Vibration, Music and the Basic Truths of Reality

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Re: Vibration and Drumbeats

Postby tigre63 » Thu Mar 30, 2006 4:01 am

Ammonia Maser = same frequency as altered states?<br><br><!--EZCODE AUTOLINK START--><a href="http://en.wikipedia.org/wiki/Maser">en.wikipedia.org/wiki/Maser</a><!--EZCODE AUTOLINK END--><br>Maser-like stimulated emission also occurs in nature in interstellar space. Water molecules in star-forming regions can undergo a population inversion and emit radiation at 22 GHz, creating the brightest spectral line in the radio universe. Some water masers also emit radiation from a vibrational mode at 96 GHz.<br>end snip<br>*********************<br>Interesting. <p></p><i></i>
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Some more numbers

Postby cortez » Thu Mar 30, 2006 5:09 am

I've bee busy reading through some of the links above, there's a lot that is confusing me at this moment<br><br>so I'll add some more to the mix, this is from a book 'High Priests, Quantum Genes' <br><br>---<br><br>...The spiral-shaped DNA molecule involves four chemical bases called adenine, guanine, cytosine and thymine. And these four can combine together in sixty-four different ways to form triplet units called RNA codons.<br><br>The number sixty-four struck a chord. Then he remembered what it was: that the Chinese ‘Book of Changes’, the I-Ching, has sixty-four ‘hexagrams’, each made up of two different lines. Any reader who has ever tried throwing down three coins to consult the I-Ching will recall that a preponderance of tails result in a broken line, ____ ____<br>while three heads form an unbroken line: _________<br><br>The first symbolises the Chinese concept of ‘yin’, the feminine, the yielding, while the second is ‘yang’, the forceful and masculine. The coins are thrown six times, and the six lines are laid on one another in a kind of six-decker sandwich.<br><br>Those who use Richard Wilhelm’s translation, with the introduction by Jung, will recall that the next step is to turn to the chart at the back of the book, which contains sixty-four numbers in a grid of squares, whose sides are eight units long. You then look up your ‘top’ trigram along the horizontal edge, and your ‘lower’ trigram along the vertical edge, and the square where the two trigrams meet is the number of the hexagram you are looking for.<br><br>In the early stage of his quest, Mike Hayes (as he prefers to be known) had studied the I-Ching, and wondered idly why the number of hexagrams is eight times eight, not seven times seven or nine times nine. And now, with the coincidence of the DNA code and the hexagrams of the I-Ching, he found himself wondering if this number sixty-four is some basic code of life.<br><br>When he learned that there were eight trigrams hidden in DNA, he began to feel that this was more than an odd coincidence… <br><br>more here<br><!--EZCODE LINK START--><a href="http://www.world-mysteries.com/gw_mhayes.htm">link</a><!--EZCODE LINK END--><br><br>and some more<br><br>--------<br><br> ...Now, apart from geometry and the solving of probability and statistical questions, there is another, much more important aspect of the pi convention. This is its musical conformity. 22/7 is in fact an expression of three consecutive octaves of resonance. An octave, as everyone knows, comprises seven fundamental notes: Do-re-mi-fa-sol-la-ti. The eighth note, Do, a repeat of the first but with double the pitch frequency, is the first note of the second octave. Accordingly the eighth note of the second octave – again, Do – is the first note of the third. Taken together these three octaves contain twenty-two notes.<br><br> What we have here, in fact, is a symbolic embodiment of the two most fundamental laws of nature, namely, the ubiquitous law of three forces (active-passive-neutral), and the lesser-known but equally all-embracing law of octaves. The law of three forces, as we shall see, is the absolute mainstay of all creative processes, whose influence manifests practically everywhere. The second law, the law of octaves, tells us that all phenomena generated by these three primordial forces are essentially musically structured. To sensibly visualise this concept, we need to look at the formula pi when expressed musically, like so:<br><br>Do-re-mi-fa-sol-la-ti-Do-re-mi-fa-sol-la-ti-Do-re-mi-fa-sol-la-ti-Do.<br><br> This configuration expresses in exact scientific terms everything you need to know to understand the General Theory of just about Everything. All one need do to appreciate this is to remember the key musical numbers incorporated within it. These are: 3, 4, 7, 8, 22, and 64. Three, the number of the Trinity, is the number of octaves encoded in pi. Four is the number of base-notes (Dos) in three consecutive octaves. Seven is the number of intervals between the notes of the major scale. Eight is the number of individual notes in the major scale. Twenty-two is the number of notes in three consecutive scales or octaves. And, according to the law of three forces, the three octaves incorporated in pi are each sub-divisible into three octaves apiece, giving an inner formula of nine octaves, or sixty-four notes. So eight is the constant, and sixty-four, is the square of it.<br><br> So much for the maths. You don't need to be an Einstein to venture further, although it is worth noting the most famous scientific equation of all time – e=mc2 – was formulated to verify this great scientist's Special Theory of Relativity, which states that e, the latent nuclear energy contained in any given element, is equal to m, the mass of the thing, multiplied by c2, the square of the constant speed of light. As we shall see, the square of the constant occurs time and again throughout the whole of nature.<br><br> I have called this musical pattern of symmetry the Hermetic Code, after the Greek god of wisdom and patron of alchemy Hermes Trismegistus, known as the god Thoth, in Old Kingdom Egypt. As noted previously, it was in ancient Egypt where the pi symmetry first came to light, both in its most famous piece of architecture the Great Pyramid – and also in extant administrative documents of the Old Kingdom.<br><br> The law of three expressed in the Hermetic Code can be recognised by anyone. Nothing in this universe can be created without the combined action of the three forces described by it: active, passive and neutral. The three main constituents of atoms – protons, electrons and neutrons – the triplet-codon templates of the genetic code, the three pin plug, two opposing teams and a neutral referee, the three primary colours of the spectrum of light, the tripart social and political arenas, two chemical compounds and an intermediary catalyst – all of these trinities exist and interact as a direct result of the three fundamental forces described by the first law of nature. Whenever and wherever something is created, these three forces will inevitably be there.<br><br><!--EZCODE LINK START--><a href="http://www.newdawnmagazine.com/articles/Hermetic%20Universe.html">link</a><!--EZCODE LINK END--><br><br> <p></p><i></i>
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brown numbers

Postby smithtalk » Thu Mar 30, 2006 6:34 am

brown noise,<br><br>low frequency that you cant hear and makes you defecate involuntary,<br><br> <p></p><i></i>
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levitation thru soundwaves

Postby john doe » Thu Mar 30, 2006 4:43 pm

<!--EZCODE ITALIC START--><em>...Behind each instrument was a row of monks. When the stone was in position the monk behind the small drum gave a signal to start the concert. The small drum had a very sharp sound, and could be heard even with the other instruments making a terrible din. All the monks were singing and chanting a prayer, slowly increasing the tempo of this unbelievable noise. <br><br>During the first four minutes nothing happened, then as the speed of the drumming, and the noise, increased, the big stone block started to rock and sway, and suddenly it took off into the air with an increasing speed in the direction of the platform in front of the cave hole 250 metres high. After three minutes of ascent it landed on the platform...</em><!--EZCODE ITALIC END--><br><br><br><!--EZCODE IMAGE START--><img src="http://travelintibet.com/horns.jpg" style="border:0;"/><!--EZCODE IMAGE END--><br><br><br><!--EZCODE LINK START--><a href="http://www.labyrinthina.com/grid.htm" target="top">www.labyrinthina.com/grid.htm</a><!--EZCODE LINK END--> <p></p><i></i>
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Re: levitation thru soundwaves

Postby thoughtographer » Thu Mar 30, 2006 5:11 pm

You guys all know about <!--EZCODE LINK START--><a href="http://en.wikipedia.org/wiki/John_Ernst_Worrell_Keely">John Ernst Worrell Keely</a><!--EZCODE LINK END-->, right? The Theosophical Society swarmed all over him back in his day, and Blavatsky resided in Philadelphia while Keely was operative, mentioning his work and commercial failures in <!--EZCODE BOLD START--><strong>The Secret Doctrine</strong><!--EZCODE BOLD END-->. This is the stuff of obscure Philadelphia legends.<br><br>Keely's lab is now gone, and I was told that it's now a fenced-in, weed infested lot in the middle of what is currently a shitty neighborhood probably destined for development by encroaching gentrification in the area. I think he was buried in Mt. Moriah cemetery, but I can't be sure.<br><br>People who can afford to eat at <!--EZCODE LINK START--><a href="http://www.whitedog.com/blavatsky.html">The White Dog Cafe</a><!--EZCODE LINK END--> on Sansom Street are treated to bits of Blavatsky's Philadelphia history, and then go by schlock at the attached "Black Cat" store, which is part of the same building. I think she also lived on Girard street. <p><!--EZCODE ITALIC START--><em>"A crooked stick will cast a crooked shadow."</em><!--EZCODE ITALIC END--></p><i></i>
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Re: levitation thru soundwaves

Postby Hugh Manatee Wins » Thu Mar 30, 2006 5:24 pm

Frank Zappa called composing "drawing architecture in the air."<br>He also called 'Louie Louie' a form of terrorism.<br><br>Zappa inspired the revolution against the regime in Czechoslovakia and his picture is revered in much of Germany and Eastern Europe where anti-fascists have a special place in hearts and minds.<br><br>The power of the Woodstock Generation rock stars was a threat to the National inSecurity State and many of those musicians were targeted with cointelpro-type neutralization plans.<br><br>Jim Morrison was a genius film student who wrote about how movies were used for mind control. Dead at 27. Hmmm....<br><br>The fuzz pedal and wah-wah pedal are revolutionary tools in the right hands and Jimi Hendrix scared the shit out of the FBI.<br><br>Check out Alex Constantine's article 'The Secret War Against Rock.' <p></p><i></i>
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Re: levitation thru soundwaves

Postby Gouda » Thu Mar 30, 2006 5:37 pm

<!--EZCODE QUOTE START--><blockquote><strong><em>Quote:</em></strong><hr>In 1890 Keely pronounced that he was on the verge of a breakthrough. The "liberator" would disintegrate air and release an etheric force that could convert one quart (1 L) of water to enough power to "send a train of cars from Philadelphia to San Francisco".<br><br>John Keely died in November 18 1898 when he was hit by a streetcar.<hr></blockquote><!--EZCODE QUOTE END--> <p></p><i></i>
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Re: levitation thru soundwaves

Postby thoughtographer » Thu Mar 30, 2006 5:46 pm

<!--EZCODE LINK START--><a href="http://www.bmwworld.com/models/750hl.htm">BMW 750gl</a><!--EZCODE LINK END--><br><br>I can't find the source, but there was some very telling correspondence from the independent research community that probably lead BMW to this point. <p><!--EZCODE ITALIC START--><em>"A crooked stick will cast a crooked shadow."</em><!--EZCODE ITALIC END--></p><i></i>
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to the best of my knowledge.

Postby slimmouse » Thu Mar 30, 2006 7:07 pm

<!--EZCODE QUOTE START--><blockquote><strong><em>Quote:</em></strong><hr>Behind each instrument was a row of monks. When the stone was in position the monk behind the small drum gave a signal to start the concert. The small drum had a very sharp sound, and could be heard even with the other instruments making a terrible din. All the monks were singing and chanting a prayer, slowly increasing the tempo of this unbelievable noise. <hr></blockquote><!--EZCODE QUOTE END--><br><br> As far as Im aware, this is something akin to how the Egyptians did that which modern engineering would hopelessly fail to imitate today.<br><br> Though it wasnt thru sound. But the general idea is of course similar. <p></p><i></i>
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Thanks for the link.

Postby slimmouse » Thu Mar 30, 2006 7:12 pm

<!--EZCODE QUOTE START--><blockquote><strong><em>Quote:</em></strong><hr>I can't find the source, but there was some very telling correspondence from the independent research community that probably lead BMW to this point.<hr></blockquote><!--EZCODE QUOTE END--><br><br> Thanks for that link Thoughtographer ! <p></p><i></i>
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Re: Thanks for the link.

Postby thoughtographer » Thu Mar 30, 2006 8:18 pm

You're welcome, slimmouse.<br><!--EZCODE QUOTE START--><blockquote><strong><em>Quote:</em></strong><hr>Ammonia Maser = same frequency as altered states?<hr></blockquote><!--EZCODE QUOTE END--><br><br>I don't know, since I highly doubt that can be nailed down to one periodic wave function. It's easy to get caught up in the numerical correspondences, which is sort of a blind alley for a lot of people, but the fact remains that a correlation does exist. <br><br>The Ammonia MASER is/was also used as a time reference (think atomic clocks), which of course helped to form the backbone of our modern applied physics. Many crop circle researchers have latched on to the MASER as a possible source of crop circles, but that's where things get a little <!--EZCODE ITALIC START--><em>complicated</em><!--EZCODE ITALIC END-->.<br><br>Notice the color of the Hydrogen MASER on the Wikipedia page.<br><br>Here's a bunch of junk. I don't fully endorse any of it, but there are some clues. Paging Doctor Dick, Doctor Philip...<br><br><!--EZCODE LINK START--><a href="http://beige.ucs.indiana.edu/M743/node41.html">The Ammonia maser: A Quantum NOT Gate</a><!--EZCODE LINK END--><br><!--EZCODE QUOTE START--><blockquote><strong><em>Quote:</em></strong><hr>HYMNS Hybrid Magnetosphere Numerical Simulations<br>HYMNS Hydrogen Maser for Navigation Satellite<hr></blockquote><!--EZCODE QUOTE END--><br><!--EZCODE LINK START--><a href="http://imageevent.com/cropcirclerational/cropcirclesdecoded;jsessionid=9q9zcwj9q3.zebra_s?p=25&n=1&m=45&c=3&l=0&w=2&s=0&z=3">Photos from "Crop Circles Decoded"</a><!--EZCODE LINK END--><br><!--EZCODE LINK START--><a href="http://www.ovnis.atfreeweb.com/5_crop_circles.htm">Crop Circles: Military Use of a Microwave Laser Beam Cannon</a><!--EZCODE LINK END--><br><!--EZCODE LINK START--><a href="http://www.orwelltoday.com/cropcircleweapon.shtml">Crop Circles & Weapons</a><!--EZCODE LINK END--><br><!--EZCODE LINK START--><a href="http://en.wikipedia.org/wiki/Astrophysical_maser">Astrophysical MASER</a><!--EZCODE LINK END--><br><br>There's a guy with a great theory that I can't locate at the moment, but let's just say that it sounds very much like PKD's "plasmate" theories, as well as discussing possible natural and artificial, space-borne origins. Check out Vallee's "Black Knight" satellite in "Disneyland of The Gods" for some interesting links, as well. As far as crop circles are concerned, I think we're looking at something with multiple explanations, the sum total of which have far-reaching and completely fucking bizarre implications. I think we're looking at observation and imitation here, but the why and how is the really strange part. William S. Burroughs, where are you now? <p><!--EZCODE ITALIC START--><em>"A crooked stick will cast a crooked shadow."</em><!--EZCODE ITALIC END--></p><i>Edited by: <A HREF=http://p216.ezboard.com/brigorousintuition.showUserPublicProfile?gid=thoughtographer>thoughtographer</A> at: 3/30/06 5:22 pm<br></i>
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William S. Burroughs, where are you now?

Postby slimmouse » Thu Mar 30, 2006 9:40 pm

<br><br> Have a try getting this lol ;<br><br> This is G o o g l e's cache of <!--EZCODE AUTOLINK START--><a href="http://www.reptilianagenda.com/">www.reptilianagenda.com/</a><!--EZCODE AUTOLINK END--> as retrieved on 26 Feb 2006 01:42:31 GMT.<br>G o o g l e's cache is the snapshot that we took of the page as we crawled the web.<br>The page may have changed since that time. Click here for the current page without highlighting.<br>This cached page may reference images which are no longer available. Click here for the cached text only. <p></p><i></i>
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Re: William S. Burroughs, where are you now?

Postby thoughtographer » Thu Mar 30, 2006 9:45 pm

<!--EZCODE LINK START--><a href="http://en.wikipedia.org/wiki/1953">1953</a><!--EZCODE LINK END--> <p><!--EZCODE ITALIC START--><em>"A crooked stick will cast a crooked shadow."</em><!--EZCODE ITALIC END--></p><i></i>
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6 degrees of separation.

Postby slimmouse » Thu Mar 30, 2006 11:00 pm

<!--EZCODE AUTOLINK START--><a href="http://mathworld.wolfram.com">mathworld.wolfram.com</a><!--EZCODE AUTOLINK END--><br>/6DegreesofSeparationPhenomenon.html<br><br><!--EZCODE AUTOLINK START--><a href="http://en.wikipedia.org/wiki/1947">en.wikipedia.org/wiki/1947</a><!--EZCODE AUTOLINK END--><br><br> <p></p><i></i>
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Re: 6 degrees of separation.

Postby smithtalk » Thu Mar 30, 2006 11:30 pm

am i missing something here, 1947? what the <p></p><i></i>
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