Tantra-Induced Delusional Syndrome ("TIDS")

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Re: Tantra-Induced Delusional Syndrome ("TIDS")

Postby American Dream » Fri Oct 25, 2013 5:54 pm

http://boingboing.net/2013/10/25/levita ... hapes.html

Levitating, dancing and shapeshifting droplet

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Re: Tantra-Induced Delusional Syndrome ("TIDS")

Postby American Dream » Sat Oct 26, 2013 2:27 pm

http://rosamondpress.wordpress.com/2013 ... th-on-lsd/

Death On LSD

Posted on August 12, 2013 by Royal Rosamond Press

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If my intent was to fraudulently convince my reader I had died and gone to heaven – then came back, I would have picked a more believable death, then death on LSD. When I informed my new found daughter this happened to me, she thought I was utterly insane even though her hippie mother was an avid taker of LSD. My daughter is an atheist, and does not subscribe to any spiritual program. However, she does favor the accepted reality that says only Jesus can die and come back, because this belief, in her opinion, renders her more normal and sane, thus sociably desirable amongst her peers who want to be perceived as normal.

The first group to experiment with LSD, was the military, in America and Britain. Scientists in the employ of the military were instructed to find out if LSD could be used as a weapon, see if it could render the enemy dead in some manner, or, reduce their ability to fight – even their desire to do so. It was British and American tax dollars that discovered that most human beings on LSD had no interest in fighting for their county – or any country. This is good, if only you own this weapon. We can’t have both sides of a conflict dosing each other soldiers, or, there WOULD BE NO WAR!

Hmmmm! Looks like the Hippie Peacenik thing was invented by the Military with the backing of the Normal Ones, those who are not insane, even though their job is to invent ways of killing people for a living.

Now, if Islamic Radicals invented LSD as a weapon, a year ago, and were threatening to employ this weapon in our drinking water, then most Americans would belive this was a very insane and diabolical thing to do. Most Christians would say these radicals evil, this drug born out the ass of the Anti-Christ! Atheists would agree, even though they do not believe in the Ant-Christ or Christ.

Below is an article about Tim Scully. I was introduced to Tim by my art patron whom I will call Robert. Tim was the manager of an art supplies store in Berkeley. My patron and I had gone to buy more art supplies. Robert bought me art supplies the morning after I emerged from my room to find about eight members of the Brotherhood of Eternal Love waiting to behold me. My friend James, who grew up with Tim and Robert, was with me when I died. Something extraordinary happened. Like what? Wasnt LSD going to be used to kill people? Finally, mission accomplished. It works! I am living proof your tax money was not wasted on some stupid-ass drug program.

Robert and Tim conducted experiments at the Livermore Laboratory when they were sixteen. They were school geniuses. Robert told me his I.Q. was around 200. I was one of the first guinea pigs to be hooked up to Tim’s bio-feedback machine. Tim and Robert were being heavily recruited by the Military. They just said “NO”.

Mario Savio and others protested the recruiting of gifted students on the UC campus, and was arrested. The industrial Military Comlex that employed Sir Ian Easton and my brother, believed Egg Heads should pay their debt to society, and willingly be an extension of the Killer Hardware Program – because they were educated in the public school system – that honored my gifts, and sent two of my painting to tour the world in a Red Cross show.

I was drafted in 1966. If the military had discovered Art could be turned into a deadly weapon, I would not have been drafted, and would be living in the Berkeley hills (at tax payers expense) watching Luna Rossa compete in America’s Cup while millions all over the world are ravaged by Killer Art.

“Hmmmm!” says the phantom flash-back of my mind.

How well I did as an artist, was being studied by Robert and others, because I refused to be the Acid Messiah and lead the Left against the Right. Indeed, I said I would take LSD away from the players, because – I won!

Robert had me throw three coins while I was lecturing about ten people – just this side of heaven. He bid me to throw these coins six times. I did. I was annoyed, and wanted Robert to go away. Robert and I remained close friends for over a decade. He hung my paintings all over the labs at UC. Robert was the youngest head of a department in UC history.

When my Muse came into my life, she changed the look of my artwork. When I showed my sister my painting, rendered by the colors Robert bought me, she took up art, and became world-famous.

So, one can conclude an experiment with a very powerful dose of LSD in 1967, resulted in the formation of a Historic Artistic Dynasty. I rendered Rena’s image while I was the roommate of Peter Shapiro, who as a member of the bands ‘The Loading zone’ and ‘The Marbles’ who played at the first Acid-Tests. I did not take drugs for fifteen years after I died. I encouraged many to never take drugs again.

The first words I spoke after I came back to life, after lying in my room for two days, was’

“I am thirsty. I would like a glass of water.”

Tim Scully’s sister had approached me, knelt, took my hand, and asked me what I wanted. Tim was a member of the Brotherhood of Eternal Love, as was my friend who was with me when I died on a powerful dose of Orange Sunshine, of which I had an hour before taken another dose so I could get back into my body. There were about five members of the Brotherhood present who had heard of my death. I never met them.

When I took a few sips of water from the crystal goblet, I said this;

“With this water I swallow, I wash the drug LSD from my system, into my urinary track, and I need to use the toilet, where I will flush this drug into the sea, and dilute it, take it from you forever. The game is over.”

And I rose, and did just that. I purged Orange Sunshine from my body, and a movement I was a part of. Later, I would tell two young men who were preparing a batch of LSD for Europe;

“The cops are outside waiting for you.You’re going to get busted.”

Most of the Brotherhood got busted – after the powerful king-like entity that was inside me, rebuked them, with permission of the Lord of Truth I beheld on McClure’s Beach February 11, 1967. I was being asked to be a anti-war Messiah. The LSD I took, did not go with me where I saw my sisters adorned in the jewels of heaven. Back here on earth, I was adorned in precious jewels with wisdom beyond compare. LSD was doing damage to a very delicate God-consciousness that I have been attuned to most of my life.

Jon Presco

http://en.wikipedia.org/wiki/Parliamentary_debate

[youtube]AfOIhKlkUy8
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Tim Scully

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Robert “Tim” Scully (born August 27, 1944) is best known in the psychedelic underground for his work in the production of LSD from 1966 to 1969, for which he was indicted in 1973 and convicted in 1974.[1] His best known product, dubbed “Orange Sunshine”, was considered the standard for quality LSD in 1969.[2]

Scully grew up in Pleasant Hill, which was across the Bay from San Francisco. In eighth grade he won honorable mention in the 1958 Bay Area Science Fair for designing and building a small computer. During high school he spent summers working at the Lawrence Berkeley Laboratory on physics problems. In his junior year of high school, Scully completed a small linear accelerator in the school science lab (he was trying to make gold atoms from mercury) which was pictured in a 1961 edition of the Oakland Tribune. Scully skipped his senior year of high school and went directly to U.C. Berkeley majoring in mathematical physics. After two years at Berkeley, Scully took a leave of absence in 1964 because his services as an electronic design consultant were in high demand. Tim Scully first took LSD on April 15, 1965.

Scully knew the government would move quickly to suppress LSD distribution, and he wanted to obtain as much of the main precursor chemical, lysergic acid, as possible. Scully soon learned that Owsley Stanley possessed a large amount (440 grams) of lysergic acid monohydrate. Owsley and Scully finally met a few weeks before the Trips Festival in the fall of 1965. The 30-year-old Owsley took the 21 year old Scully as his apprentice[3] and they pursued their mutual interest in electronics and psychedelic synthesis.

Owsley took Scully to the Watts Acid Test on February 12, 1966, and they built electronic equipment for the Grateful Dead until late spring 1966. In July 1966 Owsley rented a house in Point Richmond, California and Owsley and Melissa Cargill (Owsley’s girlfriend who was a skilled chemist) set up a lab in the basement. Tim Scully worked there as Owsley’s apprentice. Owsley had developed a method of LSD synthesis which left the LSD 99.9% pure. The Point Richmond lab turned out over 300,000 tablets (270 micrograms each) of LSD they dubbed “White Lightning”. LSD became illegal in California on October 6, 1966, and Scully wanted to set up a new lab in Denver, Colorado.

Scully set up the new lab in the basement of a house across the street from the Denver zoo in early 1967. Owsley and Scully made the LSD in the Denver lab. Later Owsley started to tablet the product in Orinda, California but was arrested before he completed that work. Owsley and Scully also produced a new psychedelic in Denver which they called STP. STP was initially distributed at the summer solstice festival in 1967: 5,000 tablets (20 milligrams each) which quickly acquired a bad reputation. Owsley and Scully made trial batches of 10 mg tablets and then STP mixed with LSD in a few hundred yellow tablets but soon ceased production of STP. Owsley and Scully produced about 196 grams of LSD in 1967, but 96 grams of this was confiscated by the authorities; Scully moved the lab to a different house in Denver after Owsley was arrested on Christmas Eve 1967.

Tim Scully first met William “Billy” Mellon Hitchcock, grandson of William Larimer Mellon and great-great-grandson of Thomas Mellon, through Owsley in April 1967. They became friends and Billy loaned Scully $12,000 for the second Denver lab in 1968. The product from the lab was distributed by the Brotherhood of Eternal Love; Scully was connected with the Brotherhood via Billy Hitchcock.

The second Denver lab was discovered by the police while Scully was out of town. His lab assistants were arrested there when they returned a few days later. Scully was not arrested at that time.

In December 1968 Nick Sand (through an intermediary) purchased a farmhouse in Windsor, California where he and Tim Scully set up a large LSD lab. Tim Scully and Nick Sand (another psychedelic chemist) produced over 3.6 million tablets (300 micrograms each) of LSD they dubbed “Orange Sunshine” by the summer of 1969. In May 1969 Tim Scully was arrested in California for the 1968 Denver lab. The search was eventually ruled illegal, but Scully decided to retire from clandestine chemistry and pursue electronic design instead. In 1969 Scully formed his own corporation, Aquarius Electronics, and he was president and sole designer from 1971-1976.

The government had been building a case against Tim Scully’s partner in the Windsor lab, Nick Sand, since late 1971. In early 1973 Billy Hitchcock was threatened with 24 years in prison for tax evasion if he didn’t help the government convict the prime movers of the LSD cartel. Billy provided evidence and testified against Tim Scully and Nick Sand and they were both indicted in April 1973. Scully’s defense was that he was producing ALD-52, which was legal, and not the controlled substance LSD-25.[4] Scully lost the case and was convicted and sentenced to 20 years in prison in 1974. Scully’s appeals ran out in late 1976, so he sold his stock in his company and began serving prison time in early 1977.

Scully spent his time in prison helping design and build biofeedback and interface systems for the non-vocal handicapped. Scully’s sentence was reduced to 10 years and he was released on parole from prison in 1980. Since his release from prison Scully (2005 pic) has published eight articles on the topic of biofeedback and as many on technical computer topics. He retired from his years of work with Autodesk in 2005 and is currently researching a book on the underground history of LSD. He has written a chronology of his life.
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Re: Tantra-Induced Delusional Syndrome ("TIDS")

Postby American Dream » Sat Oct 26, 2013 4:21 pm

http://rosamondpress.wordpress.com/2013 ... eful-dead/

Naming of the Grateful Dead
Posted on August 8, 2013 by Royal Rosamond Press

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Below is an explanation about how the Grateful Dead was named. But, where come the rose that is seen on the banner Death carries, that has been called Rosa Mundi ‘The Rose of the World’.

Two days after I died, about six members of the Brotherhood of Eternal Love came to see me. They wanted to see if I was ‘The One’. The Brotherhood believed LSD would put an end to war. How odd that Ian Easton and I look alike, and Rena loved both ends of a life and death spectrum. When you die, duality ceases to exist. It can cease to exist if you find the right one. I had not taken drugs for three years prior to kissing Rena. I was part of a great experiment that I could not escape from.

In 1967 I was hooked up to Tim Scully’s biofeedback machine. I knew members of the brotherhood of Eternal Love. When I lived in a commune in San Francisco with Nancy Hamren and my sister, they went on a double date with Stanley Owsley and Nick Sands. Tim’s childhood friend, Robert, became my art patron. Bob also worked at the Livermore laboratory when he was a teenager. Tim was written up in the Oakland tribune for making his own computer.

Nancy Hamren and I went to McCheznie Junior High in Oakland, then Oakland High. Bill Arnold was the love of Nancy’s life. She was the first girl I ever kissed. In 1966 we became roommates on Pine Street, where we partied with two members of the Jefferson Airplane when they visted the two Swedish Airline Stewardesses down the hall. We later lived in a commune called ‘Idle Hands’ with the two daughter of Jayrd Zoerthian who has been titled ‘The Last Bohemian’. We parties at the Zorthian Ranch when we were eighteen.

Nancy dated Stanley Augustus Owsley, and went on a double date with my sister Christine, with the LSD chemist Nick Sand. Christine had come to live with me at Idle Hands. The man behind Owsley,who grew up with Tim Scully, was my patron. These people are associated with the Brotherhood of Eternal Love who I took LSD with in Laguna Beach.

Nancy lived on Ken Kesey’s ranch and is now a co-owner of the Springfield Creamery made famous by Nancy’s Yogurt. I have been on the bus. This is the history I and my late sister are, and will forever be, famous for. We were at the epicenter of something truly unique, something that changed the world forever. I have been recording my Bohemian Roots that led to the experiment to end all experiments. It is my goal to legitimize the so called Hippie Movement so it can go foreword without the drugs.





Autobiography (pp. 62), “… [Jerry Garcia] picked up an old Britannica World Language Dictionary…[and]…In that silvery elf-voice he said to me, ‘Hey, man, how about the Grateful Dead?’” The definition there was “the soul of a dead person, or his angel, showing gratitude to someone who, as an act of charity, arranged their burial.” According to Alan Trist, director of the Grateful Dead’s music publisher company Ice Nine, Garcia found the name in the Funk & Wagnalls Folklore Dictionary, when his finger landed on that phrase while playing a game of “dictionary”.[22] In the Garcia biography, Captain Trips, author Sandy Troy states that the band was smoking the psychedelic DMT at the time.[23] The term “grateful dead” appears in folktales of a variety of cultures. In mid-1969, Phil Lesh told another version of the story to Carol Maw, a young Texan visiting with the band in Marin County who also ended up going on the road with them to the Fillmore East and Woodstock. In this version, Phil said, “Jerry found the name spontaneously when he picked up a dictionary and the pages fell open. The words ‘grateful’ and ‘dead’ appeared straight opposite each other across the crack between the pages in unrelated text.”

Other supporting personnel who signed on early included Rock Scully, who heard of the band from Kesey and signed on as manager after meeting them at the Big Beat Acid Test; Stewart Brand, “with his side show of taped music and slides of Indian life, a multimedia presentation” at the Big Beat and then, expanded, at the Trips Festival; and Owsley Stanley, the “Acid King” whose LSD supplied the tests and who, in early 1966, became the band’s financial backer, renting them a house on the fringes of Watts and buying them sound equipment. “We were living solely off of Owsley’s good graces at that time…. [His] trip was he wanted to design equipment for us, and we were going to have to be in sort of a lab situation for him to do it,” said Garcia.[

Rock Scully (born August 1, 1941) was the manager of The Grateful Dead from 1965 to 1985.[1] He is the co-author with David Dalton of the book Living With The Dead.
Living in The Haight before and during the Summer of Love, Scully first saw the band play at one of Ken Kesey’s Acid Tests under the name “The Warlocks”. He signed on as the band’s manager almost immediately. He started to book the band at small local venues like The Fillmore, a place where many bands such as Jefferson Airplane, Big Brother & The Holding Company, and Quicksilver Messenger Service got their start.
After 1967, the Dead started to hit it off big and Scully began to move up in the music industry, even getting the Dead into concerts like Woodstock and the Monterey Pop Festival, although the Grateful Dead performance at Woodstock has never been released reportedly due to Scully’s handling of their appearance there, though most believe it was more a result of the rain and electrical problems that occurred during their set. He started getting them record deals with Warner Brothers, and getting tours and albums together.
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Re: Tantra-Induced Delusional Syndrome ("TIDS")

Postby American Dream » Mon Oct 28, 2013 1:08 pm

All of which brought us to this, the dawning of the Age of Aquarius:

http://www.counterpunch.org/2013/10/28/ ... ga-racist/

Is American Yoga Racist?

by STEWART J. LAWRENCE

It was late summer, and the young white middle-class women that run the Power of Om Yoga Studio in idyllic Santa Barbara, CA were bored. Suddenly, they struck upon a novel idea. Let’s invite our friends and neighbors to dress up like “Black people.” And not just any Black people, but Black people from the “ghetto,” a place, more imagined than real, perhaps, given the town’s – and their own — demographics. So, up went a giant poster inviting local resident to attend the studio’s first-ever “Ghetto-Fabulous” yoga session. They thought it would be good simple fun.

This was no mere flight of fancy. The women photographed themselves as a group, splaying their hands and fingers as if they were members of a street gang. The poster encouraged attendees to wear “corn rows,” “snap back caps,” or a “grill” (shiny metal worn over the teeth) and offered to provide “do-rags” and other appropriate ghetto wear free at the door. Did the American yoga community even notice? There was a brief blog post on Yoga Dork, with a handful of commentaries about what many deemed a bizarre and regrettable incident. But Yoga World, beset by scandal since the demise of John Friend and Anusara Yoga and the publication of a book by a New York Times reporter bemoaning widespread injuries and poorly trained yoga teachers and calling for stronger regulation of the industry, quickly moved on to happier news.

Arguably, this was a classic “teachable” moment – a time for reflection and dialogue by American yoga industry as a whole about its underlying assumptions about race, class and privilege. But all such moments, to be truly meaningful, require sustained reflection and dialogue, with active participation by those most stigmatized or offended by what’s transpired. And there’s the rub: while precise data on the racial composition of the estimated 20 million yoga practitioners nationwide are hard to come by, the industry’s racial narrowness – if not outright exclusivity — is plain to see. Open the industry trade magazine Yoga Journal and you’ll find dozen of glossy photos of trim and immaculately coiffed women attired in expensive stretch-wear demonstrating what yoga can do to keep you slim, calm and sexy – as the title of a book by yoga super-star Tara Stiles once put it. But you’ll find few if any people of color in those pages. Subscribers to Yoga Journal are high-powered suburban women on the go, mostly upscale and decidedly white, and the magazine, as most expensive publications do, reflects its core readership. It’s not up to us to lead on race, and possibly jeopardize our bottom line, their publishers typically say.

The fact is yoga is deeply embedded in America’s economic and racial social structure, in ways that are becoming more apparent – and indeed, more embarrassing — with time. Take the growing number of neighborhood yoga studios, which in some cities are nearly as ubiquitous as a Starbucks. Back in the day, when yoga was still a niche practice, yoga teachers held classes in their apartments or at local recreation centers, and frequently charged what students could afford. Now, the industry is so much about the “Benjamins” that real estate developers look to high-rent yoga studios as harbingers of “urban redevelopment”, the same way they once eagerly promoted shoe or grocery outlets as “anchor” stores. It’s a form of capitalist symbiosis that’s affecting every area of the yoga consumer market — from clothing and cosmetics to food and even beer – indeed, anywhere the purchasing power of affluent white women can help investors turn a hefty profit. It’s also infusing yoga culture with a set of values that tends to marginalize the African-American experience, and keeps real Black people on the margin – “ghettoized,” in fact — while leaving them prey to the kind of white cultural projections on display in Santa Barbara.

Many observers have extolled the yoga industry for nurturing and empowering women, and a growing number of female yoga celebrities are finding corporate sponsors, and earning high six-figure incomes — though few admit to it publicly. (Sadie Nardini, who bills herself as a quirky yoga “rocker” earned $350,000 in 2010, well before she produced her own TV show). But nearly all of these women are white. In fact, only one top American yogi is African-American — Faith Hunter — and she’s barely known beyond the East Coast. African-Americans are involved in practicing yoga — in cities like Washington, DC with large numbers of middle class Blacks, for example –but that hasn’t done much to alter the racial power dynamics of the yoga industry. And aside from a few pioneering Black yoga teachers at the community level — the yoga teacher corps in the studios remains as lily white as ever.

The incident in Santa Barbara is not the first in yoga with a distinctly racial cast. There was a minor uproar two years ago when an Asian-American yoga teacher posted a You Tube video entitled “Yoga for Black People” that some people found similarly offensive, if not downright racist. The video combined yoga slogans and hip-hop riffs and used mocking references to Black celebrities like R.J. Kelly and Oprah to suggest that yoga culture was often shallow and pretentiousness. In one typical scenario, the producer and star of the video shouts “raise the roof” with her hands overhead and then slips into a downward dog pose, saying “raise the roof….on the floor!” The video concludes with a brief meditation in which she substitutes “O-bammmmma” for the traditional “Om” sound. Waylon Lewis, the editor of one prominent yoga blog, Elephant Journal, posted the video for comments, and while a few African-American commentators expressed genuine dismay, criticisms from other yogis tended to be muted, just as they were in response to the Santa Barbara incident. Practice “detachment” rather than indulge in “judgment,” as so many like to say.

And that’s just it: yoga, over time, seems to be fostering a climate of official tolerance toward the world it inhabits that easily shades into political apathy — and moral relativism. Take almost any controversial topic, and raise it among yogis, and you will find a healthy core of opinion suggesting that the best opinion is to not have any opinion at all. For some yogis, social and political obliviousness is a deeply-held spiritual principle; for others, it’s simply an existential one: they come to yoga, they say, to “forget about the world” for an hour, or an entire day. They would rather not have to deal with the kinds of divisive political controversies that so often distract and agitate them outside the hermetically sealed bliss of their yoga studios.

There may be a deeper and more pernicious reason for yoga’s refusal to deal with race. And it strikes at the heart of the yogic enterprise: “Orientalism.” Whites in the West, whether they intend to or not, are reshaping and exploiting a deeply-rooted Eastern practice for their own commercial purposes, raising the hackles of groups like the Hindu-American Foundation, as well as conservative Hindus in India, who say they fear a loss of cultural authenticity and ownership. To date, American yogis have tended to dismiss such concerns as narrow and nationalistic. Yoga is for everyone, they say, and can’t be “owned” by anyone — even by its founders, apparently. This is a rather novel – and democratic-sounding — rationale for cultural appropriation, and for American yogis it seems to function as some kind of “get out of guilt” card when it comes to issues relating to race. How can we be racist when we are celebrating and promoting a non-White culture’s unique contribution to the world?

“Imitation,” it’s been said, “is the sincerest form of flattery.” But just like the minstrel shows that featured white comedians dressed in Black face singing old Negro spirituals and “talking Black” for White audiences, imitation in a racially unequal context is never value-free. Only in America, perhaps, does the sight of millions of Whites chanting and singing in Sanskrit and singing the praises of Shakti and Shiva seem so culturally unproblematic. Perhaps, rather than try to distance themselves from a seemingly isolated yoga event in Santa Barbara, yogis should take a good long look at themselves in the mirror – at their economic privilege and their assumptions about race and culture – and try to embrace their own hallowed yogic principle of ahimsa – “to do no harm.”

What might that mean in practice? For one thing, instead of lampooning the experience of ethnic communities, why not take your hallowed mind-body practice directly to them? These are some of the most stressed-out communities in America and if yoga holds so much promise, surely these communities deserve better access to yoga’s presumed benefits. And what is Yoga Journal doing to nurture body and beauty standards beyond what one Black commentator has called the “bendy, skinny white girl model”? It may come as news to Journal editors living in their own narrow cultural enclave, but “big and beautiful” – and “of color” — are definitely “in” these days. And as so many industries have learned, it’s potentially a lucrative market, too. So let’s dispense with the pseudo-demographic justifications for keeping yoga modeling as racially “pure” as the Augusta Country Club.

And lastly, it wouldn’t hurt if the Yoga Alliance, the industry’s informal trade association, adopted some affirmative action and diversity training guidelines, just like the rest of the world has.

Yoga doesn’t need to be “ghetto fabulous” – culturally sensitive, compassionately inclusive, and humble and corporately responsible would be fabulous enough.




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Last edited by American Dream on Mon Oct 28, 2013 5:15 pm, edited 1 time in total.
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Re: Tantra-Induced Delusional Syndrome ("TIDS")

Postby American Dream » Mon Oct 28, 2013 5:02 pm

http://kfor.com/2013/10/24/police-oklah ... ual-demon/

Police: Oklahoma City man burns Bible, destroys apartment because of high ‘homosexual demon’
Posted on: 11:05 am, October 24, 2013

OKLAHOMA CITY – A bizarre and violent series of events at an Oklahoma City apartment involving Bible burning, blood, a “homosexual demon” and destruction, has landed a man behind bars.

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22-year-old Jeremy Jarnell Anderson

According to Oklahoma City police, 22-year-old Jeremy Jarnell Anderson is being held at the Oklahoma County jail Thursday after a violent episode at his apartment on the 1400 block of S. Indiana Ave.

Officers said they were called to the Oklahoma City apartment Wednesday for a reported “person going ballistic.”

Officers said the caller mentioned a man whose face was bloody had kicked a heavy apartment door off its hinges, poured salt and soap all over himself and was breaking glass and other objects.

When officers got to the apartment, they said they found Anderson, whose face and hands were covered in blood, screaming random things on the front porch.

An officer said Anderson was “clearly out of touch with reality.”

The police report states Anderson started to throw glass objects and furniture from the apartment through the door and broken windows.

As the ordeal continued, officers tried to reason with Anderson.

When that didn’t work they tried to taze him to bring him under control but Anderson ripped the probes from his skin and yelled the tazer wouldn’t affect him.

Officers said, at one point, Anderson told them to put down their weapons and he would “fist fight them.”

Authorities used a sledge hammer to get into the house and found the walls and floor were covered in blood, bleach and other “substances.”

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Anderson’s Oklahoma City apartment

A small fire was burning near the stove which quickly filled the house with smoke.

Officers said they were finally able to subdue Anderson with tazers during a smoke-blinded scuffle inside the apartment; he was immediately taken to the hospital.

At the hospital, officers said Anderson told them he had not done anything wrong, that he was just remodeling his house.

Moments later he admitted he knew he needed to be on medication.

The police report states Anderson said he started the fire in his apartment because he was “cooking the Bible” because he was a “Satanist.”

Anderson told officers he met a “possessed homosexual demon” who wanted drugs from him and performed sexual acts on him.

He said he “wasn’t gay, just high” and when he came to his senses, he couldn’t believe he let the male demon touch him.

Officers said Anderson said if he would have had a gun, he would have shot and killed his neighbors and then shot and killed officers when they arrived.

Anderson is facing first-degree arson charges; others could be added.
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Re: Tantra-Induced Delusional Syndrome ("TIDS")

Postby American Dream » Tue Oct 29, 2013 9:28 am

SHADOW SCHOOL

by Rob Brezsny

You're a gorgeous mystery with a wild heart and a lofty purpose. But like
all of us, you also have a dark side -- a part of your psyche that snarls and
bites, that's unconscious and irrational, that is motivated by ill will or
twisted passions or instinctual fears.

It's your own personal portion of the world's sickness: a mess of
repressed longings, enervating wounds, ignorant delusions, and unripe
powers. You'd prefer to ignore it because it's unflattering or
uncomfortable or very different from what you imagine yourself to be.

If you acknowledge its existence at all (many of us don't), you might call
it the devil, your evil twin, your inner monster, or your personal demon.
Psychologist Carl Jung referred to it as the shadow. He regarded it as the
lead that the authentic alchemists of the Middle Ages sought to
transmute into gold.

+

Astrologer Steven Forrest has a different name for the shadow: stuff.
"Work on your stuff," he says, "or your stuff will work on you." He means
that it will sabotage you if you're not aggressive about identifying,
negotiating with, and transforming it.

+

The shadow is not inherently evil. If it is ignored or denied, it may become
monstrous to compensate. Only then is it likely to "demonically possess"
its owner, leading to compulsive, exaggerated, "evil" behavior.

+

"The shadow, which is in conflict with the acknowledged values, cannot
be accepted as a negative part of one's own psyche and is therefore
projected -- that is, it is transferred to the outside world and experienced
as an outside object. It is combated, punished, and exterminated as 'the
alien out there' instead of being dealt with as one's own inner problem.
" --
Erich Neumann, *Depth Psychology and a New Ethic*

+

The qualities in ourselves that we deny or dislike are often the very
qualities that we most bitterly complain about in other people. So for
instance, an old friend of mine named Mark had a special disgust for
friends who were unavailable to him when he really needed them. But I
was witness to him engaging in the same behavior three different times,
disappearing from the lives of his friends just when they needed him
most.

+

"Whatever is rejected from the self, appears in the world as an event,"
said Jung. If you disown a part of your personality, it'll materialize as an
unexpected detour.

Everyone who believes in the devil is the devil . . . .


TO READ THE REST OF "SHADOW SCHOOL," go here:
http://bit.ly/wGN3iM
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Re: Tantra-Induced Delusional Syndrome ("TIDS")

Postby American Dream » Tue Oct 29, 2013 11:40 am

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Re: Tantra-Induced Delusional Syndrome ("TIDS")

Postby American Dream » Wed Oct 30, 2013 11:26 pm

http://www.21cmagazine.com/Jack-Sarfatti-Weird-Science

Jack Sarfatti: Weird Science

Dr. Jack Sarfatti is one of the leaders of the New Physics movement. However, his research into E.S.P., time, future causality and his VALIS-type experience has provoked dissent in the mainstream physics community.

by Alex Burns 1996

Image
Jack Sarfatti (pictured left). Image Source: QedCorp.


The Bohemian physicist… contributes a balanced scientific non-establishment for this expanding society. I don’t mean to disparage the work, either... Originality has always required a fertile expanse of fumble and mistake... Your wastrel life might turn out to be just what’s required to save the planet.
– Herbert Gold, Bohemia: Where Art, Angst, Love and Strong Coffee Meet


Black holes, Alcubierre warp drives, traversable worm-holes, and the quest for the Holy Grail of dark matter are outpacing the wildest SF fantasies in the public’s imagination. In the science fraternity, this ‘quantum weirdness’ is creating new paradigms with which to view reality. The most controversial physicist in this field is Dr Jack Sarfatti, whose investigation of such phenomena as superluminal (faster than light) information and anomalous experiences challenges the very underpinnings of modern quantum physics.

Sarfatti’s exotic theories are rarely discussed within the mainstream physics community. Like Harvard Medical School department of psychiatry’s John Mack, who controversially researched UFO abductions, Timothy Leary’s early 1960s metaprogramming experiments, or Lyall Watson’s unorthodox explorations of Supernature (New York: Anchor Press, 1973), Sarfatti’s exploration of the questions polite academics avoid has tainted his reputation. A typical off-hand response came from N. David Mermin of the Cornell physics department who studied Sarfatti’s papers and corresponded with him during the 1980s: “Jack Sarfatti? What a weird, strange subject to be writing about!”

Master of the Vortex

Yet Sarfatti’s theories of future causality – the future impacting on the present – are influencing the contemporary cultural meme pool. From Terminator 2 Judgment Day (1991) to Twelve Monkeys (1995), Sarfatti’s ideas have been the subject of major sci-fi scenarios. Sarfatti himself was parodied as the memorable time-travelling Dr Emmett Brown in the Back to the Future trilogy.

According to Creon Levit of the NASA Ames Research Center, who studied and worked with Sarfatti, “Jack is a maverick, because he is examining what is perhaps the most cherished assumption of modern science – that all causes must precede their effects. People, including scientists, do not, unless they are very brave, like to question their cherished assumptions. This is unfortunate, because in quantum theory the mainstream theorists have gone so far as to give up objectivity – both in their physics, and I am afraid, in their approach to physics – in order to save causality.”

“Physics is the Conceptual Art of the late 20th Century,” Sarfatti claims. “But as a science it will lead to new practical super-technology.” Recognising the role of theoretical physics as a cultural ‘early warning system,’ Sarfatti like his predecessors Carl Jung and Wolfgang Pauli, has investigated its archetypal foundations. Consequently he has evolved into a true ‘Trickster’ figure in the Gurdjieff/Leary mould, reconciling the roles of conceptual artist, physicist, poet and Magus.
“After Timothy Leary, I’m the only Magus left!” Sarfatti jokes. His synthesis attempts to capture the subjective reality of unconscious archetypes ‘revealed’ by quantum physics, a reality that, he says, can only be accessed by metaphor, evocation, poetry, and music.

Sarfatti’s ‘court’ is the chic Caffe Trieste (dubbed ‘Sarfatti’s Cave’ in deference to Plato). Situated in the bohemian suburb of North Beach, San Francisco, an area Sarfatti equates with the Left Bank of Paris: “very chic and the place to be seen; it’s been my neighborhood for over 20 years.”

Francis Ford Coppola (founder of the American Zoetrope motion picture production company); Lawrence Ferhlingetti; Guerilla Marketing expert Jay Conrad Levinson; and Jefferson Airplane’s visionary musician Paul Kantner (“who visits the Caffe Trieste almost daily”) are amongst the local community, supplanted in recent years by the Silicon Valley Nouvelle Riche and Hollywood creative artists who reside in or near North Beach. Metallica drummer Lars Ulrich can be frequently found in local restaurants like Rose Pistolas or Toscas, capturing the Italian old charm that embodied the San Francisco of the Beat Era. Increasingly, North Beach is home to thriving publishing, advertising, investment, and multimedia production houses; and to activist think tanks including the Milarepa Fund and the Earth Island Institute. For many cultural iconoclasts, North Beach is a reminder that San Francisco had atmospheric character and artistic integrity decades before the Haight-Ashbury legacy descended.

The Caffe Trieste has been the site of Sarfatti’s ‘self imposed’ exile from the conservative academic community, and his preferred location for lecturing to a rapt audience of ‘espresso scholars’. A noted personality in the North Beach scene, Sarfatti is mentioned in Herbert Gold’s works Bohemia: Where Art, Angst, Love & Strong Coffee Meet (New York: Simon & Schuster, 1993) and Travels In San Francisco. His colleagues include the famous Beat poet Gregory Corso, who reinvigorates poetry long demonized by the Machine Age.

‘Sarfatti’s Cave’ has now gone online, as he utilises the World Wide Web as an interactive education tool.

The tax-exempt, non-profit Internet Science Education Project uses SF trappings (the primary directive of The Sarfatti Group is to “Make Star Trek Real”) and video-capturing software to make physics relevant to Net surfers. Sarfatti rails against the over-specialization of academia that leads many people into intellectual cul de sacs. Linking science, technology and culture, he believes, is an exercise in egalitarianism and combats the current U.S. education trend of the creation of a mass “stupid society” and a meritocracy that protects an educated elite. Echoing Christopher Lasch’s criticisms of a decline in public discourse, Sarfatti fires missives worldwide, attempting to enliven the physics community.

“I am in the meme business,” says Sarfatti, recalling zoologist Richard Dawkins study of ideas, behaviors, and skills that replicate and transmit themselves via imitation (using the human mind similarly to the way that a virus does in a biological host). “My objective is that certain memes will win the competition in cyberspace and shape world consciousness. The Web will be the dominant means of learning and communication; it is a democratic forum.

“Censorship is to be fought. The free competition of conflicting memes on the Web will be subject to Darwinian natural selection pressure plus some advanced quantum action from the future via John Lilly’s Cosmic Coincidence Control. This makes it all come out in a globally self-consistent time loop the way Kip S. Thorne defines it in Black Holes & Time Warps (New York: W.W. Norton & Co, 1994).

“The main new feature of the WWW is its dynamic nature. Several minds can contribute to the shaping of a work.

“My field is that of perennial philosophy. I put the most important questions up for discussion. The most important single question is ‘What is Consciousness?’

“My basic program is the same as Tim Leary’s – space migration, intelligence increase, life extension. The cancerous growth of population and diminishing resources means that large decreases of population in the near future are impossible to avoid, barring some breakthrough in space propulsion that would allow large numbers of us to migrate to virgin worlds.

“Let’s hope that UFOs are real and that they are time-travelling ships from friendly ETs, or time travelers from our future – because if they are not real, it looks pretty grim for your children and their children.”

Encounters with VALIS

Sarfatti insists that in 1952, at age 13, he had an anomalous experience that changed his life. He claims to have received a single telephone call from a cold, metallic voice, declaring to be a conscious computer on a spacecraft from the future. But, after Sarfatti lent his mother a copy of Andrija Puharich’s book URI (London: Futura Publications Ltd, 1974), in which he described similar contact with Uri Geller, Sarfatti’s mother remembered that the young Sarfatti received the calls over a three-week period. Sarfatti had been selected as one of ‘400 receptive young minds’ to be part of a project that would begin to occur 20 years in the future. He links this alleged ‘contact’ (“the intrusion of an objective entity”) to the Vast Active Living Intelligence System (VALIS) experience of science fiction author Phillip K. Dick. Sarfatti’s ‘experience’ has met with widespread criticism from the physics community. Sarfatti believes that there is an Illuminati or Elect of minds, citing Pythagoras, Leonardo Da Vinci, Isaac Newton, Albert Einstein, and Werner Heisenberg as examples who, throughout history, have deciphered messages from the future. The notion of an Elect is featured in the works of many occultists, Rabelais’ Gargantua & Pantagruel (New York: Norton, 1990), Toynbee’s “creative minority” and the ‘evolutionary Calvinism’ SF works of Colin Wilson, such as The Philosopher’s Stone (London: Barker, 1969).

In 1973, the late Brendan O’Regan told Sarfatti that he had been collecting data on other scientists who have had similar ‘anomalous experiences’, predating later investigations by Jacques Vallee and Harvard’s John Mack. Sarfatti believes that his critics “wish to crucify me because they think I am lying or insane about my 1952 VALIS-like experience.”

Sarfatti claims that his critics are demanding “the blood of the poet” when they claim that his theories and “exuberant talk” are “corrupting the youth.” The “hemlock of financial support” prompts many scientists to become slaves of the State, he says. “I think they are afraid of my limited attack on the principle of retarded causality, which holds that causes must always be in the past of their effects. What I am saying is that there is a small, but significant chance for causes to be in the future of their effects. They are afraid of my open mind on the question of precognitive remote viewing (ESP), faster-than-light communication and other heretical notions,” he says.

“Neither classical physics or standard quantum physics today permits ‘intent’ or ‘free will’ or ‘creative intelligence’. This essential hallmark of life demands a violation of the statistical predictions of quantum physics as formulated today. This is the key idea of what I call ‘postmodern physics.’”

Sarfatti’s early academic studies showed no sign of what was to come. He graduated Midwood High in Flatbush, 1956; the same school that Woody Allen attended. His academic credentials were impeccable: B.A. in physics from Cornell; M.S. from the University of California, San Diego; Ph.D. from the University of California, Riverside; and stints with the Cornell Space Science Centre, the UK Atomic Energy Research Establishment at Harwell, and Heisenberg’s Max Planck Institute in Munich. “By 1969 I was an assistant professor of physics at San Diego State with Fred Alan Wolf next door,” Sarfatti reveals ironically - Wolf would later link the ‘pop physics’ of Jungian psychology, quantum physics and New Age phenomena, pre-dating bestsellers like James Redfield’s The Celestine Prophecy (New York: Warner Books, 1993).

Sarfatti went on to become an honorary research fellow with David Bohm at Birkbeck College of the University of London in 1971, and was visiting physicist at Nobel laureate Abdus Salam’s UNESCO International Center for Theoretical Physics in Trieste, Italy. Ilya Prigogine invited Sarfatti to Brussels in 1973. Sarfatti’s career was growing in prestige and recognition.

Then the weirdness descended.

Into the Pandemonium

In 1975, Sarfatti co-founded the legendary Physics-Consciousness Research Group with Esalen Institute’s Michael Murphy, funded by EST guru Werner Erhard. Murphy was investigating revelations of the USSR’s intensive parapsychological research projects, later setting up the Soviet-American Exchange Program at Esalen in the 1980s, which attracted the likes of Boris Yeltsin during his 1989 U.S. visit.

Sarfatti gave seminars at Esalen, serving as a guiding influence behind Fritjoff Capra, Gary Zukav and other proponents of the 1970s “New Physics” movement, which explored links between quantum physics and Eastern mysticism. Sarfatti brought Zukav to the Esalen Institute, where he conducted the research for his bestselling The Dancing Wu Li Masters (New York: Morrow, 1979), a book which captured worldwide attention. Sarfatti ghost-wrote major parts of the book, but a bitter feud eventuated when Zukav reneged on promised royalty payments. A notable ‘paraphysicist’ (physicists who investigate ESP phenomena), Sarfatti co-authored the lurid paperback Space-Time & Beyond with Bob Toben and Fred Wolf, later withdrawing his name from the updated edition. Sarfatti also contributed material to futurist Robert Anton Wilson’s Cosmic Trigger I: Final Secret of the Illuminati (Berkeley: And/Or Press, 1977), and Jeffrey Mishlove’s The Roots of Consciousness: The Classic Encyclopedia of Consciousness Studies (Council Oak Distribution, 1993). Current editions of both Zukav and Mishlove’s books have deleted much of the original material, which he wrote for the first editions. “Not a very smart move on the part of the authors!” replies Sarfatti.

The deployment of Psychological Operations (PSYOP) warfare during the Vietnam War led the Central Intelligence Agency, the Defence Intelligence Agency and Office of Naval Intelligence to explore similar ‘mindwar’ techniques during the 1970s, through facilities like the John F. Kennedy Special Warfare Center at Fort Bragg. The CIA funded Project Scanate was set up to explore the use of precognitive remote viewing techniques to probe Soviet military installations from a distance. Psychics including the Scientologist Ingo Swann were employed to gather intelligence data.

Stanford Research Institute’s Electronics & Bioengineering Laboratories were assigned to the project under the direction of Russell Targ, parodied in the film Ghostbusters (1984), as Dr. Egon Spengler (Harold Ramis) and Hal Puthoff. Interest in Scanate led to further projects, such as the notoriously named Stargate, and long-term research into neuropsychology and cognitive science. Military intelligence sources invested over $20 million in the Remote Viewing (clairvoyancy) field until 1995. The CIA ended the programs in the late 1970s after determining that while there was some evidence for ESP ability, it yielded no useful results for intelligence work. The DIA took over the program and funded it until 1995, when information on Scanate and Stargate was declassified, leading to a media feeding frenzy lead by ABC’s Nightline program.

Targ and Puthoff became entangled in controversy after notorious tests of the Israeli psychic Uri Geller. Sarfatti initially supported Geller’s claims of psychic ability after Geller’s famous Birkbeck test, attended by Arthur Koestler, Arthur C. Clarke and David Bohm (engineered by Brendan O’Regan). He later labeled Geller a fraud after discussions with magician James Randi. Martin Gardner has captured this strange period in his book Science: Good, Bad & Bogus (Buffalo: Prometheus Books, 1979). With the publication of Journal of Scientific Exploration (Vol. 10, No. 1), and new papers by researchers Edwin May, James Spottiswoode and Jessica Utts, Sarfatti no longer dismisses much of the research as “pseudo-science.”

Increasingly disturbed by Werner Erhard’s authoritarian tactics and his 1984esque ‘psychobabble,’ Sarfatti warned of “KGB spies within the New Age movement.” The disagreement with Erhard alienated him from many New Age devotees. It was after Erhard ended funding for the Physics Consciousness Research Group, replacing Sarfatti with his assistant Saul Sirag, that Sarfatti exiled himself to the Caffe Trieste, where he lectured on time-travel techniques and consciousness research.

SDI: Rust In Peace

Contact with Lawrence Chickering of the policy think tank Institute for Contemporary Studies (ICS) led to Sarfatti acting as a consultant for the Reagan Administration’s fledgling Strategic Defence Initiative (or Star Wars project). This brought Sarfatti into the twilight world of half-truths, where the obsessive apparatus of State security interlocks with sinister forces from big business.

“I spent a lot of time with Marshall Naify in the late 1970s and early 1980s. He is a billionaire and was Chairman of United Artists back then. He was a Hollywood mogul and certainly knew Reagan. Naify, Lawrence Chickering and I had lunch at Enrico’s maybe in 1981, where Naify spent at least half an hour describing in detail what would later be Star Wars SDI. Chickering worked directly with Ed Meese. [In the early 1980s Meese was a confidante of Reagan. Meese’s Institute for Contemporary Studies think-tank was admired by Reagan, Caspar Weinberger, and Chickering. He became U.S. Attorney General under Reagan but was caught up in the Iran-Contra scandal.] He asked me to write a memo based on this lunch and some of my own ideas. Around this time, I I had a correspondence with Igor Akchurin of the Soviet Academy of Sciences on all of this – so the Soviet Intelligence were getting from us that SDI would really work!

“Chickering told me that my memo was well received and that, in particular, Paul Nitze, Reagan’s chief arms control guy read it and ‘liked it.’ In addition, Casper Weinberger’s son was feeding my stuff to his dad, who discussed it with Reagan.”

Caffe Trieste and Enrico’s were the favourite slumming places for Hollywooders and other ‘rich and famous’ when they visited San Francisco, says Sarfatti. Having been taught at Cornell in the ’50s by “the guys who built the bomb,” Sarfatti was now encountering “Reagan’s people who were tapping the brains of the North Beach bohemians using the Caffe Trieste” in a bid to build what was then considered the ultimate nuclear warhead for the SDI project.

“Cornell is an Ivy League School, and the CIA is run by Ivy League guys,” says Sarfatti. “I was a rebel and a ‘loose cannon,’ but I was still Ivy League and part of the old-boy network whether I wanted to be or not. I was ‘stable’ enough for the Naval Intelligence to allow me on nuclear-weapons-carrying aircraft carriers ‘on station,’ sometimes under battle-readiness Condition Zebra.”

Strange Loops and God-Phones

During the 1980s, Sarfatti concentrated on investigating superluminal, or faster than light (FTL) communication. Jung’s synchronicity meme (“meaningful coincidences”, or John Lilly’s ‘Cosmic Coincidence Control’) challenges causality and suggests that quantum-mechanics theory is incomplete.

Taking a step further, he designed and obtained a patent disclosure for a ‘God Phone’ – a machines designed to decode such messages. In Science: Good, Bad & Bogus, Martin Gardner stated with tongue-in-cheek irony: “I know of no other physicist who thinks it will work. If it does, Sarfatti will become one of the greatest physicists of all time.” None of them could work because he was missing the key idea of ‘back action.’ Sarfatti’s early designs tried to use ordinary quantum mechanics, and, therefore, violated Eberhard’s theorem. Back-action is really new physics beyond quantum mechanics. As Nobel laureate Brian Josephson explains: “His initial attempts had the air of attempts to derive a perpetual motion machine in the sense that there were mathematical demonstrations of the impossibility. Hence I, like others felt he was wasting his time.

“But there may always be problems with one’s basic assumptions, and this is what he and others are looking at now. I doubt, however, if this has led to his reputation improving generally, since he is still working on the basis of unverified theories. If he could make a more specific model in this new area in the way that he tried to produce models (which didn’t work) earlier, then things could change. But the responses to [Henry] Stapp’s publication of a similar kind in Physical Review should make one wary of believing that people will easily be made more open-minded.”

‘Who is Number One?’

But other cultural analysts aren’t so sure. Sarfatti has had fierce arguments with Stuart Hameroff about his post-quantum ‘back-action’ theorem. He dismisses Murray Gell-Mann and the influential Santa Fe Institute as a modern-day Laputan Academy, because he believes that Gell-Mann artificially abstracts the mind’s active non-algorithmic understanding as emphasised by Roger Penrose. “Therefore the mind-brain system is a classical-quantum information machine, which undermines the misconceived classical theories of consciousness of Francis Crick, Marvin Minsky, Paul Churchland, Daniel C. Dennett, William Calvin, and Gerald Edelman,” claims Sarfatti. And he is angry at the confused physics espoused by populist New Age writers who lack the scientific training to interpret Niels Bohr, Richard Feynman, and David Bohm’s legacies correctly.

Colleague Fred Alan Wolf offers a succinct explanation of the nature of these psychological conflicts: “Jack is brilliant but has a serious problem when dealing with people. He doesn’t suffer fools very well. And a ‘fool’ to Jack is often anyone who doesn’t agree with him. However, Jack has had a major influence on many people including myself. He has encouraged many to think freely and to engage in very imaginative scientific rambling often leading to new insights.”

Don Webb, the Texas-based science fiction writer who has mentioned Sarfatti’s theories in his novels and short stories, and who has had anomalous experiences of his own, offers yet another perspective: “He has had some very unusual experiences and been privy to strange secrets. I sometimes get the feeling that like the Lovecraftian hero, Sarfatti has ventured too far past the Looking Glass, and not fully returned. This is an occupational hazard for those who will investigate the secret and suppressed parts of history: they may make stunning discoveries in one area whilst blighting their personal reputations in another. Conventional society fears nothing more than the isolate psyche whose genius isn’t working towards the pre-conceived aims of the group-mind (super-organism). ‘Radical friction’ as a postmodern survival stratagem where there is no clearly ruling societal paradigm is required as a necessity to annihilate resistance. It overcomes the forces of naturalization, which over time tend toward hatred and ignorance.”

Unlocking the ‘Destiny Matrix’

Future causality has influenced the contemporary cultural meme pool. Sarfatti’s fellow student at UCSD, Gregory Benford, uses a chilling ‘doomed earth’ future scenario in his Hugo-winning novel Timescape (New York: Pocket Books, 1980). Californian physicists in a 1962 timeline attempt to decipher a Morse Code-like warning sent from a Cambridge, England physicist in a 1998 timeline, whose world is facing catastrophic environmental devastation. Benford sets these irregularities, according to Sarfatti, against the realistic backdrop of academic physics research subculture: pressures from the university and government, the struggle for grants, the impact upon personal relationships, and the pressures of the wider scientific race for knowledge.

Chris Marker’s acclaimed 1963 short La Jetee which influenced Sarfatti, formed the basis for the recent thriller Twelve Monkeys (1995). The Back to the Future trilogy (1985-1990) along with James Cameron’s Terminator 2: Judgment Day (1995) also feature the meme. Sarfatti remarks: “If these authors are receiving messages from the future, it may be reflecting the same message.”

Future causality also plays an important part in Sarfatti’s Destiny Matrix, a conceptual synchronicity timeline describing Sarfatti’s family history. He traces his Hebrew title back to the Rabbi, Rashi de Troyes (1040-1105), an advisor to Godfrey de Bouillon, who led the First Crusade to Jerusalem and who experienced a precognitive vision. Another ancestor, Samuel Sarfatti, was physician to Pope Julius II, and was crucial in getting Michelangelo to paint the Sistine Chapel ceiling (the esoteric meaning of the painting, says Sarfatti, is God reaching backwards in time to create himself through mankind). This cosmology closely links with the Cabbalistic Great Work of manifesting the unconsciousness, which is probably why Sarfatti was anointed by occultist Carlos Suares as ‘Heir to the Tradition’ and given the task of “smashing the wall of light.” Sarfatti also bears the name of Rashi des Troyes and, like the Tibetan Tulkus, “I may well be a reincarnation not only of Past Rashis but more importantly of Future Rashis.”

These Rash’s, he says, are part of the Elect or Illuminati that have decoded quantum messages from the future throughout history, transmitting the information via objective art. Sarfatti cites his contact experience, Fred Hoyle’s cosmology, as postulated in Evolution from Space (London: Dent, 1981), The Intelligent Universe (New York: Holt, Rinehart, and Winston, 1983) and Cosmic Lifeforce (London: Dent, 1988), and the Anthropic Principle as evidence that strongly suggests an intelligent yet ‘limited’ God intervened in the primordial moment after the Big Bang when the universe was smaller than an electron, to create the conditions required for carbon-based life. This superluminal being (a kind of benevolent VALIS) is implicit in the Sufi/Hermetic ‘subjective conscious evolution’ traditions, and Sarfatti suggests that this goal is what mankind is evolving towards; the true secret behind the world’s religious traditions. The pioneering artificial intelligence (AI) work of I.J Good (who helped develop the Enigma Machine in World War II to crack Nazi ciphers) and other writers such as Freeman Dyson and Roger Penrose supports the theoretical possibility of such an entity.

Sarfatti believes that his model is a real alternative to Frank J. Tipler’s famous Omega Point scenario, postulated in the controversial book The Physics of Immortality: Modern Cosmology, God, and the Resurrection of the Dead (London: Macmillan, 1995), which is a closed universe and relies on the strong AI that Roger Penrose objects to. Tipler suggests that the fast-track evolution of information processing and the appearance of nanotechnology reveals a process of exponentially increasing computational capacities which will extend over hundreds of trillions of years of the universe’s lifespan until a final gravitational collapse will densely compact this information into an omniscient point of ultimate knowing. Essentially, God will come to know God, and humanity evolved as a mechanism for the universe to perceive itself. Sarfatti hopes his model will endure the wrath of fundamentalist Christians and sceptic atheists that Tipler faced.

“It looks as though my ‘back-action’ theory of matter on its pilot quantum wave, which generates consciousness, and my physics/consciousness model predicts VALIS in the far future of an open universe, which continues to expand forever. My superluminal theories and cosmology are compatible with Penrose’s recently published works.”

Quantum Physics and the ‘Meanings of Life’

The presence of Roger Penrose’s neo-Platonism – or recent mystically inclined cosmologies – has come under attack from scientists uncomfortable with such tendencies, including Daniel C. Dennett in Darwin’s Dangerous Idea (New York: Simon & Schuster, 1995), Nicholas Humphrey in Leaps of Faith: Science, Miracles and the Search for Supernatural Consolation (New York: Basic Books, 1996) and notably Carl Sagan in The Demon Haunted World (New York: Ballantine Books, 1997). These books highlight the dangers of ‘degenerative mysticism
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Re: Tantra-Induced Delusional Syndrome ("TIDS")

Postby American Dream » Thu Oct 31, 2013 11:36 am

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Re: Tantra-Induced Delusional Syndrome ("TIDS")

Postby American Dream » Thu Oct 31, 2013 5:34 pm

All of these techniques -hallucinogenic drugs, hypnosis, acts of terrorism, disinformation -share an ontological purpose: to manipulate perceptions, to recreate reality. As we noted above, the German word for psychological warfare translates as 'worldview warfare': a battle of perceptions, of consensus realities... As the men of the OSS, CIA, and military intelligence developed from the armchair scholars and academics that most of them were before the war years into soldiers fighting the Cold War on fronts all over the world, they became -in a very real sense -magicians. As we will see, the CIA mind control projects themselves represented an assault on consciousness and reality that has not been seen in history since the age of the philosopher-kings and their court alchemists.

(Sinister Forces -Book One: The Nine, Peter Levenda, pg. 144)


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Re: Tantra-Induced Delusional Syndrome ("TIDS")

Postby American Dream » Sun Nov 03, 2013 8:39 pm

http://www.theguardian.com/lifeandstyle ... -childhood

Oran Canfield: My childhood in freefall
Musician Oran Canflield's early memories are of growing up in a punk rock commune, juggling in a travelling circus and hating his father, a famous self-help 'guru'. His parents don't remember it in quite the same way.

Christopher Turner
The Guardian, Friday 15 January 2010


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Oran Canfield in New York.

Oran Canfield writes that his birth in 1974 was presided over by 10 ­Buddhist monks who chanted throughout the 72-hour delivery. His ­parents, Timothy Leary-types who ran a holistic health centre in ­Massachusetts, dined on the placenta. For the first year of his life, as Canfield describes in Freefall, his memoir of growing up in a dysfunctional family, he was cared for by "a community of weird therapists, early self-help freaks and drug-experimenting hippies".

It set the pattern for the rest of his childhood, which was lived in the shadow of two parents more devoted, as Canfield tells it, to the human potential movement than to their children or each other. Their two boys, Oran and Kyle, were sent to live in a succession of progressive boarding schools, libertarian communes and even a travelling circus run by Wavy Gravy, the Grateful Dead's "official clown", ­famous for his tie-dyed false teeth; aged 14, ­Canfield took his first acid trip with Jerry ­Garcia's daughter.

Canfield's humorous chronicle of his countercultural upbringing is ­intercut with the story of his struggle with heroin addiction, which saw him confined to various rehabs for much of his 20s (he has been clean for eight years). I meet Canfield, now 35, in a cafe in ­Williamsburg, the hip section of Brooklyn to which he moved from San Francisco several years ago. He arrives, hunched over against the cold, ­looking world-weary. With pensive brown eyes, a furrowed brow and circumflex eyebrows, he reminds me of one of the anxious-looking clowns painted by Jean Dubuffet.

In conversation he is spiky and funny and at ease with his past. His memoir, for all its cynicism and bitterness, is devoid of self-pity; it is a black comedy influenced, he says, by David Sedaris and Augusten Burroughs, two writers who have also wittily documented their crazy childhoods and, in Burroughs' case, a journey to sobriety.

The book, perhaps predictably, ­upset his family, who remember things rather differently. His mother goes as far as describing it as "fiction". But Canfield says that writing it was "more cathartic than anything else I've done – much of the victimisation and blame that I felt throughout my life went away. A lot of the drug stuff I'd already processed and got through, but the childhood stuff was really hard to write – I'd never looked at it that closely."

He has just returned from a tour with Child Abuse, the noise band in which he plays the drums, and when I ask him if he ­considers himself to have been an abused child, he says, "I think that maybe I would have said yes to that before writing this book."

Canfield's father is Jack Canfield, the bestselling author of the Chicken Soup for the Soul series of self-help books and a motivational speaker who styles himself "America's No 1 Success Coach". In 1998, seven of Canfield Sr's titles were on the New York Times bestseller list simultaneously, earning him a place in the Guinness Book of Records. "At the time," Canfield says, laughing, "there was a great contra­diction between how he told other people to live their lives and how he ­interacted with his family."

Canfield was only one when his ­father left his pregnant mother for a masseuse, and he only saw him every few years after that. He demonises his father as a "lying, cheating, ­conniving, ­manipulative, inhuman son of a bitch". Canfield has read only a few pages of the first volume of Chicken Soup, which was dedicated to him, and says he was disgusted by the vacuous ­platitudes of its ­inspirational ­anecdotes. The working title of his memoir was Give Me Some Bread with that Chicken Soup; he describes it ­jokingly as Chicken Soup for the ­Misanthropic Soul.

After Jack left, Canfield says his mother took her two babies on the road in a camper van and spent the next two years in Central America waging a one-woman crusade against Nestlé baby formula. She returned to the US to set up a practice as a Gestalt therapist in Philadelphia, and at night would take her two small boys to watch her play jam sessions at a ­local bar. "My mum is a strong, intense woman who has always tried to expose Kyle and me to all the wild variation that America has to offer," Canfield says, taking a sip of coffee. "She's wilful and controlling, which is bad if you're her kids, but all my friends loved her."

She was the kind of mother who, when she found out her son had eaten a burger, made the manager at the local McDonald's pin up a picture of him and promise never to serve him again.

Struggling on her own, she sent the boys to a progressive community school in Santa Fe, New Mexico, which consisted of a couple of trailers on a dirt lot. Lessons were voluntary and the seven-year-old Oran and his younger brother spent most days honing their trampolining skills, while the older pupils taught them how to steal golf carts and throw stones at cars. When they got into trouble with the police for smashing the windscreen of one passing vehicle, Canfield was sent to live with Fred, a former clown at Wavy Gravy's circus, where they spent the summers. Fred was now a born-again Christian and spoke in tongues. Canfield was expelled from the fundamentalist school to which Fred sent him, when it was discovered just before he was due to be beaten, that his mother had refused to sign the corporal punishment waiver – she had written "Do Not Hit My Son" in a cursive hand where the signature was supposed to be.

"Believe it or not," Canfield tells me, "I never felt abandoned by my mum. We got dropped off and lived with different people, but she was 110% involved, all the time … with every detail. Even if we spent a year without her, we still couldn't eat sugar or watch TV, eat dairy or meat – everything was planned out."

Some children dream of running away to the circus, but Oran's mother, who had always encouraged his ­juggling (in 1986 he came third at the International Juggling ­Convention), signed him up to one. Canfield moved into the Farm in San Francisco's ­Mission district, which he describes as "part circus rehearsal space, part punk-rock club, part apartment complex, part animal farm, part community garden, part preschool, and part anything else that could bring in a few extra bucks". He juggled five clubs atop a human pyramid, rode a 6ft-tall unicycle, was immersed in punk rock, and played a small part in a political commentary on the Reagan administration as told through the circus arts. The organisers got tired of having to talk to his mother by phone every day, with her constant demands, and he wasn't invited to join the circus on tour. But his time there, he says, was the ­happiest period of his life.

It was in his attempt to recreate it that he first became involved in drugs. He was a 23-year-old art-school dropout living in San Francisco, working as a ­piano restorer, drumming in a band called Optimist International, and trying to found a Farm-like events space in the converted storefront in which he and his friends were squatting. A Stanford University professor staged a performance piece there called ­Composition for Mood Swings that involved inviting an audience into the damp cellar, where a small pharmacy of illegal drugs was laid out on a table under a 120w bulb, and inviting them to choose their poison. Canfield chose heroin. He was soon a secret user, lying to and stealing from his friends, and funding his habit by selling the recording studio equipment that his father had given him a $10,000 loan to buy so that he could set up a business. "My mind wasn't involved," he explains of his addiction. "It's like muscle memory. These environmental cues happen and your body just goes and does what it needs to do." Heroin fuelled his self-loathing but it was also the only thing that seemed to soothe it. After eight years of AA, he now wonders whether he might have been more addicted to self-loathing than he was to heroin.

Ironically, it was drugs that brought his family back together. One day he fell out of his top bunk, knocked ­himself unconscious and came around three days later to find his parents, brother and 20 friends crammed into his hospital room ready to stage an intervention. His family drove him to a rehab facility, the first time that they had all been in a car together since a childhood trip to Disneyland. They dropped him at the clinic, locked the car doors and drove off as he chased them. "It was the worst day of my life up until that point," he says. Even though he had no money with him, he made it home by hiding in a train toilet and got high again, but he eventually agreed to seek help. He spent the next few years in and out of rehab clinics, none of which seemed to help him.

One of the difficulties was that the doctors all seemed to speak his ­father's language of self-help, which was anathema to him. "In a lot of ways it didn't seem like I had a chance ­because of that," he acknowledges. "It was very hard for me to get past all my criticism of that whole scene … even if it meant my life." At 16, Canfield had been ­invited to assist his father in one of his self-esteem seminars, during which he and the audience were given foam baseball bats and instructed to vent their rage. "I hate you, Jack. I hate you, Jack," Canfield shouted. He ridiculed his father's happy-clappy pop ­psychology, accusing him of being ­"essentially a drug dealer peddling temporary relief from a permanent problem". But, in the end, it was his father to whom he turned. He made the journey to his mansion and begged for help. In a phone conversation, Jack Canfield tells me how painful it was to see his son after he had been speed balling for weeks at a time. "He was in his late 20s," he says, sighing, "and he looked like he was 83 years old".

After two more spells in rehab, he made a last-ditch attempt to get clean, signing up to an expensive experimental treatment with ibogaine, a psychedelic that is still illegal in the US (he was test subject no 121). He travelled to the Bahamas to submit himself to the powerful mind-altering nightmares the drug induces. "It was horrible," he says, "but I came away from it realising that I'd been living the bad acid trip for the past four years". Ibogaine induces a huge serotonin boost, which numbs the addict's usual painful experience of withdrawal and, though he did relapse, Canfield says, "The drugs weren't doing what they were supposed to do. I was done." His father says he is proud of his son for staying clean: "The cure rate is only about 15-20% at best, so Oran beat the odds."

Canfield tells me that his relationship with his father "actually kind of started as a result of writing the book – he was overwhelmingly supportive, weirdly so". When I speak to Jack ­Canfield, he admits that he was hurt when he read the "sarcasm and ­cynicism" directed at him and his work, but that he could empathise with his son's point of view: "I was teaching things about love and ­relationships and going for your dreams and yet he wasn't that included in my life at that point."

To deal with the emotions that the book opened up, Jack Canfield says, the entire family have gone on a series of therapeutic family retreats. "All anger is really traumatised fear layered over hurt," he says. "There was a need to just be in a safe place where he could talk and I could listen."

Of his relationship with his mother, Canfield says, "It's not great right now. I knew my dad could take the criticism, and I know my mum can't." She threatened to sue him if he included her name in the book (he didn't), and she was horrified by his portrayal of her in it. "She tells me that I've ­defamed her, ruined her life, stuff like that. It's touchy," he adds with some understatement. Both Canfield and his father doubt that she will talk to me, but I phone anyway and she does, but demands: "My name is not to be used. There is a lawyer involved. I am a ­professional person." She ­explains, "I'm in a huge bind. I love my son and I support my son but I can't give ­credence to the book … What I've read of the book is so far beyond anything that I recollect." She made a list of all the factual inaccuracies. "I was a 24/7 mum. I don't know anything about Nestlé and baby food, I didn't play jazz piano … it's one story after the next. So it's very hard for me."

"The book is fiction," she claims. "Oran lived at home, except for the one year when we did the transition from Pennsylvania to California … it's false memory syndrome."

It is all very reminiscent of the ­debate (and court case) that ­surrounded Augusten Burroughs' ­Running With Scissors; his stepfamily, the children of an eccentric therapist, sued him for exaggerating and twisting the facts of their lives in damaging ways. Coincidentally, Canfield told me that he was born in the same town where Burroughs grew up and suspects that his parents knew this rogue ­analyst. In person, Canfield is persuasive, but when I listen to the tape of our conversation, I find myself wondering if he has elaborated on the truth for comic effect. I'm struck by how he talks about his book as if it were ­fiction – of ­"having empathy with all the ­characters", of how he realised in writing it that "really everyone in the story did the best they could with what they had". But then Canfield's mother denies that they've been ­engaged in family therapy, which both he and his father had talked about and it becomes hard to know what to believe.

The Canfields are caught in the strands of their competing narratives, and the book, though entertaining to those outside its orbit, has created a sticky web that has reunited, strained and entangled them. "Everyone's got their stories that they've been telling themselves over the years," Canfield says, "and to read someone else's ­version can be jarring."

Freefall: The Strange True Life ­Growing Up Adventures of Oran Canfield is ­published by Ebury on 1 February, £11.99. To order a copy for £10.99 with free UK p&p, go to guardian.co.uk/bookshop or call 0330 333 6846
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Re: Tantra-Induced Delusional Syndrome ("TIDS")

Postby American Dream » Mon Nov 04, 2013 5:01 pm

http://www.shambhalasun.com/index.php?o ... ew&id=1579

In Engaged Buddhism, Peace Begins with You

By John Malkin

Thich Nhat Hanh, who originated Engaged Buddhism, in an interview with John Malkin.

I met with Thich Nhat Hanh recently at the Kim Son Monastery in Northern California. I was happy to be seated on a zafu drinking tea with him, but I was also glad when he motioned with a simple gesture towards the page of questions sitting at my side: otherwise the lunch bell might have sounded an hour later without the interview having begun.

Vietnamese monk Thich Nhat Hanh was nominated for the Nobel Peace Prize by Martin Luther King, Jr. in 1967, after playing a central role in the Vietnamese peace movement. He is the author of over one hundred books, including Love in Action, Peace Is Every Step, The Miracle of Mindfulness and No Death, No Fear. He currently lives at Plum Village Monastery in France.

-John Malkin


John Malkin: Will you describe the origins of Engaged Buddhism and how you became involved in compassion-based social change?

Thich Nhat Hanh: Engaged Buddhism is just Buddhism. When bombs begin to fall on people, you cannot stay in the meditation hall all of the time. Meditation is about the awareness of what is going on-not only in your body and in your feelings, but all around you.

When I was a novice in Vietnam, we young monks witnessed the suffering caused by the war. So we were very eager to practice Buddhism in such a way that we could bring it into society. That was not easy because the tradition does not directly offer Engaged Buddhism. So we had to do it by ourselves. That was the birth of Engaged Buddhism.

Buddhism has to do with your daily life, with your suffering and with the suffering of the people around you. You have to learn how to help a wounded child while still practicing mindful breathing. You should not allow yourself to get lost in action. Action should be meditation at the same time.

John Malkin: Why did you come to the United States for the first time in 1966, and what happened while you were here?

Thich Nhat Hanh: I was invited by Cornell University to deliver a series of talks. I took the opportunity to speak about the suffering that was going on in Vietnam. After that I learned that the Vietnamese government didn't want me to come home. So I had to stay on and continue the work over here. It was not my intention to come to the West and share Buddhism at all. But because I was forced into exile, I did. An opportunity for sharing just presented itself.

John Malkin: What did you learn from being in the United States during that time?

Thich Nhat Hanh: The first thing I learned was that even if you have a lot of money and power and fame, you can still suffer very deeply. If you don't have enough peace and compassion within you, there is no way you can be happy. Many people in Asia would like to consume as much as Europeans and Americans. So when I teach in China and Thailand and in other Asian countries, I always tell them that people suffer very deeply in the West, believing that consuming a lot will bring them happiness. You have to go back to the traditional values and deepen your practice.

John Malkin: What did you learn from Martin Luther King, Jr. and the civil rights movement in the United States?

Thich Nhat Hanh: The last time Martin Luther King and I met was in Geneva during the peace conference called Paix sur Terre—"Peace on Earth." I was able to tell him that the people in Vietnam were very grateful for him because he had come out against the violence in Vietnam. They considered him to be a great bodhisattva, working for his own people and supporting us. Unfortunately, three months later he was assassinated.

John Malkin: What is your view of the current peace movement in the United States?

Thich Nhat Hanh: People were very compassionate and willing to support us in ending the war in Vietnam during the sixties. But the peace movement in America did not have enough patience. People became angry very quickly because what they were doing wasn't bringing about what they wanted. So there was a lot of anger and violence in the peace movement.

Nonviolence and compassion are the foundations of a peace movement. If you don't have enough peace and understanding and loving-kindness within yourself, your actions will not truly be for peace. Everyone knows that peace has to begin with oneself, but not many people know how to do it.

John Malkin: People often feel that they need to choose between being engaged in social change or working on personal and spiritual growth. What would you say to those people?

Thich Nhat Hanh: I think that view is rather dualistic. The practice should address suffering: the suffering within yourself and the suffering around you. They are linked to each other. When you go to the mountain and practice alone, you don't have the chance to recognize the anger, jealousy and despair that's in you. That's why it's good that you encounter people—so you know these emotions. So that you can recognize them and try to look into their nature. If you don't know the roots of these afflictions, you cannot see the path leading to their cessation. That's why suffering is very important for our practice.

John Malkin: When the World Trade Center was destroyed, you were asked what you would say to those responsible. You answered that you would listen compassionately and deeply to understand their suffering. Tell me about the practice of deep listening and how you think it helps in personal situations, as well as in situations like the World Trade Center attacks.

Thich Nhat Hanh: The practice of deep listening should be directed towards oneself first. If you don't know how to listen to your own suffering, it will be difficult to listen to the suffering of another person or another group of people.

I have recommended that America listen to herself first, because there is a lot of suffering within her borders. There are so many people who believe they are victims of discrimination and injustice, and they have never been heard and understood.

My proposal is very concrete: we have to set up a group of people—a kind of parliament—to practice listening to the suffering of America. It's my conviction that there are people in America who are capable of listening deeply, with compassion in their hearts. We have to identify them, and ask them to come and help us. Then we will ask the people who suffer to come forward and tell us what they have in their hearts. They'll have to tell us everything, and that won't be easy for those listening.

If America can practice this within her own borders, she will learn a lot. The insight will be enormous, and based on that insight, we can start actions that can repair the damage done in the past.

If America succeeded in that, she could bring that practice to the international level. The fact is that people know America has the capacity to hit. To hit very hard and make people suffer. But if America does not hit, that brings her more respect and gives her more authority.

John Malkin: After the World Trade Center was attacked, even people who believe in nonviolence said, "This occasion requires some action and some violence."

Thich Nhat Hanh: Violent action creates more violence. That's why compassion is the only way to reduce violence. And compassion is not something soft. It takes a lot of courage.

John Malkin: In Western psychology, we are taught that if we're angry, we can release that anger by, say, yelling or hitting a pillow. In your book, Anger: Wisdom for Cooling the Flames, you offer a criticism of this method. Why do you feel that this doesn't help get rid of anger?

Thich Nhat Hanh: In Buddhist psychology, we speak of consciousness in terms of seeds. We have a seed of anger in us. We have a seed of compassion in us. The practice is to help the seed of compassion to grow and the seed of anger to shrink. When you express your anger you think that you are getting anger out of your system, but that's not true. When you express your anger, either verbally or with physical violence, you are feeding the seed of anger, and it becomes stronger in you. It's a dangerous practice.

That's why recognizing the seed of anger and trying to neutralize it with understanding and compassion is the only way to reduce the anger in us. If you don't understand the cause of your anger, you can never transform it.

John Malkin: Many people have the view that happiness and enlightenment are things that happen only in the future, and that maybe only a few people are capable of experiencing them. Enlightenment can seem like a very unattainable thing.

Thich Nhat Hanh: Happiness and enlightenment are living things and they can grow. It is possible to feed them every day. If you don't feed your enlightenment, your enlightenment will die. If you don't feed your happiness, your happiness will die. If you don't feed your love, your love will die. If you continue to feed your anger, your hatred, your fear, they will grow. The Buddha said that nothing can survive without food. That applies to enlightenment, to happiness, to sorrow, to suffering.

First of all, enlightenment is enlightenment about something. Suppose you are drinking some tea and you are aware that you are drinking some tea. That kind of mindfulness of drinking is a form of enlightenment. There have been many times that you've been drinking but you didn't know it, because you are absorbed in worries. So mindfulness of drinking is already one kind of enlightenment.

If you can focus your mind on the act of drinking, then happiness can come while you have some tea. You are capable of enjoying that tea in the here and now. But if you don't know how to drink your tea in mindfulness and concentration, you are not really drinking tea. You are drinking your sorrow, your fear, your anger—and happiness is not possible.

Insight is also enlightenment. To be aware that you are still alive, that you are walking on this beautiful planet—that is a form of enlightenment. That does not come just by itself. You have to be mindful in order to enjoy every step. And again, you have to preserve that enlightenment in order for happiness to continue. If you walk like someone who is running, happiness will stop.

Small enlightenments have to succeed each other. And they have to be fed all the time, in order for a great enlightenment to be possible. So a moment of living in mindfulness is already a moment of enlightenment. If you train yourself to live in such a way, happiness and enlightenment will continue to grow.

If you know how to maintain enlightenment and happiness, then your sorrow, your fear, your suffering don't have a lot of chance to manifest. If they don't manifest for a long time, then they become weaker and weaker. Then, when someone touches the seed of sorrow or fear or anger in you and those things manifest, you will know to bring back your mindful breathing and your mindful smiling. And then you can embrace your suffering.

John Malkin: In meditation practice, it is very common for us to feel that our minds are very busy and that we're not meditating very well. What do you have to say about this?

Thich Nhat Hanh: Meditation is a matter of enjoyment. When you are offered a cup of tea, you have an opportunity to be happy. Drink your tea in such a way that you are truly present. Otherwise, how can you enjoy your tea? Or you are offered an orange—there must be a way to eat your orange that can bring you freedom and happiness. You can train yourself to eat an orange properly, so that happiness and freedom are possible. If you come to a mindfulness retreat, you will be offered that kind of practice so that you can be free and happy while eating your orange or drinking your tea or out walking.

It is possible for you to enjoy every step that you make. These steps will be healing and refreshing, bringing you more freedom. If you have a friend who is well-trained in the practice of walking, you will be supported by his or her practice. The practice can be done every moment. And not for the future, but for the present moment. If the present moment is good, then the future will be good because it's made only of the present. Suppose you are capable of making every step free and joyful. Then wherever you walk, it is the pure land of the Buddha. The pure land of the Buddha is not a matter of the future.

John Malkin: You have wondered whether the next Buddha will come in the form of a single person or in the form of a community. . .

Thich Nhat Hanh: I think that the Buddha is already here. If you are mindful enough you can see the Buddha in anything, especially in the sangha. The twentieth century was the century of individualism, but we don't want that anymore. Now we try to live as a community. We want to flow like a river, not a drop of water. The river will surely arrive at the ocean, but a drop of water may evaporate halfway. That's why it is possible for us to recognize that the presence of the Buddha is the here and now. I think that every step, every breath, every word that is spoken or done in mindfulness—that is the manifestation of the Buddha. Don't look for the Buddha elsewhere. It is in the art of living mindfully every moment of your life.


John Malkin hosts a weekly radio program on Free Radio Santa Cruz, focusing on social change and spiritual growth.
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Re: Tantra-Induced Delusional Syndrome ("TIDS")

Postby American Dream » Tue Nov 05, 2013 2:38 pm

http://www.ralph-abraham.org/1960s/drpa ... desire.rtf


Oceans of Desire

Santa Cruz in the '60's

"How could I fail to be grateful to my whole life? ---and I tell my life to myself."

Nietzsche: Ecce Homo

by Paul A. Lee

Bumping into a friend at the Harvard Coop who told me he had applied for a position at Santa Cruz but had changed his mind, I said, "Well, maybe I'll apply." He looked at me askance and said: "Do you know anything about the California University sssssystem?" I didn't, but I registered the hiss in the way he pronounced the word system. I thought: snake in the grass? I was teaching at M.I.T. and my term was about to expire and I needed a job. Soon after an article appeared in the New York Times that Kenneth Thimann had been appointed Provost of Crown College, UCSC. I went to the phone. I was a Fellow of a Radcliffe House where Thimann was Provost and I knew him. He was a very distinguished professor of botany at Harvard. We went over for tea and he hired me. Richard Baker, the eventual Zentatsu Myoyu and Zen Roshi, called, looking for Tillich and Erikson to invite to a conference he was organizing at Asilomar. I had been Tillich's Teaching Assistant and Erikson was my thesis advisor. They weren't available so I offered myself and he bought it, including my wife, so we flew out and got a look at Santa Cruz before moving there.

Driving down Pacific Ave. in l965 was like driving down the main street in Paducah, in l937, although I had never been there. It looked impossibly dull and old-fashioned. There was a men's clothing store that looked like used Sears. Definitely unhip. And then--stop the car!--the Hip Pocket Bookstore and over the door a Ron Boise sculpting from the kama sutra, a couple in a position, flagrant and delectio. Definitely hip! I double-parked and ran in to take a look and picked up a copy of the Black Mountain something or other, an underground newspaper, edited by Claire somebody. It was an island in the forthcoming "ocean of desire".

We met the Bakers at Asilomar and over drinks found out they were practising Zen Buddhists. I didn't know any up to then, although I had attended a seminar given by Tillich and Hisamatsu, at Harvard. Hisamatsu, a famous Zen Master, was in residence at Harvard. I hardly understood a word, but he was interesting to observe and made a pronounced impression. I was intrigued by the challenge of an American taking on an Asian religion--an experiment in the cross-fertilization of cultures, or mind and migration, the title of an essay Tillich had written about the affinity of the mind for the migratory impulse. Here was a living instance, my new-found friends. I decided to appoint myself as Baker's protestant theological witness.

As I was a member of the Leary Group at Harvard and a founding editor of the Psychedelic Review, I told Baker, who was organizing conferences and symposia for the University Extension, he should do one on LSD, as it was going to become a big deal. He did. Berkeley tried to cancel it after they woke up to the hot potato and Baker had to compromise by moving the venue to the San Francisco campus and disinviting Allen Ginsberg, who showed up anyhow but did not appear on the program.

So a month or so before we moved to Santa Cruz, in l966, I gave the opening address at the notorious LSD Conference in San Francisco. The conference was scheduled for a week which meant lots of time for parties and lots of fun. I thought of it as my reception to taking up residence for a new life in California. The first stop was the Psychedelic Bookstore in the Haight. Then on to the party thrown by the Grateful Dead in Marin with Owsley handing out his homemade acid to everyone who wanted it. It was a hoot. Hundreds of people on a big estate, almost all of them naked, swimming and passing joints rolled in newspapers. I had never seen anything like that before. I was there with Nina Graboi whom we picked up at Alan Watts' houseboat in Sausalito and she wrote up the event in her book on the '60's. I wasn't clear about what I was going to speak about so I decided to describe the party as the wave of the future and called my talk: "Psychedelic Style". I had never seen freaks before and there were a lot of them. We wore button down shirts and Brooks Brothers suits and thought we were running the show from Harvard. We were wrong and stood corrected. At one point a guy came out and announced that everyone had to move their cars as the neighbor had complained and they didn't want the cops to come. There were a lot of cars and everyone was stoned. An elephant seal like groan went up from the group. I thought, o.k., this is a test. If it happens without mishap it bodes well for the movement. It did. I felt hopeful. The Dead came out and played. A guy stood with his head inside one of the huge speakers and I asked: "Who is that?" Neil Cassady, I was told.

The week long conference was great--Rolf and Elsa Von Eckartsberg, Ralph Metzner, Leary, Huston Smith, our gang from Harvard, and Gerd Stern, and a host of others working in the psychedelic vineyard, took their turn. We had a party every night and Owsley hung around because someone had taken his dealer customer list by mistake in a purse exchange. He finally recovered it. When we met he was wearing a powder blue jump suit and looked up at me and said in a slightly blurred drawl: "My you have a friendly and familiar face!"

Someone fresh from down south gave me a joint of Panama Red as a present and the Von Eckartsbergs and my wife and I drove down to Santa Cruz, rented the wedding suite at the then Dream Inn, lit up and watched Herman and the Hermits on Ed Sullivan. After I scraped myself off the wall, we went out and rode the roller coaster and thought we were goners, pitched out over Monterey Bay, although we landed instead at Manuel's Restaurant at Seacliff Beach. Oh boy! Chicken mole and red snapper. We talked about the Conference and there was Clair from the Hip Pocket Bookstore with John Lingemann at the next table and he was straining every nerve to hear every word and finally unable to restrain himself came over and introduced himself and could hardly believe his good fortune at meeting a psychedelic philosopher and a psychedelic existential phenomenological psychologist who had taken acid at Harvard and were founding editors of the Psychedelic Review. John was a psychedelic well digger and a witcher, given his ability to locate water. Of German ancestry, he was a rude force. He eventually bulldozed his house from which his wife fled and ended up living in a cave on the property with a young woman. He offered to take us around and show us Santa Cruz the next day and we took him up on it. Some intro.

We had to go back to our summer home in Northern Wisconsin to collect our things and our daughter and drive back, so we did. After a week in motels, a different one every night, as I had some kind of phobic reaction to the smell, we finally landed in Rio del Mar, at Hidden Beach, just off the ocean. It was paradise. I stood on the deck and listened to the roar of the surf and wondered how long it would take to get used to it.

We met some of the early Heads in the area: Zoo, who was a wild Irish mover and had Superman painted on his truck, aka Gary Dunne, Tox, without the vobiscum, and Charlie Nothing, whose wedding to Carol Cole, one of Nat's daughters, my sister-in-law had attended in Los Angeles. They were complete nuts and had formed a group called Eternity, partly because it seemed like that long before they stopped playing. They had Ron Boise's Thunder Machine as their lead instrument and they performed at an ice cream store next to Shoppers' Corner. They always took acid and so they played for at least eight hours. I neglected to take it in. I never went to the Barn, either, the main psychedelic venue in the area.

They went down to Esalen as often as they could where they acted like the house band for the employees who liked getting stoned at night after work and going crazy until the wee hours, jumping across bonfires in an orgy of psychedelic bravado. I had occasion to witness this when I gave a seminar with Alan Watts on the future of consciousness. It didn't look good, but it was lots of fun. One night in the baths two mountain men hippies who had gone native living in the woods for some years stumbled in on their first night out and wanted to know who was President and what had happened in the world in their absence. Everyone in the baths laughed out loud.

The Eternity boys ended up living at Lingemann's in the trees. They came down one night and tracked mud into my house and laughed derisively and poked fun at my Buddha, a Siamese Walking Buddha, a beautiful bronze sculpting. I never liked them after that.

I assumed my teaching duties. Santa Cruz was a hotbed for psychedelics and the university was thought of as a country club retreat in the redwoods where students could turn on. Dealers, so I was told, went up and down the corridors of the dormitories, on Saturday, hawking their wares. Like Alice's Restaurant, you could get anything you want. I thought of an apt metaphor for the students: oceans of desire. The place had a way of releasing this particular longing, this surplus desire, a Marxist concept I should look up on google, but one that seemed to fit as there was definitely a lot of it. I remember going to Berkeley where there was even a greater buzz in the air than Santa Cruz and noticing a phenomenon I called the psychedelic eye. When you made eye contact with someone passing in the street there was an unspoken helllooooo and a goodbyeeeeee....as if time had stopped and the eternal now had had its moment. Ships in the night in broadest daylight. The ache of longing, the desire to get it on, the interest in chance encounters and willingness to risk it, seize the moment, all in a glance--it was that kind of a time.

We had arrived in Santa Cruz just after the demise of the Sticky Wicket, a local watering hole where everyone hung out. We found out that Manuel Santana, who was a remarkably talented artist as well as a restranteur and Al Johnsen, a local potter, had organized the art scene in town. I bought a piece by Tony Magee and a construction piece by Joe Lysowski, a chair, a table, a pair of skis and a painting, in a fabulous psychedelic style. I still have the group minus the painting.

We started making pilgrimages to San Francisco at least once a month to visit the Bakers and catch the action. Quicksilver Messenger Service was my favorite group. The first Be-in took place. Leary was there, the guest of honor, and so was Suzuki-roshi. We had a picnic on the grass and everyone was mellow on grass. The tribe had gathered. I took slides. Afterward we went to Margot Doss' for dinner with Leary who was flushed with excitement over the day. Margot wrote a popular column on walking in the Bay area for the San Francisco Chronicle. She fixed up Tim with a lovely young thing who was in a trance state over the encounter. Margot had a mound of crab on a buffet that was eye boggling. A mountain of fresh crab, the delicacy of the area; more than anyone could possibly eat.

I was invited to give a talk on the Be-in by my first Santa Cruz friend, the Rev. Herb Schmidt, whom my wife and I had met on our Asilomar trip. He met us at the front door wearing a black bikini and holding a martini. I thought this is my kind of Lutheran. He set it up as a debate with the Assistant Chief of Police, Officer Overton, a big mistake. I showed my slides thinking they would educate the group to the new style of life and what to expect from the younger generation. They were appalled. They thought Overton should cuff me and take me away before I was lynched. Fortunately, I lived a block away and figured I could make a run for it if I could only get out the door. A young Sunday school teacher stood up and berated the group for their ill will toward me and started to weep which further alerted me to my peril. That settled things down a bit and I got home safely. The experience didn't make me any more cautious and I continued to speak publicly about psychedelics thinking I was carrying on my duties as an educator. I went to Rice University and spoke and met Rusty Schweikert, the astronaut, who was on his way into outer space without the use of drugs. I met Danny Lyon, the photographer, who was doing a shoot on the Texas penitentiary system and had met one of the symbolic prisoners in the country, Billy McKuen, who had cut his penis off in prison; we carried on a correspondence.

I was critical of the psychedelic movement after it became clear that there were casualties to take into account. Students who never recovered from a bad trip became a new type of social welfare recipient--crippled for life, they went on the dole. I talked about the tyranny of being hip and the pressure to take drugs although it deterred no one. I was worried about deformation, about the de-structuring of consciousness that occurred under the influence of the drug, often associated with a death experience. from which some experimenters never recovered. They were permanently de-structured and found it impossible to return to what they had been if you want to call that normal. They became wards of the State. I met one of the casualties out on the road in front of Stevenson College. I remember the moment vividly--a former student, Tom somebody, who, for a year or more had been living on the beaches and probably in a cave and whose eyes flashed like a movie projector gone haywire, you could almost hear the sound of the film flapping off the reel.

I understood the yearning of the spirit and the desire to form an opposition movement against the socially dominant estrangement--Leary summed it up in the slogan of the time: Turn on, tune in, and drop out. "She's leaving home......" the Beatles sang. This inner emigration swept through the younger generation like a wave and they disengaged psychically from the collective insanity that was going on around them, learning how to hide in public view. I was fascinated by this covert ethic, as I called it, exemplified by watching students in a circle, say, at a wedding, or some social gathering, passing a joint and taking a toke as if no one noticed. An invisible line separated the straights from the hip. It was clear that this freedom of the spirit was indistinguishable from arbitrary willfulness.

It became apparent to me that there were certain users who lived to light up. They were constantly looking for the moment when they could get stoned, all other experience, including time spent with one another was subordinate to their central and all-consuming obsession; they were addicts. It was a matter of observation to watch them bide their time and to give off the impression that at any given moment they could repeat the ritual they lived for: to light up! They seemed to be entirely oblivious that this was the case and that an observer such as myself could call them to account. The reason for doing so was because one had the feeling of being used--manipulated-- for the purpose of collusion in the assumed mutually shared interest in getting stoned. There was a perceived psychic drumming of fingers and an imperceptible hum to mark the time.

It reminded me of visiting relatives in Norway who put on a Sunday afternoon spread for a prince. Plums in clotted cream and aquavit, the national drink, which entailed a ritual. Everyone raises their glass and says skol, looks one another in the eye, clinks glasses and bottoms up. Refill. Wait. Small talk. Some quiet drumming of fingers and a little humming. And then someone breaks the suspense when the appropriate time has passed and says skol and the ritual is repeated. Needless to say, as this goes on, the intervals get shorter and shorter and the sham of waiting becomes more and more transparent and provokes great hilarity. It was the Norwegian version of stoned.

I taught at Cowell College the first year before I moved to Crown. Page Smith had hired me accomodating me until Crown opened. We became great friends, as well as his wife, Eloise. They were the spirit of the place and imbued Cowell with a charm and culture that was stunning and unforgettable. I met Mary Holmes and we fell in love on the spot, the beginning of a lifelong friendship. And then came Chadwick.

I have had a few clairvoyant experiences in my life but this was one of the best. Maybe clairvoyant isn't the word. It was more like being guided. I thought a student garden project would be a good thing for the campus, even though I wasn't interested in gardening and didn't know where the idea came from, although, after all, the campus was on a splendid ranch landscape, the weather was perfect, and "Flower Power" was in the air, another slogan of the times, wafting down on a cloud of smoke from the Haight. We all got a whiff of that. So I asked the Chancellor to lead a walk to look for a prospective site. He thought it was a good idea. Quite a few people showed up and I carried my daughter on my shoulders and we looked around up behind Crown where there were running streams and gorgeous stands of redwoods, eucalyptus and oak.

Two weeks later, Chadwick arrived. I was told of his coming by Countess Freya von Moltke, who was visiting the campus and had heard of my project. She said she had my gardener for me. I met Chadwick at the Cowell Fountain and asked him if he would take on the task and he said he would. The next day he went out and bought a spade and picked out the slope below Merrill College and started to dig. I remember driving up to school and catching him out of the corner of my eye and thinking oh boy here we go! I think it was the first organic garden at a university in the country. l967.

We were right in line for Earth Day, three years later, as if the garden had been planned as a place to celebrate it. The garden jeopardized my career, although not publishing was another factor. I thought the garden would count as a bad book but I was wrong. And it didn't help that I was the founding chair of religious studies and my field was the philosophy of religion. My colleagues at Crown gave me the thumbs down. The handwriting on the wall appeared fairly early. After the suicide of a colleague, I thought the message was clear. I was finished. So I dreamt up a nonprofit corporation as a pipe dream that might afford me a place to work--I called it U.S.A., University Services Agency. Three days after the new year--l970--I ran into my pal, Herb Schmidt, who was campus chaplain, as he was about to get the franchise for the only public restaurant on the campus and I proposed my idea. The non-profit took off like a rocket. We started the Whole Earth Restaurant and Sharon Cadwallader took on the task and her cookbook sold a million copies. Eventually we had something like thirty affiliates and millions in cashflow. I thought of writing it up as: How To Become A Spiritual Millionaire When Money Is No Object. It anticipated Page Smith and me starting the William James Association, after I was bounced. When Page retired in protest over the issue, he said: "any place that doesn't have room for Paul Lee doesn't have room for me." Even today it has a nice ring.

The Loyalty Oath was an attempt to break the spirit of American intellectuals and one was practically forced to sign it in order to get paid. University professors were suspect in principle. It was a test of one's mettle--what I call thymic juice or the ability to say No! (Thymos is the ancient Greek word for courage.) It takes courage to resist and the willingness to accept the penalty for noncompliance with evil which is Gandhi's definition of satyagraha, his term for the moral equivalent of war. There was a penalty to pay either way: might as well come out with one's integrity intact. I witnessed the courage of colleagues at M.I.T., when I saw them take a stand and refuse to sign. I didn't have to sign because I was on my way to Santa Cruz. I knew Erik Erikson at Harvard and I knew he had refused to sign at Berkeley and was forced to leave his position. He told me they had an office for the purpose that was open 24 hours a day so faculty could sneak in at three in the morning undetected. I admired him for his courage but I signed. I was ashamed of myself because I transgressed a scruple against swearing my true faith and allegiance to the constitution of the State of California. Allegiance, sure, but true faith? That was reserved for more transcendent swearing. I went to Santa Barbara to be on a panel. The lady in charge offered me a piece of paper to sign after I finished speaking. I asked what it was and she said the Loyalty Oath. I told her I had signed it. She said it didn't matter. I had to sign every time I spoke at another campus in order for them to pay me. I handed the paper back. No thanks. Keep your honorarium. Years later, the Loyalty Oath was overturned and I called Santa Barbara and they sent the check. No interest. I realized I had lost and won a round with myself. How many rounds does one get?

I remember the first time I saw Ralph Abraham. It was at a Faculty meeting in the fall of l968. He was sitting in the front row. I did a doubletake as I walked by. I thought holy shit, they hired Abbie Hoffman; now they've gone too far! We were asked to lead a student protest against the regents who were making a visit to the campus. Reagan was governor. The Democratic convention police riot in Chicago had happened a few months before and the campus was a tinder box ready to explode. Ronnie and the regents were the match.

I arrived for the march wearing my Harvard PhD robe, red silk with black bands, a representative of lawful order and adult circumspection; Ralph showed up wearing an American flag shirt. We both had beards and Ralph had an afro out to there.

The students for the most part behaved but there were some outside agitators from Berkeley who acted as provocateurs and wanted to foment trouble. I invited the biggest loudmouth out into the parking lot but he declined.

Bill Moore, who was to become a graduate student in the History of Consciousness Program, had called for a Black Studies College in honor of Malcolm X and the Chancellor, McHenry, had laughed derisively at the suggestion. Bill was considered an inside agitator and was persona non grata for making speeches on the campus. In the middle of the ruckus he was removed from the campus by the police. I found out about it and picked him up at the bottom of the campus where he had been deposited and brought him back where we were met by student supporters with whom we locked arms and marched into the Crown College courtyard where we were met by Rich Townsend, a student sympathetic to Moore's proposal, who told us that Jesse Unruh and a number of regents were waiting to talk to Bill. In we went to the Crown Library and Bill sat down to repeat his proposal, this time to sympathetic ears. Eventually, the X in Malcolm X was transposed to Oakes and a college devoted to Black Studies was instituted.

Ralph's and my picture appeared in many of the state newspapers in articles about the demonstration. Hate mail poured in. People didn't like professors with beards and they really didn't like their flag worn as a shirt. McHenry dutifully sent copies to us with a little red check on a tab on the side of the document. One of them suggested we fill our pockets with shit and lie down in front of a bus and become instantly embalmed. I thought that was an example of a rare imagination. Ralph had tenure and I didn't. I thought the jig was up for me and it turned out to be true even though the Crown faculty gave me a vote of confidence at the time which was really a veiled kiss of death.

A Vietnam Teach-in was organized and many of us spoke, including John Kroyer, my colleague in philosophy, who recommended that students hand back their draft cards; after all it was government property, let the government take care of it. The Chancellor took umbrage at the event and especially Kroyer's remarks and proceeded to censure him which meant his advancement was jeopardized. It precipitated a nervous breakdown not helped by a bad mescaline trip and I had to have him institutionalized. He was eventually released after shock treatment and bought a gun and shot himself. I thought it was a message sent to me that I was dead as far as my teaching career was concerned. I had to conduct his funeral service. I quoted Dylan Thomas: oh you who could not cry on to the ground, now break a giant tear, for this little known fall.

McHenry eventually went after Ralph Abraham. McHenry was an ex-marine, which explains something. Steno pool wastepaper baskets were raided for incriminating evidence. Are you kidding? Charges were trumped up. Ralph decided to write to all the major mathematicians in the world to complain. He was fed up. The day after they got the letters McHenry called it off. Chalk up one round for the good guys.

I started to get critical of the institution, remembering the hissed 's' and appalled at McHenry's repressive behavior. I thought of three things haunting higher education: the triumph of the obtuse, the bureaucratization of the learning process and the principle of anonymity, where students would never find roots or a place to nurture them. And I could tell that the first five years, from l965 to 1970, when the humanities counted, would soon be swept away or at least under the carpet by the triumph of the sciences. We were enjoying what was only a brief grace period. Short but sweet. It always surprised me that for Page Smith this was enough. That it had had it's time at all seemed to be a matter of unassailable affirmation for him. Sometimes brief flowerings of the spirit are better than no flowerings at all.

Page did have second thoughts about it, though. Late in life he wrote a blistering indictment of the university system entitled: Killing the Spirit, his critique of the deadening force of reductionism that had descended on higher education like a pall with the message that only the sciences counted for knowledge and all the rest was a waste of time to be reluctantly tolerated. To pay homage to the book and the critique I wanted to install a spiritual cloakroom at the entrance to the campus in front of the sign bearing the school slogan: Fiat lux. Incoming students would check their spirits for safekeeping and I would give them a number and when they graduated it would be returned to them if we could find it. It didn't surprise me at all when the former chancellor, M.R.C. Greenwood consistently referred to the university as a major research institution and not a university.

I decided to teach a course that would critically examine the university. I called it "Organizational Climate", a term developed by a former colleague at Harvard Business School. I thought the students should study the institution they were enrolled in and not take it for granted. I organized the class as a non-profit corporation, as I was enamored of the form, and issued stock. We took on some interesting projects, the first having to do with a seasonal erosion of a hillside at the entrance to the campus where the soil spilled down onto the road every winter in the rainy season. There was a dispute between the County and the University over jurisdiction and responsibility. The class met in the only geodesic dome on the campus and we called in the appropriate authorities and interrogated them and the dispute was resolved. Then we decided to build a retaining wall in front of the Chadwick Garden as it was also eroding in the rains. We got the stone from the quarry on the campus and a crew turned out and we did a nice job. I got a nasty letter sent to me with a copy to the chancellor from Building and Grounds disavowing any responsibility with the wall and its tumbling down in the first rain. It's still there.

One student said she wanted to make bread and give it away. I said ok. She wanted some money so I gave her some and she obtained the kitchen at the Congregational Church on High Street. Her name was Bonny. She was famous for taking acid in high school and taking her clothes off before she was arrested. I forget how many loaves she baked. That summer, while we were in Wisconsin, I got a letter from her saying this guy is hitchhiking out to see me and borrow some money to start a bakery. He had the ovens but he needed money for flour. I winced. Days later I get a call from Eagle River, a town ten miles away. He's here.

I drove in to pick him up. He doesn't talk. We sit on the back porch steps for a few days enjoying the quiet and I finally mention I will take him back to the phone booth in Eagle River and he can hitchhike back. He didn't say a word. Shortly after, I get word that my colleague, John Kroyer, had shot himself and I was asked to return to perform his funeral service. I was so down I looked up the baker and there he was in a little hole in the wall on Seabright and Murray, sitting on his oven. I gave him the rent I was collecting on our home so he could buy flour. He got started and eventually sold it and it became the Staff of Life Bakery. I never got my money back, just like my rent for the Bookshop Santa Cruz. I should have gone to Harvard Business School instead of Harvard Divinity School. But I developed a pained appreciation for an economy of gift and the application of Erik Erikson's definition of identity: you have it to give it away!

One day after an Organizational Climate class, a coed came up and said she was going home to visit her grandmother. I was a little perplexed but I said say hello to her for me. She came back after the break and handed me a check for ten grand. I said who's your grandmother? Mrs. J. C. Penney. So we designed a project for the summer. A group from the class would spend the summer with Hassler, a former Merry Prankster, who lived on Last Chance Road. They had a ball. I was a little concerned about accountability so I asked Hassler to write up the project. He handed in a very nice document of about 25 pages entltled: "No Holes Barred Finishing School, The Same Eastern Polish at a Fraction of the Cost."

A student got caught in an elevator malfunction with Ken Kesey in San Francisco. For some hours. I guess it was a life-transforming experience. She came into my office and wanted me to agree that she should drop out of school. I agreed. Then she fell in love with Hassler and wanted me to marry them. I agreed and we performed the ceremony at the Sacred Oak in the middle of Pogonip. My daughter, Jessica, was the bridesmaid.

I had a horse that I kept on campus. His name was Charley when I bought him and I renamed him Xanthos, the horse of Achilles, who prophesied Achilles' death. I thought it was a good name for a philosopher's horse. I had gone riding with Mary Holmes and she said why don't I get a horse. I almost fell off. I had wanted to be a cowboy in the summer and a fireman in the winter when I was a boy. I never thought I would fulfill one of them. She found a quarter horse gelding, a magnificent specimen. I was in seventh heaven, another name for the saddle. I had to move him eventually and found a stable up on Spring Street at Windy Hill Farm with a lady who had run polo ponies at Pogonip.

I could get on to the Pogonip across the road and it afforded me 614 acres of prime riding space. One day while doing a turn in a meadow I looked up at the solitary oak standing in the middle and saw the Crucified. The oak tree was in the form of the Crucified, a major limb had broken off leaving a head. The outstretched limbs below looked like arms. It was the place name--Santa Cruz, Holy Cross--in an oak. I started having services there on Thanksgiving, Christmans and Easter. The year was l977. Pogonip was threatened with development by the Cowell Foundation and I thought: over my dead body. I started the Save Pogonip Greenbelt Group with Mark Primack and he drew the oak for the poster and we passed an initiative that lead to the city acquiring the property as a park. I continue to do services there with my colleague, Herb Schmidt.

In l970, I met Jack Stauffacher, of the Greenwood Press, in San Francisco, one of the great fine press typographers in the world. He was a devotee of Goethe and when he found out we had a Goethean Gardener in Alan Chadwick, he wanted to meet him.

Alan practised biodynamics, a form of horticulture developed by Rudolf Steiner in the early part of the last century. Steiner was a Goethean and took much of his inspiration from Goethe and particularly Goethe's botany. We had adopted the slogan of Goethe's Italian Journey: Et in Arcadia Ego, for our garden. Arcadia is the garden theme of Greek letters, comparable to Eden. Virgil's Georgics is the classic text. Jack did a broadside devoted to the theme, commemorating the garden. We formed a lifelong friendship and eventually he did a fine press edition of Plato's Phaedrus and dedicated it to me.

I nominated Jack for a Regents' Professorship and he came to Cowell College and started the Cowell Press. He had a distinguished group of students some of whom went into fine printing and have had great careers. I gave a talk at Holy Cross Church on Goethe's Italian Journey on the occasion of the 200th anniversary and Jack did an exquisite broadside for the occasion.

When Page Smith and I left the university in l972, we started the William James Association. Page wanted to start the Civilian Conservation Corps over again as he had been in a leadership training camp in Norwich, Vermont, in l940, inspired by William James' address at Stanford in l906: "A Moral Equivalent of War." It involved his beloved teacher--Rosenstock Huessy--to whom he was devoted for the rest of his life and it was an experience he never got over. It was something like an unpaid debt as the camp was shortlived due to the war and Page was drafted. So we went to Washington, D. C. , but we didn't get anywhere. Then Eloise asked me to ask Baker-roshi to ask Gov. Brown to nominate her as the Chair of the State Arts Council, about to be newly formed. She knew I was friends with Baker-roshi and he was a friend of Brown and so I did. When she and Page were in Brown's office in Sacramento to be named he gave the State of the State Address and announced the forthcoming California Conservation Corps. Page jumped in his seat and told Brown about our work to that end at the national level. Brown said be my guest and so we got to do the early planning for the corps. That was a coincidence of an unusual sort. Makes one wonder.

After some months, this guy appears in our office in Santa Cruz, and introduces himself as the new director of the Corps--Boyd Horner. I ask him what he had done before. He had studied for the Rudolf Steiner Priesthood in England. I said oh go on your'e just shitting me. In fact, I looked up my sleeve thinking something strange and weird had crawled out. He proceeded to make the Corps a Rudolf Steiner Corps. God wot! He was the moonbeam in the Governor's office. I was sent to England to the Steiner School there--Emerson College. He wanted Steiner gymnasts, Steiner dieticians, Steiner dancers (Eurythmy), and probably Steiner geometers. Anything Steiner I could get. I went into a pub in Forest Row and they could tell I was from California. When I told them I was visitng Emerson, they ducked, and I thought a bat had flown in thru the window. The Steiner group was pretty weird. I had fun going into London on weekends and hanging out with Harrison Ford, my brother-in-law, who was acting in Star Wars. We drank single malt scotch. McCallums. I got to go to the set and watch him being made up and thought his uniform was the dickiest thing I had ever seen, like they had made it out of old handkerchiefs. I thought this thing is never going to fly.
Horner didn't last long and that was the end of that as far as our relation to the Corps was concerned.

I thought land reform was going to be the next big thing after civil rights. I organized a conference at the Civic Auditorium. There was a guy running for the presidency on a land reform plank, his name escapes me. I was his local campaign manager. Harris. His name was Harris. There was Riis Tijerina, who was a Southwestern radical and had staged a demonstration in favor of minority rights. And there was Cesar Chavez.

I thought they were continuing the tradition of a moral equivalent of war.

No one came. Fortunately, I had invited about forty speakers. They made for a small audience and talked to themselves. Stauffacher did a broadside. I was not only ahead of my time, I was out of my time. But it did lead to my starting the Northern California Land Trust, with Erich Hansch and Warren Webber, an organic farmer in Marin, who just hosted the Prince of Wales. The idea of a land trust had just come to me as the vehicle for land reform and land conservation and someone said there was a guy who had just moved to Santa Cruz and had written a book on how to do it. Take me to him. It was Erich. He was living in a garage with Don Newey. I remember the shirts and pants on hangers on a pole.

Erich was a follower of Steiner. He was an Anthroposophist. Really, the coincidences were piling up. I thought this makes up for a lot. Erich was wonderful and I loved him dearly. He reminded me of my grandfather in Milwaukee who was into the occult.

Migrating hippies wandering through Santa Cruz became known as the Undesirable Transient Element or "Ute's". Some inspired local bureaucrat must have made up that one. One of the first things Page and I did in the William James Association was to organize the Work Company so that the transients could find short term, part time, employment. We found 30,000 jobs during the life of the project. Not bad. We started a Community Garden project with Rock Pfotenhauer. Page and Eloise started the Prison Arts Project which had a remarkable success and became a national model. And then we got involved with the homeless in l985 and opened the first public shelter in Santa Cruz, and then the homeless church program, with churches taking in the overflow, and then the Homeless Garden Project and then then the Page Smith Community House. But that takes us out of the 60's and 70's.

I almost forgot about the Wild Thyme Restaurant. That was in the '70's. Max Walden had developed Cooper House from the old County Court House and made it into the center of downtown life. Bob Page and Ed Gaines and I opened the first shop in the Cooper House--The Wilderness Store. The first one in Santa Cruz. We even got the first Levi Franchise. Max had a series of failed restaurants in the basement and so I offered to start one. I was enamoured of the herb thyme because of the Greek root--thymos--my favorite word and the herb was thymus vulgaris in the Latin, derived from the Greek. So was the thymus gland, the master organ of the immune system. So we served sweetbreads which are calve thymus glands, the supreme achievement of French cuisine--Joanne LeBoeuf was the chef and had a knack with the glands, and hamburgers with thyme, which made people protest because they thought it was pork, so I got laughed at. I went around and lectured people on their thymus glands, remember this was early, so almost no one knew they had one, and once I had their attention, on the physicalist/vitalist conflict in the system of the sciences as a rap on the late stage of the self-destruction of industrial society. I had a cue card that gave the bullets so you could get the main points at a glance.

Buckminster Fuller came in one night with a student from the University. He said hello, Paul, which knocked me out as I had met him with a hundred other people at a reception in Los Gatos, months before. I was having a meeting in the back room of a group that was going to publish a journal as part of our Bicentennial Grant which Page and I had received for art projects for Santa Cruz. Page was the Bicentennial Historian as the first two volumes of his History of the U.S. were to coincide with the Bicentennial. I asked Bucky if he would say a few words to the group and he was glad to oblige and charmed everyone with his remarks. He invited me to his table and I sat down. I thought this was my chance to ask him what he thought about Kurt Godel and the incompleteness theorems and the undecidability problem. He never heard of Godel. I was stunned but I proceeded to tell him what I knew as the kid with him grew more and more agitated and kept saying, Bucky, do you realize the importance of what this man is saying. I enjoyed the response but he seemed a little over-heated. Finally, he ran out and I asked Bucky what was the deal and he said the kid had been raised at Synanon, the ex-drugger group, where his mother was in residence and he was rather hyper-active. Maybe I should check on him. I went to the front of the restaurant and there he was on the phone booking a plane for Princeton to see Godel. He said he had a document in his pocket that was fraught with the greatest importance for mankind and he wanted to show it to Godel. I asked him what it was and he wouldn't show it to me. Only Godel. I was sorry I had told him.

I met Bucky once again at a conference where Chadwick was in residence. He came out of a portable potty standing in a field. It looked like he had just landed. He didn't remember me.

Jay Greenberg, a mathematician colleague at UCSC, had told me about Godel around l970. He told me that Godel had written a proof for the existence of God. I saw stars. I thought if I could get the proof and publish it in a journal I was promoting for the History of Consciousness Program in order to fulfill the publish or perish demand that I knew they were going to get me on, I would be safe. I would get tenure on Godel's Proof. Moreover, a proof by the world's leading mathematical logician would be irrefutable. I wrote to Godel. He wrote back and said the proof was incomplete. Everyone laughed. I was waiting for Godel. And, he asked, what did theology have to do with consciousness. That threw me for awhile. I had occasion to call him at Princeton when I told a friend of mine, Adelaide de Menil, to take a picture of him, as she was going to Princeton to visit her brother. Adelaide is a fine photographer. She said I had to set it up. Hello, Prof. Godel. This is Prof. Lee. Remember me? Yes. I wrote to you about your proof. Is it complete? No. Oh, too bad. And when you asked about the relation of theology to consciousness, oh, never mind. Could I have a friend of mine come and take your picture. No. Why not? I have two perfectly good pictures of myself.

I had occasion to have coffee with Octavio Paz shortly after that and I told him the story about Godel. He spilled his coffee in his lap. I thought that's how startled and excited a world renowned poet gets when he hears that existence has become a predicate again. Kant said existence is not a predicate because it doesn't add anything conceptual to a thought. Existence is always assumed in the thinking of anything. At least conceptual existence. If you say that you have the thought of a hundred dollars and then that the hundred dollars exists you can't find it in your pocket. So with that Kant undermined arguments for the existence of God. He thought it was like pulling a rabbit out of a hat. Since Kant, such arguments, which constitute a major theme in the history of philosophy have suffered in validity. Not after Godel. Ha ha. And the proof is now complete and is to be found in the third volume of his collected papers. The only problem is it is completely unintelligible, at least to me and anyone else who is not a technically proficient mathematical logician. But I don't care. I still like the way it looks and am proud of having corresponded with Godel and spoken to him on the phone even if it didn't save my ass.

So much for the '60's and 70's. They were fine while they lasted and I got my kicks on Route 66. Psychedelics were certainly the defining feature, and even though in many ways the 60's were a disappointment, psychedelics were terrific as a defining style. But it was thought to be more than that. It was hoped to be more than that. What happened to the longing that was released? The utopianism? It was nowhere, literally. And then it ended. They had a ceremony for it in the Haight. It was the death of the hippie. It had been co-opted by commercialism. Industrial society had absorbed it more than it was transformed by it or undermined by it. The opening of the doors of perception, the inter-modal sense quality experience, synesthesia, mystical flights, seeing the world in a flower, listening to Leary read from James Joyce, walking through a doorway, the revelatory power of a painting like when I discovered Cezanne at the Museum of Fine Arts in Chicago and my eyes were opened to his brush stroke and use of color, the symbiotic rapport and the sense of clairvoyance, Don Juan and Castaneda and the renewed appreciation of shamans, and all the gurus who filed through, many of them bogus and frauds, and then came that evil creep, Manson, and the Hells Angels beating to death an innocent bystander at a Rolling Stones concert.

Well, after all, what is marijuana, but an herb that burns.
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Re: Tantra-Induced Delusional Syndrome ("TIDS")

Postby American Dream » Tue Nov 05, 2013 2:53 pm

American Dream
 
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Re: Tantra-Induced Delusional Syndrome ("TIDS")

Postby American Dream » Tue Nov 05, 2013 5:13 pm

Jerry Garcia on The Acid Tests

American Dream
 
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