlash, convinced him to bail out. As for the arrest in Toronto, Hendrix confidantes blame Jeffrey for the planted heroin. The charges were dropped after Hendrix argued that the unopened container of dope had been dropped into his travel bag upon departure by a girl who claimed that it was cold medicine.(20) In July, 1970, one month before his death, at precisely the time Hendrix stopped all communications with Jeffrey, he told Chuck Wein, a film director at Andy Warhol's Factory: "The next time I go to Seattle will be in a pine box."(21) >snip< (And here's some info on the murder of John Lennon, too.) <a href="http://www.maebrussell.com/Mae%20Brussell%20Articles/John%20Lennon%20Assassination.html">www.maebrussell.com/Mae%2...ation.html</a> >snip< Tom: You apparently believe there was a government conspiracy to assassinate and silence John Lennon which was conducted by the same people who murdered other political figures and musicians in the past eighteen years? Mae: Absolutely! The federal government has maintained active programs to eliminate rock musicians and disrupt rock concerts. Senator Frank Church's Committee hearings in 1975 and the FBI Cointel-Programs clearly document the intent to break up any gatherings of the "new left". Nothing brought anti-war demonstrators together with political messages more effectively than music festivals. There is hard evidence the CIA assigned agents to "investigate the music industry." After the murders of Tim Buckley, Jim Croce, and Mama Cass Elliot, more information surfaced about earlier mysterious deaths of Jimi Hendrix, Jim Morrison, and Janis Joplin. Listed below, but not updated this past year, are some of the rock musicians who have died since the Huston Plan and the FBI Cointel-Program were activated. If these people had been taking any kinds of drugs, there is the distinct possibility that specific poisons were added to their drugs, enough to be fatal, to make it appear that they had died from a simple "overdose". John Lennon Paul Kossoff John Bonham Elvis Presley Jim Reeves Steve Parson Buddy Holly Berry Oakley Bob Marley Otis Redding Tim Buckley Sal Mineo Brian Jones Jim Croce Harry Chapin Jimi Hendrix Richard Earina Brian Epstein, Beatles manager Janis Joplin Lenny Bruce Jim Morrison Larry Williams Michael Jeffery, Jimi Hendrix manager Duane Allman Bon Scott, AC/DC Mama Cass Elliot Richie Valens Rod McKernan, "Pig Pen" of the Grateful Dead Gram Parsons J. P. Richardson Phil Oakes Ronnie Van Zandt Marc Bolan Steve Gains Donald Rex Jackson, Grateful Dead mgr. Keith Moon Sid Viscious The murder of John Lennon is the tragic finale to an entire era, the reminder that once an artist becomes as popular and as political as he was, his enemies will be waiting to make sure his messages never appear again to awaken the slumbering youth.

by **heyjt** » Sun Jun 25, 2006 7:27 pm

I love this discription of a bitter and marginalized Richard Perle wasting his youth while the hippies frolicked and fucked around him: Journalist Mark Ames considered the deeper origins of long-standing grudges held by Bush aides like Iraq war architect Richard Perle in his review of the book "An End to Evil," which Perle co-authored: "Indeed, every sad word of 'An End to Evil' oozes Perle's... pained, wasted '60s youth...: wasted in yellow sheet stains, wasted studying maps color-coded with spheres-of-influence, wasted memorizing German armaments, and college years wasted playing Risk in their dorms while the socially successful hippies frolicked and fucked all around them. Perle... will never forgive America for this humiliation and therefore [he] want[s] to egg it on to its suicide by prodding it into a multi-front apocalyptic world war." <a href="http://www.alternet.org/mediaculture/35572/">www.alternet.org/mediaculture/35572/</a>

by **Joe Hillshoist** » Sun Jun 25, 2006 11:00 pm

Bon Scott. Of all the deaths up there Bon Scott's is the easiest to put down to his own attitude IMO. Then again, what happened to accadacca after bons death. Huge and thunderstruck. Bon was a mad bastard bogan (aussie term meaning white trash or similar) from the suburbs. TNT, Problem Child, and Dirty Deeds (done dirt cheap) are classic Australian songs, because they reflect what most of Australia was all about. Beer and fighting. (And dodgy dealings out behind the pub). PS Problem Child is a killer song. these days they medicate kids like that.

by **Sweejak** » Sun Jun 25, 2006 11:48 pm

I have no doubt at all that a large component of the hatred toward "liberals" is derives from the fact that they lost the cultural war of the 60's even if it was compromised. I wonder what songs Perle was hearing in his head. <blockquote>Quote:<hr>If we just let our vision of the world go forth, and we embrace it entirely, and we don't try to piece together clever diplomacy but just wage a total war, our children will sing great songs about us years from now. -- Richard Perle<hr></blockquote>

The Evil Hippie

Re: The Evil Hippie and the Failed Hippie ala cointelpro

Richard Perle vs. The Hippies

Re: Richard Perle vs. The Hippies

Re: Richard Perle vs. The Hippies

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