Poetry slam

[Alaya]

Kindness

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.

Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and
purchase bread,
only kindness that raises its head
from the crowd of the world to say
it is I you have been looking for,
and then goes with you every where
like a shadow or a friend.

` Naomi Shihab Nye

[Stephen Morgan]

One story follows another as naturally as one 'shoulder of mutton' is said to 'drive another down.' A little Welsh girl, who sometimes makes her way from the kitchen into the nursery, after listening with intense interest to this tale, immediately started off at score with the sum and substance of what, with due reverence for such authority, I shall call --

'LOOK AT THE CLOCK!': PATTY MORGAN THE MILKMAID'S STORY

FYTTE I.

'Look at the Clock!' quoth Winifred Pryce,
As she open'd the door to her husband's knock,
Then paus'd to give him a piece of advice,
'You nasty Warmint, look at the Clock!
Is this the way, you
Wretch, every day you
Treat her who vow'd to love and obey you?
Out all night!
Me in a fright;
Staggering home as it's just getting light!
You intoxified brute! you insensible block!
Look at the Clock!-- Do!-- Look at the Clock!'

Winifred Pryce was tidy and clean,
Her gown was a flower'd one, her petticoat green,
Her buckles were bright as her milking cans,
And her hat was a beaver, and made like a man's;
Her little red eyes were deep set in their socket-holes,
Her gown-tail was turn'd up, and tuck'd through the pocket-holes:
A face like a ferret
Betoken'd her spirit:
To conclude, Mrs. Pryce was not over young,
Had very short legs, and a very long tongue.

Now David Pryce
Had one darling vice;
Remarkably partial to anything nice,
Nought that was good to him came amiss,
Whether to eat, or to drink, or to kiss!
Especially ale --
If it was not too stale
I really believe he'd have emptied a pail;
Not that in Wales
They talk of their Ales;
To pronounce the word they make use of might trouble you,
Being spelt with a C, two Rs, and a W.

That particular day,
As I've heard people say,
Mr. David Pryce had been soaking his clay,
And amusing himself with his pipe and cheroots,
The whole afternoon at the Goat in Boots,
With a couple more soakers,
Thoroughbred smokers,
Both, like himself, prime singers and jokers;
And, long after day had drawn to a close,
And the rest of the world was wrapp'd in repose,
They were roaring out 'Shenkin!' and 'Ar hydd y nos;'
While David himself, to a Sassenach tune,
Sang, 'We've drunk down the Sun, boys! let's drink down the Moon!'
What have we with day to do?
Mrs. Winifred Pryce, 'twas made for you!'--
At length, when they couldn't well drink any more,
Old 'Goat-in-Boots' show'd them the door;
And then came that knock,
And the sensible shock
David felt when his wife cried, 'Look at the Clock!'

For the hands stood as crooked as crooked might be,
The long at the Twelve, and the short at the Three!
This self-same Clock had long been a bone
Of contention between this Darby and Joan;
And often among their pother and rout,
When this otherwise amiable couple fell out,
Pryce would drop a cool hint,
With an ominous squint
At its case, of an 'Uncle' of his, who'd a 'Spout.'
That horrid word 'Spout'
No sooner came out,
Than Winifred Pryce would turn her about,
And with scorn on her lip,
And a hand on each hip,
'Spout' herself till her nose grew red at the tip.
'You thundering willain,
I know you'd be killing
Your wife,-- ay, a dozen of wives,-- for a shilling!
You may do what you please,
You may sell my chemise,
(Mrs. P. was too well-bred to mention her stock,)
But I never will part with my Grandmother's Clock!'

Mrs. Pryce's tongue ran long and ran fast;
But patience is apt to wear out at last,
And David Pryce in temper was quick,
So he stretch'd out his hand, and caught hold of a stick;
Perhaps in its use he might mean to be lenient,
But walking just then wasn't very convenient,
So he threw it, instead,
Direct at her head.
It knock'd off her hat;
Down she fell flat;
Her case, perhaps, was not much mended by that:
But, whatever it was,-- whether rage and pain
Produced apoplexy, or burst a vein,
Or her tumble induced a concussion of brain,
I can't say for certain,-- but this I can,
When, sober'd by fright, to assist her he ran,
Mrs. Winifred Pryce was as dead as Queen Anne!

The fearful catastrophe
Named in my last strophe
As adding to grim Death's exploits such a vast trophy,
Soon made a great noise; and the shocking fatality
Ran over, like wild-fire, the whole Principality.
And then came Mr. Ap Thomas, the Coroner,
With his jury to sit, some dozen or more, on her.
Mr. Pryce to commence
His 'ingenious defence,'
Made a 'powerful appeal' to the jury's 'good sense,'
'The world he must defy
Ever to justify
Any presumption of 'Malice Prepense;'
The unlucky lick
From the end of his stick
He 'deplored,' he was 'apt to be rather too quick;'
But, really, her prating
Was so aggravating:
Some trifling correction was just what he meant; all
The rest, he assured them, was 'quite accidental!'

Then he called Mr. Jones,
Who deposed to her tones,
And her gestures, and hints about 'breaking his bones.'
While Mr. Ap Morgan, and Mr. Ap Rhys
Declared the Deceased
Had styled him 'a Beast,'
And swore they had witness'd, with grief and surprise,
The allusions she made to his limbs and his eyes.
The jury, in fine, having sat on the body
The whole day, discussing the case, and gin-toddy,
Return'd about half-past eleven at night
The following verdict, 'We find, Sarve her right!'
Mr. Pryce, Mrs. Winifred Pryce being dead,
Felt lonely, and moped; and one evening he said
He would marry Miss Davis at once in her stead.

Not far from his dwelling,
From the vale proudly swelling,
Rose a mountain; it's name you'll excuse me from telling,
For the vowels made use of in Welsh are so few
That the A and the E, the I, O, and the U,
Have really but little or nothing to do;
And the duty, of course, falls the heavier by far
On the L, and the H, and the N, and the R.
Its first syllable, 'Pen,'
Is pronounceable;-- then
Come two L Ls, and two H Hs, two F Fs, and an N;
About half a score Rs, and some Ws follow,
Beating all my best efforts at euphony hollow:
But we shan't have to mention it often, so when
We do, with your leave, we'll curtail it to 'Pen.'

Well,-- the moon shone bright
Upon 'Pen' that night,
When Pryce, being quit of his fuss and his fright,
Was scaling its side
With that sort of stride
A man puts out when walking in search of a bride,
Mounting higher and higher,
He began to perspire,
Till, finding his legs were beginning to tire,
And feeling opprest
By a pain in his chest,
He paused, and turn'd round to take breath, and to rest;
A walk all up hill is apt, we know,
To make one, however robust, puff and blow,
So he stopp'd, and look'd down on the valley below.

O'er fell, and o'er fen,
Over mountain and glen,
All bright in the moonshine, his eye roved, and then
All the Patriot rose in his soul, and he thought
Of Wales, and her glories, and all he'd been taught
Of her Heroes of old,
So brave and so bold,--
Of her Bards with long beards, and harps mounted in gold;
Of King Edward the First,
Of memory accurst;
And the scandalous manner in which he behaved,
Killing Poets by dozens,
With their uncles and cousins,
Of whom not one in fifty had ever been shaved.
Of the Court Ball, at which by a lucky mishap,
Owen Tudor fell into Queen Katherine's lap;
And how Mr. Tudor
Successfully woo'd her
Till the Dowager put on a new wedding ring,
And so made him Father-in-law to the King.

He thought upon Arthur, and Merlin of yore,
On Gryffth ap Conan, and Owen Glendour;
On Pendragon, and Heaven knows how many more.
He thought of all this, as he gazed, in a trice,
And on all things, in short, but the late Mrs. Pryce;
When a lumbering noise from behind made him start,
And sent the blood back in full tide to his heart,
Which went pit-a-pat
As he cried out, 'What's that?'--
That very queer sound?
Does it come from the ground?
Or the air,-- from above or below, or around?
It is not like Talking,
It is not like Walking,
It's not like the clattering of pot or of pan,
Or the tramp of a horse,-- or the tread of a man,--
Or the hum of a crowd,-- or the shouting of boys,--
It's really a deuced odd sort of a noise!
Not unlike a Cart's,-- but that can't be; for when
Could 'all the King's horses and all the King's men,'
With Old Nick for a waggoner, drive one up 'Pen?'

Pryce, usually brimful of valour when drunk,
Now experienced what schoolboys denominate 'funk.'
In vain he look'd back
On the whole of the track
He had traversed; a thick cloud, uncommonly black,
At this moment obscured the broad disc of the moon,
And did not seem likely to pass away soon;
While clearer and clearer,
'Twas plain to the hearer,
Be the noise what it might, it drew nearer and nearer,
And sounded, as Pryce to this moment declares,
Very much 'like a Coffin a-walking up stairs.'

Mr. Pryce had begun
To 'make up' for a run,
As in such a companion he saw no great fun,
When a single bright ray
Shone out on the way
He had pass'd, and he saw, with no little dismay,
Coming after him, bounding o'er crag and o'er rock,
The deceased Mrs. Winifred's 'Grandmother's Clock!!'
'Twas so!-- it had certainly moved from its place,
And come, lumbering on thus, to hold him in chase;
'Twas the very same Head, and the very same Case,
And nothing was alter'd at all -- but the Face!
In that he perceived, with no little surprise,
The two little winder-holes turn'd into eyes
Blazing with ire,
Like two coals of fire;
And the 'Name of the Maker' was changed to a Lip,
And the Hands to a Nose with a very red tip.
No!-- he could not mistake it,--' twas She to the life!
The identical Face of his poor defunct Wife!

One glance was enough,
Completely 'Quant. suff.'
As the doctors write down when they send you their 'stuff,'--
Like a Weather-cock whirl'd by a vehement puff,
David turn'd himself round;
Ten feet of ground
He clear'd, in his start, at the very first bound!

I've seen people run at West-End Fair for cheeses,
I've seen Ladies run at Bow Fair for chemises,
At Greenwich Fair twenty men run for a hat,
And one from a Bailiff much faster than that;
At foot-ball I've seen lads run after the bladder,
I've seen Irish Bricklayers run up a ladder,
I've seen little boys run away from a cane,
And I've seen (that is, read of) good running in Spain;
But I never did read
Of, or witness, such speed
As David exerted that evening.-- Indeed
All I ever have heard of boys, women, or men,
Falls far short of Pryce, as he ran over 'Pen!'

He reaches its brow,--
He has past it, and now
Having once gain'd the summit, and managed to cross it, he
Rolls down the side with uncommon velocity;
But, run as he will,
Or roll down the hill,
That bugbear behind him is after him still!
And close at his heels, not at all to his liking,
The terrible Clock keeps on ticking and striking,
Till, exhausted and sore,
He can't run any more,
But falls as he reaches Miss Davis's door,
And screams when they rush out, alarm'd at his knock,
'Oh! Look at the Clock!-- Do!-- Look at the Clock!!'

Miss Davis look'd up, Miss Davis look'd down,
She saw nothing there to alarm her;-- a frown
Came o'er her white forehead,
She said, 'It was horrid
A man should come knocking at that time of night,
And give her Mamma and herself such a fright;
To squall and to bawl
About nothing at all,
She begg'd 'he'd not think of repeating his call,
His late wife's disaster
By no means had past her,'
She'd 'have him to know she was meat for his Master!'
Then, regardless alike of his love and his woes,
She turn'd on her heel and she turned up her nose.

Poor David in vain
Implored to remain,
He 'dared not,' he said, 'cross the mountain again.'
Why the fair was obdurate
None knows,-- to be sure, it
Was said she was setting her cap at the Curate;--
Be that as it may, it is certain the sole hole
Pryce could find to creep into that night was the Coal-hole!
In that shady retreat,
With nothing to eat,
And with very bruised limbs, and with very sore feet,
All night close he kept;
I can't say he slept;
But he sigh'd, and he sobb'd, and he groan'd, and he wept,
Lamenting his sins
And his two broken shins,
Bewailing his fate with contortions and grins,
And her he once thought a complete Rara Avis,
Consigning to Satan,-- viz. cruel Miss Davis!

Mr. David has since had a 'serious call,'
He never drinks ale, wine, or spirits, at all,
And they say he is going to Exeter Hall
To make a grand speech,
And to preach, and to teach
People that 'they can't brew their malt-liquor too small!'
That an ancient Welsh Poet, one Pyndar ap Tudor,
Was right in proclaiming 'Ariston men Udor!'
Which means 'The pure Element
Is for the belly meant!'
And that Gin's but a Snare of Old Nick the deluder!

And 'still on each evening when pleasure fills up,'
At the old Goat-in-Boots, with Metheglin, each cup,
Mr Pryce, if he's there,
Will get into 'the Chair,'

And make all his quondam associates stare
By calling aloud to the landlady's daughter,
'Patty! bring a cigar, and a glass of Spring Water!'
The dial he constantly watches; and when
The long hand's at the 'XII,' and the short at the 'X,'
He gets on his legs,
Drains his glass to the dregs,
Takes his hat and great-coat off their several pegs,
With his President's hammer bestows his last knock,
And says solemnly,--'Gentlemen!
'Look at the Clock!!!'

[semper occultus]

www.dailymail.co.uk

This is the story of how one of England’s finest poets died at the peak of his powers because he couldn’t take a joke

a joke that has since touched the lives of millions who completely misinterpret it and don’t even realise it was meant to be funny.

The joke in question is Robert Frost’s poem The Road Not Taken:

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveller, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a yellow wood, and I --
I took the road less travelled by,
And that has made all the difference.

You can see why this has become an anthologists’ favourite, beloved by earnest Eng. Lit. students and life coaches. What an inspiring message about the importance of individual choice, of having the courage to split off from the herd and follow your heart along the lonely road of personal integrity.
It may require sacrifice, forsaking the pleasures that await on the more trodden path, but never fear: the spiritual rewards will make all the difference.
Indeed, ‘the road less travelled’ has become a kind of shorthand for a life of enlightenment and spiritual questing. It’s the title of one of the most successful self-help books ever published.

Just one problem: that’s not what Frost meant at all. Although, somehow, most readers manage not to notice, he quietly stresses that both paths in the poem are ‘worn about the same’ and ‘equally’ covered in fresh, untrodden leaves. In truth, one is no less travelled than the other - that’s just a fanciful assertion with no evidence to back it up.
It is, in Frost’s own words, ‘a tricky poem - very tricky’. The real message, bleak and cynical, seems to be that our choices in life, however much we dither over them, are often essentially acts of caprice.
As for their outcome, who knows? Take the other road, Frost seems to be hinting, and that would make all the difference, too. Either way, it’s not worth sighing over.
Few poems can have been more wildly misread. But there was one man in particular who failed to ‘get’ it, with personally devastating consequences. And that was the man for whom it was written: Edward Thomas.
Thomas was working as a hack writer and literary critic when he met Frost, a failed poultry farmer who had moved from America to Britain in 1912, supposedly on the toss of a coin, in the hope of making his fortune as a poet.

Unfulfilled, seething with self-hatred, convinced he was a failure in both his career and his marriage, Thomas was prey to fits of black depression and flirted with suicide, charging off into the woods with a revolver or carrying around a bottle of poison that he called ‘the saviour in my pocket’.
But though his raging discontent made him sour, self-pitying and monstrously cruel to his wife - ‘Your sympathy and your love are both hateful to me. Hate me, but for God’s sake don’t stand there, pale and suffering’ - he was, when in full command of himself, a gentle and sweet-hearted man.
As a critic, he was Frost’s first champion. The pair became friends, and it was Frost, seeing hints of genius beneath the tired, strained prose of Thomas’s books on nature and the English countryside, who persuaded him to attempt poetry of his own.
A fountain of creativity was unleashed. Poem after poem poured from the pen of a man who had once flatly declared: ‘I couldn’t write a poem to save my life.’
Rapturous joy, black despair - Thomas took the turmoil of his inner life and turned it into some of the most subtle and compelling poetry of the 20th century. Miraculously, his depression began to lift.
And then Frost made his little joke.
As Matthew Hollis describes in his wonderful book, the two men used to discuss their ideas about poetry on long country walks. It tickled Frost that Thomas would often lead the way in search of some rare wild flowers or birds’ eggs, ‘only for the walk to conclude in self-reproach when the path Thomas chose bore no such wonders’.
‘No matter which road you take, you’ll always sigh, and wish you’d taken another,’ Frost teased his friend. And he turned the tease into a poem.
Thomas was not amused. It was as if the one man who understood his savagely self-critical, self-doubting nature was mocking him for it, taunting him as a timid ditherer.
Ever since being criticised by his father for - as we would now call it - ‘choking’ during a school athletics race and throwing away certain victory, Thomas had been haunted by the fear that he was a coward.
During one of his walks with Frost, the pair had been confronted by a gamekeeper with a gun; Frost angrily defied him, but Thomas weedily retreated, and was stricken with guilt ever after. Now, he thought, his dearest friend was attacking his lack of moral fibre in print.
The ditherer’s response could hardly have been more decisive.
In the preceding weeks, he had been making plans to emigrate to America with Frost. They would write poetry together and support their families by working the land. Not now. Thomas would take another road.
On July 19, 1915, at the age of 37, and hiding the diabetes that would have led to his rejection, he enlisted as a private in the British Army. He wrote a series of haunting, deathstruck poems during his training and then went to fight in France.
Edward Thomas was killed at Arras on Easter Monday, 1917. He had left his dugout for a moment to fill his pipe; a shell passed so close that the rush of air stopped his heart and he fell to the ground, not a mark on his body.
Two paths had diverged, he had made his choice, and England had lost a great soul and a great poet, who crammed his entire output of more than 140 poems into the last two-and-a-half years of his life.
Matthew Hollis tells this tale with a sigh -- but also with dry wit, deep compassion and a poet’s eye for evocative detail.

[jam.fuse]

dave the gun salesman

so dave the
gun salesman
says to me

say you"re
sitting at home
watching tv
your door is
kicked open
by a three hundred
pound crackhead
you could hit him
with a baseball bat
he's on crack
he's not gonna feel that
you got your piece
with you you pick it up
blow his head off
the cops come
take away his body
you go back
to watching seinfeld

[Alyxical]

Wendell Berry, "The Peace of Wild Things"

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children's lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.

[jam.fuse]

"The host is riding from Knocknarea
And over the grave of Clooth-na-bare;
Caolte tossing his burning hair
And Niamh calling Away, come away:
Empty your heart of its mortal dream.
The winds awaken, the leaves whirl round,
Our cheeks are pale, our hair is unbound,
Our breasts are heaving, our eyes are a-gleam,
Our arms are waving, our lips are apart;
And if any gaze on our rushing band,
We come between him and the deed of his hand,
We come between him and the hope of his heart.
The host is rushing ’twixt night and day,
And where is there hope or deed as fair?
Caolte tossing his burning hair,
And Niamh calling Away, come away"

— W.B. Yeats

[Stephen Morgan]

Yeats! I always liked Demon and Beast, for poetry, anyway.

For certain minutes at the least
That crafty demon and that loud beast
That plague me day and night
Ran out of my sight;
Though I had long perned in the gyre,
Between my hatred and desire.
I saw my freedom won
And all laugh in the sun.
The glittering eyes in a death's head
Of old Luke Wadding's portrait said
Welcome, and the Ormondes all
Nodded upon the wall,
And even Strafford smiled as though
It made him happier to know
I understood his plan.
Now that the loud beast ran
There was no portrait in the Gallery
But beckoned to sweet company,
For all men's thoughts grew clear
Being dear as mine are dear.
But soon a tear-drop started up,
For aimless joy had made me stop
Beside the little lake
To watch a white gull take
A bit of bread thrown up into the air;
Now gyring down and perning there
He splashed where an absurd
Portly green-pated bird
Shook off the water from his back;
Being no more demoniac
A stupid happy creature
Could rouse my whole nature.
Yet I am certain as can be
That every natural victory
Belongs to beast or demon,
That never yet had freeman
Right mastery of natural things,
And that mere growing old, that brings
Chilled blood, this sweetness brought;
Yet have no dearer thought
Than that I may find out a way
To make it linger half a day.
O what a sweetness strayed
Through barren Thebaid,
Or by the Mareotic sea
When that exultant Anthony
And twice a thousand more
Starved upon the shore
And withered to a bag of bones!
What had the Caesars but their thrones?

[The Consul]

specter of my master's delight
woven through words and law
mad poets trying to paint the night
to portray the shock and awe

worship is the currency of war
no flag by itself is enough
to march in formation the poor
toward the slaughter and the trough

dark ages past fail to prelude
what's coming from the capital beast
we will all be bleeding, all be nude
and death will have his greatest feast

you can be a crying genius or a laughing dolt
or a buxom gold star of Rodeo Drive
but unless the masses make haste and revolt
in forty years no human will be alive

[Stephen Morgan]

‘Twas in the year of 1897, and on the night of Christmas day,
That ten persons’ lives were taken sway,
By a destructive fire in London, at No. 9 Dixie Street,
Alas! so great was the fire, the victims couldn’t retreat.

In Dixie Street, No. 9, if was occupied by two families,
Who were all quite happy, and sitting at their ease;
One of these was a labourer, David Barber and his wife,
And a dear little child, he loved as his life.

Barber’s mother and three sisters were living on the ground floor,
And in the upper two rooms lived a family who were very poor,
And all had retired to rest, on the night of Christmas day,
Never dreaming that by ~e their lives would be taken away.

Barber got up on Sunday morning to prepare breakfast for his family,
And a most appalling sight he then did see;
For he found the room was full of smoke,
So dense, indeed, that it nearly did him choke.

Then fearlessly to the room door he did creep,
And tried to aronse the inmates, who were asleep;
And succeeded in getting his own family out into the street,
And to him the thought thereof was surely very sweet.

And by this time the heroic Barber’s strength was failing,
And his efforts to warn the family upstairs were unavailing;
And, before the alarm was given, the house was in flames,
Which prevented anything being done, after all his pains.

Oh! it was a horrible and heart-rending sight
To see the house in a blaze of lurid light,
And the roof fallen in, and the windows burnt out,
Alas! ’tis pitiful to relate, without any doubt.

Oh, Heaven! ’tis a dreadful calamity to narrate,
Because the victims have met with a cruel fate;
Little did they think they were going to lose their lives by fire,
On that night when to their beds they did retire.

It was sometime before the gutted house could be entered in,
Then to search for the bodies the officers in charge did begin;
And a horrifying spectacle met their gaze,
Which made them stand aghast in a fit of amaze.

Sometime before the firemen arrived,
Ten persons of their lives had been deprived,
By the choking smoke, and merciless flame,
Which will long in the memory of their relatives remain.

Oh, Heaven! if was a frightful and pitiful sight to see
Seven bodies charred of the Jarvis’ family;
And Mrs Jarvis was found with her child, and both carbonised,
And as the searchers gazed thereon they were surprised.

And these were lying beside the fragments of the bed,
And in a chair the tenth victim was sitting dead;
Oh, Horrible! Oh, Horrible! what a sight to behold,
The charred and burnt bodies of young and old.

Good people of high and low degree,
Oh! think of this sad catastrophe,
And pray to God to protect ye from fire,
Every night before to your beds ye retire.

[crikkett]

The Little Vagabond
BY WILLIAM BLAKE

Dear mother, dear mother, the church is cold,
But the ale-house is healthy and pleasant and warm;
Besides I can tell where I am used well,
Such usage in Heaven will never do well.

But if at the church they would give us some ale,
And a pleasant fire our souls to regale,
We'd sing and we'd pray all the live-long day,
Nor ever once wish from the church to stray.

Then the parson might preach, and drink, and sing,
And we'd be as happy as birds in the spring;
And modest Dame Lurch, who is always at church,
Would not have bandy children, nor fasting, nor birch.

And God, like a father rejoicing to see
His children as pleasant and happy as he,
Would have no more quarrel with the Devil or the barrel,
But kiss him, and give him both drink and apparel.

[Jeff]

D'bi Young, a Dubpoet, opens TEDxToronto with a passionate interpretation of What's Next.

[The Consul]

Prison Food

he thought they said
you eat what you are
hear things not as say
please do not, please
bite yourself to show

how much life is left
in your final spider eye
yapping up the light
backwar(d) trowsers & all
beware oh favored crone

IT listens

at last to you
as you swallow
the last of your
self

in the flaming chariot
you kept secret
they act like they know
only because they can't care
if you were a success
or content as Barabas

swallowing the keening inside
mourning love mourning quanta
oh Aurora, dispell dispell
the bloody dead fear

put the bones in a bag
i'll take them with me
with me you see
the very skin of excuse

every begging breath
to be the only one
to tell you now at last
how beautiful how beautiful

you are

[Jeff]

I would like to remind
the management
that the drinks are watered
and the hat-check girl
has syphilis
and the band is composed
of former SS monsters
However since it is
New Year's Eve
and I have lip cancer
I will place my
paper hat on my
concussion and dance

The Music Crept By Us

[Hammer of Los]

...

Insert everything William Blake ever wrote here.

Plus Andrew Marvell's "To his Coy Mistress."



Oh yeah I love Yeats too.

Except sometimes I think the falconer has regained the ear of the falcon.

Or did I already say that somewhere else?




...

[vanlose kid]

I Am Nobody's Nigger
by Dean Atta

Rappers when you use the word "nigger" remember that's one of the last words Stephen Lawrence heard, so don't tell me it's a reclaimed word.

I am nobody's nigger
So please, let my ancestors rest in peace
Not turn in their graves in Jamaica plantations
Or the watery graves of the slave trade
Thrown overboard into middle passage
Just for insurance claims
They were chained up on a boat
As many as they could manage and stay afloat
Stripped of dignity and all hope
Awaiting their masters and European names
But the sick and the injured were dead weight to toss
And Lloyds of London would cover that cost.

I am nobody's nigger
So you can tell Weezy and Drake
That they made a mistake
I am nobody's nigger now
So you can tell Kanye and Jigga
I am not a nigger... in Paris
I'm not a nigger in London
I'm not a nigger in New York
I'm not a nigger in Kingston
I'm not a nigger in Accra
Or a nigger with attitude in Compton
Cos "I don't wanna be called yo nigga"

How were you raised on Public Enemy
And still became your own worst enemy?
You killed Hip Hop and resurrected headless zombies
That can't think for themselves or see where they're going
Or quench the blood lust because there's no blood flowing
In their hearts, just in the streets
They don't give a damn as long as they eating
Their hearts ain't beating, they're cold as ice (bling)
Because they would put money over everything
Money over self respect or self esteem
Or empowering the youth to follow their dreams
Stacking paper cos it's greater than love it seems
Call me "nigger" cos you're scared of what "brother" means

To know that we share something unspeakable
To know that as high as we rise we are not seen as equal
To know that racism is institutional thinking
And that "nigger" is the last word you heard before a lynching.



[sound clip at link]

http://soundcloud.com/deanatta/i-am-nobodys-nigger

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