#OCCUPYWALLSTREET campaign - September 17

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Re: #OCCUPYWALLSTREET campaign - September 17

Postby JackRiddler » Sun Oct 30, 2011 7:08 pm

.

From Chicago:

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We meet at the borders of our being, we dream something of each others reality. - Harvey of R.I.

To Justice my maker from on high did incline:
I am by virtue of its might divine,
The highest Wisdom and the first Love.

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Re: #OCCUPYWALLSTREET campaign - September 17

Postby Jeff » Sun Oct 30, 2011 7:28 pm

From Denver:

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From Oakland:

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Re: #OCCUPYWALLSTREET campaign - September 17

Postby Simulist » Sun Oct 30, 2011 7:34 pm

Some guy wrote:Do you really think that we are incapable of teaching 3rd graders and doing landscaping?

Pretty much. Yeah. I do.
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Re: #OCCUPYWALLSTREET campaign - September 17

Postby Project Willow » Sun Oct 30, 2011 8:36 pm

JackRiddler wrote:.

From Chicago:

Image


It's an old email from two or more years ago. Its source is questionable. Theory is someone revived it and copied to OWS, my guess not a trader but a Fox News devotee, at least in this last incarnation.
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Re: #OCCUPYWALLSTREET campaign - September 17

Postby Free » Sun Oct 30, 2011 9:36 pm

Because this site has failed to effectively deal with it's sexism and bad attitude towards feminists, I've been personally boycotting it.

But since no one seems to have a clue as to what's going on at #OWS, I will briefly pass along some NYC news.

They're trying to destroy the occupation from within.

NYPD has been scouring the five boroughs for every incorrigilble and drug addicted street person they can find ( and they know where to find these people), and urging them to come down to Zuccotti Park.  "Hey, there's great, free gourmet food..." and there's been an influx of this type of street person, (and some of them are teenagers).

Activists tend to be overflowing with compassion and idealism and Liberty Park went from being a "good vibe filled" slumber party to a place where thefts and worse are happening or almost happening every day. There's been a huge debate raging on how to deal with the situation. Some wanted to kick them out, but that idea was rejected. If we believe in including everyone and ending classism, racism, (also sexism, guys), and giving a voice to the marginalized, how on earth could we, in good conscience, simply drive them away?

The situation is ongoing, and there are lots of capable people dealing with it, but please send prayers and good will.

As far as making it through the winter goes, I think we all need to pitch in, in whatever way we can. One way is to donate tents, cots or other supplies, or money. I wish we could get some solar panels...

You can also share your couch or extra bedroom with an occupier who needs a break from the cold. Yesterday, during the snowstorm, the comfort committee tweeted that they needed warm sleeping spaces for the night. They were inundated with calls from New Yorkers offering a bed in a warm room. They also need showers and use of washing machines.

Participating in the General Assemblies and other meetings will fill your life with meaning. We're making history! Together we can make sure that this revolution will be different and better than all those that came before it.

So you'll understand the lingo down at the local GA, below is a brand new guide to the hand signals used in meetings, and in conjunction with the human mic-

http://www.nycga.net/resources/general-assembly-guide/
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Re: #OCCUPYWALLSTREET campaign - September 17

Postby Laodicean » Sun Oct 30, 2011 10:04 pm

Free wrote:Because this site has failed to effectively deal with it's sexism and bad attitude towards feminists, I've been personally boycotting it.

They're [I'm] trying to destroy the occupation from within.

but please send prayers and good will.


Fixed.
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Re: #OCCUPYWALLSTREET campaign - September 17

Postby Jeff » Sun Oct 30, 2011 10:11 pm

Just now on FB, no link yet:

Boots Riley wrote:SEIU Local 1021, the biggest union in Oakland- representing city workers like Department Of Public Works workers, librarians, etc.- are striking on Nov 2!!! This will be a historical event. Make sure you are part of it.


Let's keep this thread a disruption-free zone.
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Re: #OCCUPYWALLSTREET campaign - September 17

Postby Wombaticus Rex » Mon Oct 31, 2011 2:57 am



I must have said "I am here first and foremost as a Christian" a dozen times when I was interviewed, so it's good to be educated on the sheer futility of attempting to frame the framers.
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Re: #OCCUPYWALLSTREET campaign - September 17

Postby Project Willow » Mon Oct 31, 2011 3:24 am

^^ :clapping:

:bigsmile
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Re: #OCCUPYWALLSTREET campaign - September 17

Postby justdrew » Mon Oct 31, 2011 5:45 am

Reward Offered for the Identity of the Police Officer Who Shot Marine Vet Scott Olsen
Posted on October 29, 2011 by WashingtonsBlog
Reward for the Identity of the Police Officer Who Shot Marine Vet Scott Olsen

A generous friend is offering a $5,000 reward for the identify of the policeman who shot Scott Olsen.

The officer can likely be seen in publicly available videos (see this and this). But his badge and face are not visible.

Similarly, Anonymous is already leaking names and information of officers in the Oakland P.D., but it is still difficult for outsiders to identify the shooter.

As such, the tip will likely have to come from someone within the Oakland Police Department or the other law enforcement agencies present at the protest.

Do your force proud and stand up for liberty … identify the shooter.

Update 1: As this video shows, he might actually be with the San Francisco Sheriff instead of Oakland police:

See this for a detailed analysis.

Update 2: Anonymous has tentatively identified the shooter as Officer Bergstresser of the San Francisco Sheriff’s Emergency Service Unit. And see this. The ESU unit has allegedly been highly-militarized by the Department of Homeland Security.

Again this is a tentative conclusion by Anonymous, and we at Washington’s Blog certainly have no idea whether or not it is accurate.
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Re: #OCCUPYWALLSTREET campaign - September 17

Postby 2012 Countdown » Mon Oct 31, 2011 8:18 am

I'm ignoring the stupidity, ignorance and petty personal issues one displays to say that the authorities, when releasing people from prison, tell the former inmates to 'go to Zucatti Park for free food and a place to sleep. This was told to Sam Seder a few times on his show. The authorities are trying to get a criminal element in there to disrupt and cause division. That is why you hear about how the chef's are complaining. Police are telling criminals to 'go to Zucatti Park'. Fuckers.

======

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A street view of "This is What Democracy Looks Like," a show in response to Occupy Wall Street now up at NYU Gallatin Galleries in Greenwich Village, Manhattan (all photos by the author)

An #OccupyWallStreet Art Exhibition That Reaches Out
by Liza Eliano on October 31, 2011


The art world has a tendency to make everything about itself, and some of the art happenings at Occupy Wall Street are no different. Contentious art projects that have spawned from the movement like the No Comment exhibition and Occupy Museums have sparked important discussions, but also remain somewhat insular. While it’s certainly worthy to critique and examine the art world under the lens of Occupy Wall Street, artistic responses to the movement should also aim to educate and entice more people to join the ranks of OWS. NYU Gallatin‘s exhibition This is What Democracy Looks Like, which opened last Friday, makes such an attempt to extend a hand outward.

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Curated by artist and NYU professor Keith Miller, the show simply asks, “What exactly is the Occupy Wall Street movement? What language does it speak?” Miller’s answer takes a page from the study of Visual Culture, and specifically how images and new media have been central to the spread of Occupy Wall Street. According to Miller, the protesters have ushered in a new age for media that puts a wrench in the mainstream system. He writes in the exhibition’s wall text that “it is clear that this disparate group speaks in a vernacular that can only be understood as of the internet age, and does so horizontally instead of the traditional print-based verticality of the past.” OWS’ non-hierarchical language is also a key reason for why the movement is so misunderstood — a fact that didn’t really sink in for me until now. Growing up in the internet age and working for a blogazine, I often forget that people still prefer hierarchy when it comes to media. When there is only one voice disseminating information, it appears easier to know who to trust and easier to grasp the situation.

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The collage of works in "This is What Democracy Looks Like," plus a documentary on Occupy Wall Street by the Brooklyn Filmmakers Collective

Yet the cacophony of voices in This is What Democracy Looks Like flies in the face of a single point of view. The small gallery space is packed with photos, videos, text and drawings that retain the energy and urgency felt at the actual site of Occupy Wall Street. Miller sent out a call to artists to contribute work for the exhibition, stressing that the work had to be made recently and in response to OWS. Amongst these artist pieces (none of which are labeled), ephemera from the movement are also mixed in — editions of The Occupy Wall Street Journal, cardboard signs from Zuccotti Park, a livestream of Occupy movements across the country and short documentary films by Meerkat Media Collective and the Brooklyn Filmmakers Collective. The works are all arranged as a giant collage along the gallery wall, which Miller described to me as “salon style meets ADD.”

In terms of reaching out to new audiences, This is What Democracy Looks Like is a powerful tool, even if it is slightly limited to the NYU community. There were several NYU students at the exhibition, many of whom have been studying Occupy Wall Street in their classes and getting inspired to visit the protests. One student, Emma Podietz, told me that the protests are “all my professors want to talk about.” She also mentioned that she noticed some students who were initially unaware or dismissive of the movement have gained new interest from learning about it at school. Michelle Persad, Podietz’s fellow classmate, even contributed to the exhibition with blank letters from the 99% to the 1% for visitors to fill in with their demands. Persad also took this project down to Zuccotti Park and has a website, Occupedia, where the letters are documented.

I asked Miller if he had faced any opposition in launching the show from Occupy Wall Street or the Arts and Culture group who tend to be wary of outside institutions speaking in their stead. Miller told me he was nervous about co-opting the movement, but didn’t feel it was important to get approval from OWS to hold the show. “They have a lot of work to do, and we have a lot to do as well. Co-opting is a worry for me, but this show spills out into the real world,” he noted.

This is What Democracy Looked Likes opened on October 28 and will be on view until November 18 at NYU Gallatin Galleries (1 Washington Place, Greenwich Village, Manhattan). Events will be held in the gallery space throughout the show, including open classes with Gallatin and NYU professors and a participatory discussion at the close of the show on November 18 at 7:30pm.


http://hyperallergic.com/39423/an-occup ... aches-out/

===

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"The Declaration of the Occupation of NYC" created for the Occupy Wall Street movement
The Tangled Web of #OccupyWallStreet
by Liza Eliano on October 26, 2011

If you’ve been following Occupy Wall Street, then you’ve heard the question a million times, and may even be asking it yourself: what are the movement’s demands? What do they hope to accomplish?

It’s a question that seems impossible and also unreasonable to answer when you consider how diverse Occupy Wall Street has become. But protesters themselves are still searching to find some answers. The “Declaration of the Occupation of NYC” (pictured left) created by Rachel Schragis is a start. Sent out on the OWS Arts and Culture listserv yesterday, the web of grievances and facts was a collaborative effort, made with input from Arts and Culture, other working groups and crowd-editing sessions at Zuccotti Park.

While the web is more informational than artistic, its one of the more nuanced and concrete visuals of the movement that I’ve seen. Its a reminder that at this still young point in the movement, art that deals directly with the issues at hand can have more punch than an abstract or conceptual work. The web also articulates the role of art in Occupy Wall Street — a way to connect people to the movement without diluting all of its wonderful and challenging complexities.

Possibly the one demand the web does call for is simply this: to recognize that our grievances are all connected.

I reached out to Schragis for comments on the piece and she will be posting a statement to the A&C listserv soon. There is chatter on the Google group about possibly turning it into a poster or using it at future gallery shows. For now, you can dive into the many layers of the Declaration by clicking here.

http://hyperallergic.com/39218/the-tang ... allstreet/

===

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Occupy Wall Street's Arts and Culture commitee in their nightly meeting at 60 Wall Street (all photos by the author)

Demystifying #OccupyWallStreet’s Arts and Culture Meetings
by Liza Eliano on October 20, 2011

Last night, I sat in on an Arts and Culture meeting at Occupy Wall Street to check in on what the group has been up to. After keeping track of and participating in their Google group for the past couple of weeks (I currently have over 400 Arts and Culture threads crowding my inbox) it was good to finally put faces to certain names. The meetings take place every night at 6pm at 60 Wall Street in the building’s pristine atrium complete with palm trees and tweeting birds. The building, which serves as the American headquarters of Deutsche Bank, is taken over by several of Occupy Wall Street’s working groups by night where they meet to hash out ideas and discuss administrative tactics. Wall Street employees and other non-Occupiers also hang in the atrium after office hours, but they are far outnumbered by the protesters.

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Other working groups of Occupy Wall Street also meet in the atrium nightly to discuss logistics and actions

At Wednesday night’s Arts and Culture meeting many artistic voices were present — filmmaker, sculptor, art teacher and dancer were just a few of the ways members identified themselves. This night’s meeting was specifically for new proposals, or as the group dubbs it, the “art” section of the committee. During each week, the committee switches off between “art” meetings that are just for proposals and projects and “culture” meetings for establishing how the group functions. During “culture” meetings some of the more complex administrative aspects of running a horizontal group are tackled, such as creating a manifesto of goals and values, which the group has slowly been working towards.

Keeping issues of “art” and “culture” separate allowed the meeting on Wednesday to run somewhat smoothly, although some confusions did arise. As a newcomer to the group, I sat back and took in what appeared to be a highly organized and efficient system of discussion, but found it hard to really get involved in the conversation without knowing what to expect.

The meeting kicked off with announcements on projects already underway, including Occupy Halloween for which the protesters have gotten official permission to be a part of this year’s Village Halloween Parade. Members of Arts and Culture are planning to make costumes, banners and puppets for the event and are also calling for others to plan their own performances. Several members noted that the amount of coverage their participation in the parade would bring to Occupy Wall Street could be crucial to spreading the movement.

“Last year there were 60,000 people watching the Halloween Parade,” one organizer of the project mentioned. “This is our chance to show that the Occupation is organized with a purpose, but is also about celebration.”

Next proposals were briefly presented to the group and added to the “minutes,” a running list of what is said at the meeting typed by a member of the committee. These proposals are then discussed in greater detail and finally put up to a vote, or “temperature check,” that involves various Occupy-specific hand signs that include wiggling fingers up for “yes,” in the middle for “maybe” and down for “no.” Members can also call for a “block” (signaled by crossed arms) if they have an ethical issue with the proposal and strongly believe it should be dropped. Hand gestures are a key part of the way the committee communicates so that the group knows what type of comment a person wants to make before they even speak. There’s a “C” hand shape for “clarifying question” and a quick back and forth movement of hands to mean “respond back.” To a newcomer this is all gibberish, but members are in the process of creating a diagram of hand gestures to have at the meetings.

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A diagram in progress that will explain the hand gestures used by the Arts and Culture committee

A point of tension throughout the meeting was how to properly raise and allocate funds for projects. As part of a movement that is against unbridled and unfair profiteering, the Arts and Culture committee is strongly against how money traditionally wields power in the art world. Occupy Museums, a plan to protest in front of New York’s richest cultural institutions today, takes this vow against the art world 1% to the extreme. Strangely no mention of the event was made at the meeting. Rather the recent controversy over No Comment, an Occupy Wall Street art exhibition, was brought up by A&C member Johhny Sagan as an example of what the committee should avoid in the future.

Several protesters spoke out against No Comment after the shows curator Marika Maiorova changed the artist contract agreements last minute and added several unfair provisions that included cutting the artist’s initial share of sales by 20%. Sagan noted that there may be several other off shoots of No Comment in the works, plus the show itself is planned to open at the Chelsea Museum. Sagan explained that Arts and Culture would do better to raise funds themselves through a transparent forum like Kickstarter and rent their own multipurpose space for art projects rather than look to art institutions outside the movement. He noted, “We need direct action art projects as opposed to shows and fundraisers. We need an independent space. No art sales or auctions.” Other members supported Sagan’s motion, suggesting that the priority should be towards donating actual materials for projects rather than just money.

But how is the Arts and Culture committee actually supporting itself? Other than Kickstarter campaigns for projects like Occupy Halloween, the group is also allocated funds of around $200 each day from the General Assembly, the movement’s main decision-making body that meets daily. If the money is not used towards anything that day, then A&C loses the money. A debate ensued over whether or not Occupy Halloween could ask for $2,000 from the General Assembly for the parade, with many people arguing that was way too much money and the GA would never go for it. The meeting’s facilitator, Will, brought up a point that is all too familiar when it comes to arts funding: The GA has a tight budget and is less concerned with funding Arts and Culture than other more pressing issues.

Of course in a movement that relies so heavily on its own resources, issues of food, comfort and livelihood in Zuccotti Park will take precedence over supporting the arts. But how long will Arts and Culture remain independent and will it even make sense for them to continue to do so? Also the issue of space is an increasingly important one. One member at the meeting briefly brought up the distinction between renting a space and occupying one. The point was quickly buried underneath other agenda items, but I found it to be the most interesting. The future location of Arts and Culture could greatly effect whether the committee remains its own entity or seeps further into the art world and possibly loses its conceptual and physical connection to the main action at Zuccotti Park.

http://hyperallergic.com/38683/demystif ... -meetings/
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Re: #OCCUPYWALLSTREET campaign - September 17

Postby seemslikeadream » Mon Oct 31, 2011 8:24 am

Free wrote:Because this site has failed to effectively deal with it's sexism and bad attitude towards feminists, I've been personally boycotting it.


That's absolute bullshit and off topic...start your own thread about it and stop injecting it into a thread about OWS You're doing just what your accusing others of:


They're trying to destroy the occupation from within


you are they in this situation...you are trying to disrupt this thread...

fuckin pages do you want on the subject? It was discussed ad nauseum....146 pages ad nauseum...extreme nauseum
viewtopic.php?f=8&t=31392&p=408762&hilit=misogyny#p408762
Last edited by seemslikeadream on Mon Oct 31, 2011 8:51 am, edited 2 times in total.
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Re: #OCCUPYWALLSTREET campaign - September 17

Postby seemslikeadream » Mon Oct 31, 2011 8:27 am

A Master Class in Occupation

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Mr. Fish

By Chris Hedges

NEW YORK CITY—Jon Friesen, 27, tall and lanky with a long, dirty-blond ponytail, a purple scarf and an old green fleece, is sitting on concrete at the edge of Zuccotti Park leading a coordination meeting, a gathering that takes place every morning with representatives of each of Occupy Wall Street’s roughly 40 working groups.

“Our conversation is about what it means to be a movement and what it means to be an organization,” he says to the circle. A heated discussion follows, including a debate over whether the movement should make specific demands.

I find him afterward on a low stone wall surrounding a flowerbed in the park. He decided to come to New York City, he said, from the West Coast for the 10th anniversary of 9/11. He found a ride on Craig’s List while staying at his brother’s home in Champaign, Ill.

“It was a television event when I was 17,” he says of the 2001 attacks. “I came here for the 10-year anniversary. I wanted to make it real to myself. I’d never been to New York. I’d never been to the East Coast.”

Once he reached New York City he connected with local street people to find “assets.” He slept in the parks and on the street. He arrived on the first day of the occupation in Zuccotti Park. He found other “traveler types” whose survival skills and political consciousness were as developed as his own.

In those first few days, he says, “it was the radicals and the self-identifying anarchists” who set up the encampment. Those who would come later, usually people with little experience in dumpster diving, sleeping on concrete or depending on a McDonald’s restroom, would turn to revolutionists like Friesen for survival. Zuccotti Park, like most Occupied sites, schooled the uninitiated.

“The structure and process carried out by those initial radicals,” he says with delight of the first days in the park, now have “a wide appeal.”

The Occupy movements that have swept across the country fuse the elements vital for revolt. They draw groups of veteran revolutionists whose isolated struggles, whether in the form of squatter communities or acts of defiance such as the tree-sit in Berkeley to save an oak grove on the University of California campus that ran from Dec. 2, 2006, to Sept. 9, 2008, are often unheeded by the wider culture. The Occupy movements were nurtured in small, dissident enclaves in New York, Oakland, Chicago, Denver, Boston, San Francisco, Los Angeles and Atlanta. Bands of revolutionists in these cities severed themselves from the mainstream, joined with other marginalized communities and mastered the physical techniques of surviving on the streets and in jails.

“It’s about paying attention to exactly what you need, and figuring out where I can get food and water, what time do the parks close, where I can get a shower,” Friesen says.

Friesen grew up in an apolitical middle-class home in Fullerton in Southern California’s Orange County, where systems of power were obeyed and rarely questioned. His window into political consciousness began inauspiciously enough as a teenager, with the Beatles, The Doors, and Crosby, Stills, Nash & Young. He found in the older music “a creative energy” and “authenticity” that he did not hear often in contemporary culture. He finished high school and got a job in a LensCrafter lab and “experienced what it’s like to slave away trying to make glasses in an hour.” He worked at a few other 9-to-5 jobs but found them “restrictive and unfulfilling.” And then he started to drift, working his way up to Berkeley, where he lived in a squatter encampment behind the UC Berkeley football stadium. He used the campus gym to take showers. By the time he reached Berkeley he had left mainstream society. He has lived outside the formal economy since 2005, the last year he filed income taxes. He was involved in the tree-sit protest and took part in the occupations of university buildings and demonstration outside the Berkeley chancellor’s campus residence to protest fee hikes and budget cuts, activities that saw him arrested and jailed. He spent time with the Navajos on Black Mesa in Arizona and two months with the Zapatistas in Mexico.

“What I saw in the Zapatistas was a people pushed to the brink of extinction and forgetting,” he says. “Their phrases ring true: Liberty! Dignity! Democracy! Everything for Everyone! Nothing for Ourselves! The masks the Zapatistas wear check egos. People should be united in their facelessness. This prevents cults of personality.”

“I have no interest in participating in the traditional political process,” he says. “It’s bureaucratic. It’s vertical. It’s exclusive. It’s ruled by money. It’s cumbersome. This is cumbersome too, what we’re doing here, but the principles that I’m pushing and that many people are pushing to uphold here are in direct opposition to the existing structure. This is a counterpoint. This is an acknowledgement of all those things that we hate, or that I hate, which are closed and exclusive. It is about defying status and power, certification and legitimacy, institutional validation to participate. This process has infected our consciousness as far as people being allowed [to participate] or even being given credibility. The wider society creates a situation where people are excluded, people feel like they’re not worth anything. They’re not accepted. The principles here are horizontal in terms of decision-making, transparency, openness, inclusiveness, accessibility. There are people doing sign language at the general assembly now. There are clusters of deaf people that come together and do sign language together. This is an example of the inclusive nature that we want to create here. And as far as redefining participation and the democratic process, my understanding of American history is that it was a bunch of white males in power, mostly. This is radically different. If you’re a homeless person, if you’re a street person, you can be here. There’s a radical inclusion that’s going on. And if it’s not that, then I’m not going to participate.”

The park, especially at night, is a magnet for the city’s street population. The movement provides food along with basic security, overseen by designated “peacekeepers” and a “de-escalation team” that defuses conflicts. Those like Friesen who span the two cultures serve as the interlocutors.

“It draws everyone, except maybe the superrich,” he says of the park. “You’re dealing with everyone’s conditioning, everyone’s fucked-up conditioning, the kind of I’m-out-for-me-and-myself, that kind of instinct. People are unruly. People are violent. People make threats.”

“We are trying to sort this out, how to work together in a more holistic approach versus just security-checking someone—you know like tackling them,” he says. “Where else do these people have to go, these street people? They’re going to come to a place where they feel cared for, especially in immediate needs like food and shelter. We have a comfort committee. I’ve never been to a place where there’s a comfort committee. This is where you can get a blanket and a sleeping bag, if we have them. We don’t always have the resources. But everyone is being taken care of here. As long as you’re nonviolent, you’re taken care of. And when you do that you draw all sorts of people, including those people who have problematic behavior. If we scale up big enough we might be able to take care of the whole street population of Manhattan.”

The park, like other Occupied sites across the country, is a point of integration, a place where middle-class men and women, many highly educated but unschooled in the techniques of resistance, are taught by those who have been carrying out acts of rebellion for the last few years. These revolutionists bridge the world of the streets with the world of the middle class.

“They’re like foreign countries almost, the street culture and the suburban culture,” Friesen says. “They don’t understand each other. They don’t share their experiences. They’re isolated from each other. It’s like Irvine and Orange County [home of the city of Irvine]; the hearsay is that they deport the homeless. They pick them up and move them out. There’s no trying to engage. And it speaks to the larger issue, I feel, of the isolation of the individual. The individual going after their individual pursuits, and this facade of individuality, of consumeristic materialism. This materialism is about an individuality that is surface-deep. It has no depth. That’s translated into communities throughout the country that don’t want anything to do with each other, that are so foreign to each other that there is hardly a drop of empathy between them.”

“This is a demand to be heard,” he says of the movement. “It’s a demand to have a voice. People feel voiceless. They want a voice and participation, a renewed sense of self-determination, but not self-determination in the individualistic need of just-for-me-self. But as in ‘I recognize that my actions have effects on the people around me.’ I acknowledge that, so let’s work together so that we can accommodate everyone.”

Friesen says that digital systems of communication helped inform new structures of communication and new systems of self-governance.

“Open source started out in the ’50s and ’60s over how software is used and what rights the user has over the programs and tools they use,” he says. “What freedoms do you have to use, modify and share software? That’s translated into things like Wikipedia. We’re moving even more visibly and more tangibly into a real, tangible, human organization. We modify techniques. We use them. We share them. We decentralize them. You see the decentralization of a movement like this.”

Revolutions need their theorists, but such upheavals are impossible without hardened revolutionists like Friesen who haul theory out of books and shove it into the face of reality. The anarchist Michael Bakunin by the end of the 19th century was as revered among radicals as Karl Marx. Bakunin, however, unlike Marx, was a revolutionist. He did not, like Marx, retreat into the British Library to write voluminous texts on preordained revolutions. Bakunin’s entire adult life was one of fierce physical struggle, from his role in the uprisings of 1848, where, with his massive physical bulk and iron determination, he manned barricades in Paris, Austria and Germany, to his years in the prisons of czarist Russia and his dramatic escape from exile in Siberia.

Bakunin had little time for Marx’s disdain for the peasantry and the lumpenproletariat of the urban slums. Marx, for all his insight into the self-destructive machine of unfettered capitalism, viewed the poor as counterrevolutionaries, those least capable of revolutionary action. Bakunin, however, saw in the “uncivilized, disinherited, and illiterate” a pool of revolutionists who would join the working class and turn on the elites who profited from their misery and enslavement. Bakunin proved to be the more prophetic. The successful revolutions that swept through the Slavic republics and later Russia, Spain and China, and finally those movements that battled colonialism in Africa and the Middle East as well as military regimes in Latin America, were largely spontaneous uprisings fueled by the rage of a disenfranchised rural and urban working class, and that of dispossessed intellectuals. Revolutionary activity, Bakunin correctly observed, was best entrusted to those who had no property, no regular employment and no stake in the status quo. Finally, Bakunin’s vision of revolution, which challenged Marx’s rigid bifurcation between the proletariat and the bourgeoisie, carved out a vital role for these rootless intellectuals, the talented sons and daughters of the middle class who had been educated to serve within elitist institutions, or expected a place in the middle class, but who had been cast aside by society. The discarded intellectuals—unemployed journalists, social workers, teachers, artists, lawyers and students—were for Bakunin a valuable revolutionary force: “fervent, energetic youths, totally déclassé, with no career or way out.” These déclassé intellectuals, like the dispossessed working class, had no stake in the system and no possibility for advancement. The alliance of an estranged class of intellectuals with dispossessed masses creates the tinder, Bakunin argued, for successful revolt. This alliance allows a revolutionary movement to skillfully articulate grievances while exposing and exploiting, because of a familiarity with privilege and power, the weaknesses of autocratic, tyrannical rule.

The Occupy movement is constantly evolving as it finds what works and discards what does not. At any point in the day, knots of impassioned protesters can be found in discussions that involve self-criticism and self-reflection. This makes the movement radically different from liberal reformist movements that work within the confines of established systems of corporate power, something Marx understood very well. It means that the movement’s war of attrition will be long and difficult, that it will face reverses and setbacks, but will, if successful, ultimately tear down the decayed edifices of the corporate state.

Marx wrote: “Bourgeois revolutions, like those of the eighteenth century, storm more swiftly from success to success, their dramatic effects outdo each other, men and things seem set in sparkling diamonds, ecstasy is the order of the day—but they are short-lived, soon they have reached their zenith, and a long Katzenjammer [hangover] takes hold of society before it learns to assimilate the results of its storm-and-stress period soberly. On the other hand, proletarian revolutions, like those of the nineteenth century, constantly criticize themselves, constantly interrupt themselves in their own course, return to the apparently accomplished, in order to begin anew; they deride with cruel thoroughness the half-measures, weaknesses, and paltriness of their first attempts, seem to throw down their opponents only so the latter may draw new strength from the earth and rise before them again more gigantic than ever, recoil constantly from the indefinite colossalness of their own goals—until a situation is created which makes all turning back impossible, and the conditions themselves call out: ‘Hier ist die Rose, hier tanze’ [Here is the rose, here the dance].”
Mazars and Deutsche Bank could have ended this nightmare before it started.
They could still get him out of office.
But instead, they want mass death.
Don’t forget that.
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Re: #OCCUPYWALLSTREET campaign - September 17

Postby elfismiles » Mon Oct 31, 2011 10:13 am

Wombaticus Rex wrote:

I must have said "I am here first and foremost as a Christian" a dozen times when I was interviewed, so it's good to be educated on the sheer futility of attempting to frame the framers.


Aint it the truth ... that's why it's always a good idea to have someone else record our interactions with the media so that we can provide the the unedited full-on version of those interactions.

In other contexts I've interacted with journalists FOR HOURS, providing them with all the information they could possibly need to do a balanced and accurate news report and what ended up in the article or video sound bite was just that ... a tiny bite.

But good on you Wombat!
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Re: #OCCUPYWALLSTREET campaign - September 17

Postby Bruce Dazzling » Mon Oct 31, 2011 10:45 am

Wombaticus Rex wrote:

I must have said "I am here first and foremost as a Christian" a dozen times when I was interviewed, so it's good to be educated on the sheer futility of attempting to frame the framers.


Ugh.

About 8 years ago I was at a Chuck Klosterman reading and I was interviewed by New York Press.

I said that I was 34, and that I was there because I really appreciated the way that Klosterman's writing embraced his love for bands/artists that are constantly rejected for being terminally uncool, which I stressed was an extremely stupid and self-limiting way to appreciate art.

Of course, when I read the piece the next day, I was reduced to a "28 year old hipster who looks a lot like Moby, wears Pumas and black eyeglass frames, and was probably only pretending to be interested in uncool bands for the ironic kitsch value."

The dick had a pre-conceived notion of the article he wanted to write (or the article his editor wanted him to write), and he just shoe-horned me into it because my physical appearance (a photo of me was included in the piece) fit their stupid script.

Good stuff, though, wombat. Shouldn't that video proceed directly to the hot dissident thread?
"Arrogance is experiential and environmental in cause. Human experience can make and unmake arrogance. Ours is about to get unmade."

~ Joe Bageant R.I.P.

OWS Photo Essay

OWS Photo Essay - Part 2
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