Philip K. Dick Discloses the Matrix in 1977

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Re: Philip K. Dick Discloses the Matrix in 1977

Postby 82_28 » Thu May 06, 2010 6:56 pm

elfismiles wrote:
beeline wrote:
Iamwhomiam wrote:Thank you, Simulist, for your transcription. I am one so afflicted with an incredibly slow dial-up connection and cannot view videos. Very much appreciate your efforts to further our understanding.


+1

And, it occurs to me, this is very similar to what is happening on Lost this season, if anyone else is watching it, with the 'flashes sideways'---I think the two worlds on Lost will collide eventually.


Hmmm ... your phrase "flashes sideways" makes me think of the series FLASH FORWARD as well as the over-arching themes of two reality-timestreams colliding in FRINGE. And the end of season one / beginning of season two of EUREKA.


This is what I have been telling people for a few years now! They're gonna pull an extravagant mind-fuck on the viewing public. Two or more shows are going to merge into one. At least two actors in both shows (FF and Lost) are common to one another -- dunno their names. I haven't watched Lost in a couple years, but have all the shows sitting on a HD my friend lent to me, but I have been following FF a bit. Apparently they switched directors or writers or something and that's when the show went south. It was actually remarkably good the first season, I thought. This season? Purty hokey. The writing and plots are basically ridiculous now.

But, as I said, I have been predicting a "collision" of these supernatural shows for some time now too. Stay Tuned! As they used to say. . .

:jumping:
There is no me. There is no you. There is all. There is no you. There is no me. And that is all. A profound acceptance of an enormous pageantry. A haunting certainty that the unifying principle of this universe is love. -- Propagandhi
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Re: Philip K. Dick Discloses the Matrix in 1977

Postby Joe Hillshoist » Sat May 08, 2010 8:54 pm

The matrix is just "adjustment team" run by computers isn't it?
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Re: Philip K. Dick Discloses the Matrix in 1977

Postby Laodicean » Sun May 09, 2010 7:51 pm

We enjoyed baiting Fat into theological disputation because he always got angry, taking the point of view that what we said on the topic mattered - that the topic itself mattered. By now he had become totally whacked out.
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If we found out they already know.

Postby IanEye » Sun May 09, 2010 8:09 pm

82_28 wrote:
But, as I said, I have been predicting a "collision" of these supernatural shows for some time now too.


check it out!



John Locke goes down a sideways rabbit hole and hangs out with that creepy android from the Alien movies....
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Re: Philip K. Dick Discloses the Matrix in 1977

Postby elfismiles » Tue May 11, 2010 4:37 pm

FLASHBACKS

Reality’s Hidden “Minority Report”: The Political Gnosis of Philip K. Dick
http://newdawnmagazine.com.au/Article/R ... eport.html

Time Out of Joint by PKD
http://en.wikipedia.org/wiki/Time_Out_of_Joint

Children of the Singularity by Mac Tonnies, Tuesday, October 14, 2008
http://www.aboutseti.com/blog/children- ... ingularity

Simulacra author, Jean Baudrillard’s Obits
http://www.nytimes.com/2007/03/07/books ... llard.html
http://www.guardian.co.uk/news/2007/mar ... ies.france
http://www.iht.com/articles/ap/2007/03/ ... illard.php

Sony unveils virtual universe for PS3
http://uk.news.yahoo.com/08032007/323/s ... e-ps3.html
http://web.archive.org/web/200703101626 ... e-ps3.html

Sony Brings Real Life Matrix A Step Closer
http://www.propagandamatrix.com/article ... matrix.htm

Our Lives, Controlled From Some Guy’s Couch – New York Times
http://www.nytimes.com/2007/08/14/science/14tier.html

There is a Twenty Percent Chance we are Inside a Virtual Simulation
AUGUST 15, 2007 KEITH OLBERMANN
http://www.youtube.com/watch?v=FoSLe4LL32E

Teenage sniper suspect invokes Matrix defence – www.smh.com.au
http://www.smh.com.au/articles/2003/12/ ... 88771.html

The Truman Show Delusion: Real or Imagined?
http://www.webmd.com/mental-health/feat ... l-imagined

Secret Cinema: Gnostic Vision in Film (New York and London: Continuum, 2006)
http://www.wfu.edu/~wilsoneg/secretcinema.html

Francis E. Dec, Esquire
http://www.ubu.com/sound/dec.html
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Re: Philip K. Dick Discloses the Matrix in 1977

Postby justdrew » Tue May 11, 2010 5:06 pm

oh my gawd, you're pulling out good ol' Francis E. Dec, wow.

"Frankenstein eyesight radio" and all. Inside out planets (hollow moon reference?) where the receiving and recording equipment (brain bank brains) is that keeps a recording from the Frankenstein eyesight radios... They're recording everything seen and heard. The trucks that come around at night, kidnap people into them, where they are artificially aged, surgically. There a great CD of his work being read by an in-character fellow that really does a great job. It's a bit challenging at times to get past his racist phrases that occupational drop, but for the most part it's interesting stuff, but it's taken a long time to put some of his stuff in the context of reality. The basic fact is it's totally write-off-able as schizophrenic texts, but there are grains of truth in it, and in a mad world, perhaps only the mad can truly see?

Over the years I've run into things (retro photo's newspaper/magazine articles and such) that seem to be what may have inspired some of his ideas. The "Frankenstein eyesight radio" for instance, I've seen instantiated as very early glasses with two early video camera's and they wirelessly transmitted the signal to a recording unit.

an example:
Gangster Computer God Worldwide Secret Containment Policy made possible solely by Worldwide Computer God Frankenstein Controls. Especially lifelong constant-threshold Brainwash Radio. Quiet and motionless, I can slightly hear it. Repeatedly this has saved my life on the streets. Four billion worldwide population — all living — have a Computer God Containment Policy Brain Bank Brain, a real brain, in the Brain Bank Cities on the far side of the moon we never see. Primarily based on your lifelong Frankenstein Radio Controls, especially your Eyesight TV sight-and-sound recorded by your brain, your moon-brain of the Computer God activates your Frankenstein threshold Brainwash Radio — lifelong inculcating conformist propaganda. Even frightening you and mixing you up and the usual "Don't worry about it" for your setbacks, mistakes — even when you receive deadly injuries! THIS is the Worldwide Computer God Secret Containment Policy!


===

Anyway this whole matrix thing goes straight back to Plato's Cave.
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Re: Philip K. Dick Discloses the Matrix in 1977

Postby elfismiles » Thu May 13, 2010 11:38 am

I know few around here care for his work (especially considering his lumping of our host into his list of CIA baddies) but, fwiw, Fintan Dunne has just launched:

www.911dejavu.com

And what should he have playing as an embedded video file...


http://www.youtube.com/watch?v=z_KmNZNT5xw

Straight outta that Dick commentary.
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Re: Philip K. Dick Discloses the Matrix in 1977

Postby Laodicean » Wed May 19, 2010 9:53 pm

What about the Black Knight Satellite?

Monday, Mar. 07, 1960
Time Magazine

Three weeks ago, headlines announced that the U.S. had detected a mysterious "dark" satellite wheeling overhead on a regular orbit. There was nervous speculation that it might be a surveillance satellite launched by the Russians, and it brought the uneasy sensation that the U.S. did not know what was going on over its own head. But last week the Department of Defense proudly announced that the satellite had been identified. It was a space derelict, the remains of an Air Force Discoverer satellite that had gone astray. The dark satellite was the first object to demonstrate the effectiveness of the U.S.'s new watch on space. And the three-week time lag in identification was proof that the system still lacks full coordination and that some bugs still have to be ironed out.

First Sighting. The most important component of the space watch went into operation about six months ago with the construction of "Dark Fence," a kind of radar trip wire stretching across the width of the U.S. Designed by the Naval Research Laboratory to keep track of satellites whose radios are silent, it is a notable improvement on other radars, which have difficulty finding a small satellite unless they know where to look. Big, 50-kw. transmitters were established at Gila River, near Phoenix, Ariz, and Jordan Lake, Ala., spraying radio waves upward in the shape of open fans. Some 250 miles on either side, receiving stations pick up signals that bounce off any object passing through the fans. By a kind of triangulation, the operators can make rough estimates of the object's speed, distance and course.

On Jan. 31 Dark Fence detected two passes of what seemed to be an unknown space object. After detecting several passes during the following days, Captain W. E. Berg, commanding officer of Dark Fence, decided that something was circling overhead on a roughly polar orbit. He raced to the Pentagon and in person reported the menacing stranger to Chief of Naval Operations Arleigh Burke. Within minutes the news was communicated to President Eisenhower and marked top secret.

In the confusion, there was a delay before anyone took the step necessary to positively identify the strange satellite: informing the Air Force's newly established surveillance center in Bedford, Mass. It is the surveillance center's job to take all observations on satellites from all friendly observing centers, both optical and electronic, feed them into computers to produce figures that will identify each satellite, describe its orbit and predict its behavior. Says one top official, explaining the cold facts of the space age: "The only way of knowing that a new satellite has appeared is by keeping track of the old ones."

It took two weeks for Dark Fence's scientists to check back through their taped observations, and to discover that the mysterious satellite had first showed up on Aug. 15. The Air Force surveillance center also checked its records to provide a list of everything else that was circling in the sky, and its computers worked out a detailed description of the new object's behavior. The evidence from both Air Force and Navy pointed to Discoverer V, fired from Vandenberg Air Force Base, Calif, on Aug. 13.

The Black Knight Satellite
by John Emerson

The black knight satellite. I'm not really sure what to make of this story. I've only seen the most sporadic mention of this thing on the occasional website. But man, as a long time fan of Philip K. Dick, the first time I heard about it my eyes sure went wide. Regardless of the truth of the situation, it's one hell of a tale.

The most cited report of the satellite comes from Disneyland of the Gods, by John Keel. He reports that in February 1960 the US detected an unknown object in polar orbit, a feat that neither they or the USSR had been able to accomplish. As if that wasn't enough, it apparently was several sizes larger than anything either country would have been able to get off the ground.

And then, the oddness began. HAM operators began to receive strange coded messages. One person in particular said he managed to decode one of the transmissions, and it corresponded to a star chart. A star chart which would have been plotted from earth 13,000 years ago, and focused on the Epsilon Bostes star system.

On September 3, 1960, seven months after the satellite was first detected by radar, a tracking camera at Grumman Aircraft Corporation's Long Island factory took a photograph of it. People on the ground had been occasionally seeing it for about two weeks at that point. Viewers would make it out as a red glowing object moving in an east-to-west orbit. Most satellites of the time, according to what little material I've been able to find on the black knight satellite, moved from west-to-east. It's speed was also about three times normal. A committee was formed to examine it, but nothing more was ever made public.

Three years later, Gordon Cooper was launched into space for a 22 orbit mission. On his final orbit, he reported seeing a glowing green shape ahead of his capsule, and heading in his direction. It's said that the Muchea tracking station, in Australia, which Cooper reported this too was also able to pick it up on radar traveling in an east-to-west orbit. This event was reported by NBC, but reporters were forbidden to ask Cooper about the event on his landing. The official explanation is that an electrical malfunction in the capsule had caused high levels of carbon dioxide, which induced hallucinations.

Creepy, cool, story to be sure. There's two things in particular which are of particular note to Philip K. Dick. The most obvious is the idea of a satellite orbiting the earth and sending coded communications to it. One of the theories Dick had for his experiences was that they had been triggered, or enhanced, by an extremely ancient and alien satellite. The initial 2-3-74 experience also began with a very similar color to the first sighting of the black knight, a reddish pinkish light beamed directly at him.

Phil also mentioned in his exegesis that he considered ten of his novels to be of particular importance, with the novel valis as the cipher to unlock their meaning. These ten books, the "meta novel", are Eye in the Sky, Time Out of Joint, The Man in the High Castle, The Game Players of Titan, Martian Time Slip, The Three Stigmata of Palmer Eldritch, UBIK, A Maze of Death and of course VALIS. I think it's fair to include Radio Free Albemuth in there as well, which was written after his meta novel statement, and which is in many ways a retelling of VALIS. What's interesting here is that he wrote the first, Eye in the Sky, so soon before the black knight sighting. About three or four years before it was detected by radar. Well, if in fact it was ever there to be detected.

Relevant quotes from valis:

"The satellite," Fat said. "VALIS. Vast Active Living Intel-ligence System. It fires information down to them?"
"It does more than that," Kevin said. "Under certain circumstances it controls them. It can override them when it wants to."
"And they're trying to shoot it down?" I said. "With that missile?"
Kevin said, "The early Christians-the real ones-can make you do anything they want you to do. And see-or not see -anything. That's what I get out of the picture."
"But they're dead," I said. "The picture was set in the present."
"They're dead," Kevin said, "if you believe time is real. Didn't you see the time dysfunctions?"


Relevant quotes from Radio Free Albemuth:

Since my contact came in most strangely between 3:00 and 4:00 A.M., I realized that probably a booster satellite, of alien origin, orbited Earth, a slave communications satellite that had been sent here thousands of years ago.
'What are you doing sitting out on the patio?' Rachel asked me.
'Listening,' I said.
'To what?'
To the voices of the stars,' I said, although more accurately I meant the voices from the stars. But it was as if the stars themselves spoke, as I sat there in the chilly dark, alone except for my cat, who was out there out of custom anyhow; each night Pinky sat on the railing of the patio, communing as I was but over a longer period of time, over his entire adult life. Seeing him now I understood that he was picking up information in the night, from the night, from the pattern of blinks that came by starlight. He was hooked up with the universe as he sat here now, like myself, gazing upward silently.

The new personality in me had not awakened from a sleep of two millennia; it had, more accurately speaking, been printed out by the alien satellite, impressed on me afresh from outside. It was an addition, not a substitution in place of me but a kind of package identity based on the total knowledge of the satellite. It was to raise me to the highest level possible in my ability to cope. The satellite, itself linked to higher life forms, was concerned with my capacity to live; it or they, the totality of them, had seen me faltering under the oppression, and their response was reflexive. It amounted to a rational attempt to give aid to whoever was in touch with them, who was capable of assimilating their printout. I had been selected for that reason alone. Their concern was universal. They would have assisted anyone they could reach.
The tragedy lay in their inability to reach the people of our planet.

One odd point that Moyashka had noted which he could not account for was the fact that the radio signals came only when the source was above Earth's dark or night side; during the day the signals ceased. Moyashka conjectured that the so-called Heaviside layer might be involved.
The signals, although short in duration, seemed 'highly information rich' because of their sophistication and complexity. Curiously, the frequency changed periodically, a phenomenon found in transmissions seeking to avoid jamming, Moyashka stated. Further, his team had discovered, entirely by accident, that animals in their Pul-kovo laboratory underwent slight but regular physical changes during the time of signal transmission. Their blood volume altered and their blood pressure readings increased. Provisionally, Moyashka conjectured that radiation accompanying the radio signals might account for it.
[Ed. Note here the, perhaps slight, similarity in the name of the fictional scientist who discovered the satellite, Moyashka, and the Australian Muchea tracking station which picked up Cooper's sighting.]

If the Russians did photograph the ETI satellite, the invader, they would find it old and pitted. I had been there thousands of years.

The satellite had passed from our world and, with it, the healing rays, like those of an invisible sun, felt by creatures but unseen and unacknowledged. The sun with healing in its wings.

Even if the stations in this local region or sector are all overshadowed and don't light up any longer, it is a sight to remember. With this the satellite presented us with its final insight into the nature of things: synapses in a living brain. And the name we give to its functioning, its awareness of itself and its many parts - ' She smiled at me. 'It's why you saw the figure of Aphrodite. That's what holds all the trillions of stations into harmony.'
'Yes,' I said, 'it was harmonized, and over such distances. There was no coercion, only agreement.'
And the coordination of all the transmitting and receiving stations, I thought, we call Valis: Vast Active Living Intelligence System. Our friend who cannot die, who lies on this side of the grave and on the other. His love, I thought, is greater than empires. And unending.
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Re: Philip K. Dick Discloses the Matrix in 1977

Postby elfismiles » Thu May 20, 2010 11:08 am

Laodicean wrote:What about the Black Knight Satellite?


Yep, my old friend "John Carter" wrote about that...


The Black Knight from Space
By John Carter

In Disneyland of the Gods, John Keel writes of the Black Knight satellite. Never mind the almanac. You won't find it listed with Sputnik or Explorer. Black Knight is the name given to a radar blip discovered in 1960. This mystery satellite was found in a polar orbit, something neither the US nor the Soviets had accomplished. It was several times larger and several times heavier than anything capable of being launched with 1960 rockets. It shouldn't have been there, but it was.

If that weren't enough, ham operators began receiving odd messages from the Black Knight. One operator decoded a series of these messages as a star map. The map centered on Epsilon Boštes as seen from the earth 13,000 years ago. Remember, stars don't move very far even after 13,000 years, and Epsilon Boštes is moving towards us. Only the neighboring stars appear different after that amount of time. Was the Black Knight an alien calling card?

Perhaps the strangest effect associated with the Black Knight is the Long Delay Echo (LDE). The effect observed is that radio or television signals sent into space bounce back seconds (or even days) later, as if recorded and retransmitted by a satellite. They didn't begin with the Black Knight, but they were part of its mystery. Keel places the earliest LDEs in the 1920s. It's not in Keel's book, but in 1974 another mystery entered earth orbit. No radar saw it. No ham operator listened to it. One man contacted it- or rather, was contacted by it. That man was science fiction author Philip K. Dick (1928-1982). Dick is probably best known to the public for writing the stories on which the movies Blade Runner (1982), Total Recall (1990), and Screamers (1996) were based. Before the movies, there were the books. That's where we'll find Dick's own encounter with a Black Knight.

Beginning in February of 1974, Dick had a series of "mystic" experiences (substitute "paranormal" or "fortean" or "psychotic" if you like). When he died eight years later, he was still unsure of their origin or their meaning. Left behind was what he called the Exegesis, an 8000- page, one-million-word continuing dialogue with himself written late, late at night. This is where we go to find the Black Knight's return.

Very little of Dick's Exegesis has been published. The Black Knight material formed the core of four novels - Radio Free Albemuth, VALIS, The Divine Invasion, and The Transmigration of Timothy Archer. They remain in print. All four read as autobiography. The pivotal element in each is Dick's own contact with the Black Knight, which he called the Vast Active Living Intelligence System, VALIS for short. In a series of visions and coincidences, VALIS revealed itself to Dick as an ancient satellite from another world. It was sent here long ago by three-eyed, crab-clawed beings from a planet orbiting Fomalhaut. They built our civilization, taught us writing and science, then returned to their own world. VALIS was left behind to prod certain individuals when civilization needed a boost. If it sounds like Von DŠniken meets Scientology, read on.

Albemuth is the name Dick gave Fomalhaut in Radio Free Albemuth. I believe he derived it from the Arabic al-Behemoth, which he took to mean "whale." Fomalhaut is the fish's mouth in the constellation of Piscis Australis, the Southern Fish. In VALIS he moved its origin to Sirius, probably after reading Robert K.G. Temple's The Sirius Mystery. He also offered an alternate name for the satellite: Zebra. He called it Zebra because of its ability to mimic its surroundings. We'll discuss that in a moment, when we return to LDEs.

Dick's contact began with a vision of St. Elmo's Fire filling his apartment. It was a strange pink flame which burned but did not consume. He says his cat saw it too. It was strongest at night. Dick would lie in bed unable to sleep, watching the light show. He compared it to a rapid-fire succession of modern paintings by the likes of Klee and Kandinsky. At one point he wondered if Soviet scientists were working with the aliens on psychotronics experiments. He thought they might be beaming images at him from a Moscow Museum. His dreams during this period took on a whole new nature, so much so that he began referring to them as tutelary dreams because of their information-rich content. He experienced numerous waking visions as well.

In some of his visions, Dick saw Soviet scientists rushing around behind the scenes to keep the alien satellite functioning. Strange texts which appeared to be Russian operating manuals were held up for him to see. The Builders, as he came to call the aliens, were sometimes seen floating in large vats of water, observing the operation. The whole complex system was apparently set up solely for his benefit!

Dick saw VALIS as a benign entity. He saw its position as teacher, sometimes protectress. (I say "protectress" rather than "protector" because VALIS reminded Dick of his twin sister Jane, who died in infancy.) He credited VALIS with taking charge of his life, recovering a lot of income due from unpaid royalties, and even re-margining his typewriter.

While listening to the radio one day, Dick heard the words of the Beatles' "Strawberry Fields Forever" change to a warning from VALIS: "Your son has an undiagnosed right inguinal hernia. The hydrocele has burst, and it has descended into the scrotal sac. He requires immediate attention, or will soon die." Dick rushed him to the hospital and found every word to be true. The doctor scheduled the operation for the same day.

Dick occasionally heard other, less positive messages from his radio at night, even when it was turned off. Admittedly, hearing voices and claiming harassment from an energy beam are symptoms of mental illness, but there seems to be something more at work here. Anybody can claim crazy, incredible things, but only Philip K. Dick produced works of art because of it. In the end, though, he may have overexposed himself to it. As he hinted in VALIS, too much of a good thing can kill you.

Dick had another vision. He saw the pink St. Elmo's fire coalesce into a door perfectly proportioned to the Golden Mean. Through the door he saw ancient Greece, or some other Mediterranean land. He later regretted never stepping through it. This brings us full circle to the subject of Long Delay Echoes. As Dick sat staring at the Y in an ICHTHYS sticker in his window one afternoon, he pondered these strange occurrences. As he did, he saw first-century Rome fade in and remain superimposed on top of 1974 California. The experience lasted through February and March. He still knew which was the vision and which was real, but when he looked away and then looked back, Rome was still there.

The message he decided VALIS was sending him is that we still live in Roman times. Nothing has changed, we still live under the rule of a cruelly corrupt empire, and the Christian apocalypse is near. VALIS predicted the downfall of a King. Nixon left office soon after. As Dick said in VALIS, "The Empire Never Ended." This catch-phrase was made known to him in one of his tutelary dreams.

If this concept of one "reality" superimposed onto another is difficult to conceptualize, let's consider a parallel from more orthodox (!) sources. Without trying to establish or deny its validity, the field of psychic archeology tries to do exactly what Dick had happen to him. This is akin to remote viewing with a time element involved, rather than one of space. This author is in possession of a small number of unpublished correspondence describing others' experiences of this phenomenon. One called the satellite "Max." Dick was not the only one.

Though Dick's vision of Rome faded, his tutelary dreams continued for six more years. So did the AI voice (Artificial Intelligence), a soft feminine voice he heard in times of stress and during hypnagogic revery. This was the aspect of VALIS which reminded him of his late twin sister Jane. He claimed to have first heard it during a high school physics exam (it gave him the answers) 25 years earlier. During the VALIS days it told him, "The Head Apollo is about to return. St. Sophia is going to be born again; she was not acceptable before. The Buddha is in the park. Siddhartha sleeps (but is going to awaken). The time you have waited for has come." It's in The Exegesis. Dick quoted it in VALIS.

It all appeared to end November 17, 1980. Dick claimed to have had a theophany that day, though witnesses noticed nothing unusual. Dick suddenly comprehended God as infinite, by nature incomprehensible. In other words, the Exegesis would never solve anything because there was no answer to be had. Dick actually stopped writing for a time because of this, but was at it again before too long. It was the search that was important to him, after all. He wrote The Divine Invasion around this time, which was when the voice finally stopped.

Dick persisted in speculating for the remaining year of his life, and managed to produce one more novel before the end - the posthumously-published The Transmigration of Timothy Archer. Dick suffered the first of several strokes in February 1982 and died a few days later in the hospital, on March 2. He was 53.

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Re: Philip K. Dick Discloses the Matrix in 1977

Postby justdrew » Thu May 20, 2010 11:16 pm

gah, so many conflicting details. why do they always say it was "shadowing sputnik" yet it's in a polar orbit that at the time neither the US nor USSR could launch into? something in a polar orbit can in no sense shadow a sat in a regular orbit.

nice roundup of links here:
http://unexplained.wordpress.com/2007/07/26/the-black-knight-from-space/
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Re: Philip K. Dick Discloses the Matrix in 1977

Postby 82_28 » Fri May 21, 2010 12:46 am

I did not know this, but here is a film adaptation of Radio Free Albemuth set to be released.

http://www.radiofreealbemuth.com/blog/
There is no me. There is no you. There is all. There is no you. There is no me. And that is all. A profound acceptance of an enormous pageantry. A haunting certainty that the unifying principle of this universe is love. -- Propagandhi
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Re: Philip K. Dick Discloses the Matrix in 1977

Postby 82_28 » Fri May 21, 2010 12:51 am

http://www.futureconscience.com/radio-f ... ip-k-dick/

You could say that Philip K Dick is one of the main reasons why this blog even exists. Not only because he is my most beloved author, but also due to the fact that his thoughts about technology and social progress were so ahead of their time that the level of foreshadowing they present is just remarkable. Tonight I was granted the wonderful opportunity to see a ’sneak preview’ screening of the most recent adaptation of a Philip K Dick novel, Radio Free Albemuth, at the Sci-Fi London film festival.

The original novel was never published during Dick’s life, its material refused by his publishers and eventually incorporated into the book VALIS which discusses many of the same concepts. The book was PKD’s attempt to make sense of some very strange and revelatory experiences that he had which began in 1974. The story explores many of his usual themes of totalitarian government and the effects on the everyday citizen, whilst transposing his musings and rationalising of the very powerful visions and events that were occurring in his life at the time.

Details of the plot should be left for when you view or read the work, so rest assured that the rest of this review is completely spoiler free. But before I begin, let me first set the scene for the evening’s viewing – which just like one of Philip K Dick’s books was a miraculous juxtaposition of the normal with a sinister sense of oppression just behind the perfect facade. It all began as we were heading to the cinema a bit earlier to pick up our tickets for the later screening…

As we were walking our way down the busy streets of London, I could hear the usual sirens of police cars circling their way around the city – not an unusual sound by any means in a metropolis of this size. Crossing a small side street behind one such squad car, we walked passed a middle aged man with a large backpack on his back; standing against a street pollard as if resting and taking in his surroundings. At the cinema across the street stood a number of storm troopers and Empire soldiers (this was the Sci-Fi London festival after all), with tourists grouping in front of them to take their picture with such an iconic image of Darth Vader’s evil empire.

Radio Free Albemuth screenJust as we begin to cross, walking in front of this man with his slick backed long hair and bulky backpack, an undercover police officer flashed a badge in his face and took him to one side. The police car we had just walked passed had stopped right in front of us and an officer jumped out.

My first thought was they were conducting a random stop-and-search, you see such things happening every now and then in London, and we continued across the street figuring that the man would have his bag searched and be let on his way. Which is when I heard more sirens approaching at a rapid pace.

We turned to see another police car pull up at speed in front of this loitering figure, the plain clothes police officer had at this point grabbed the man’s hands in an attempted arrest. The man let out a cry for help as uniformed police officers jumped out of the cars to grab his backpack, a number of them converging on him to ensure that he could be handcuffed despite his defiant shouts and struggles. We watched from across the street, presuming that he must have been a drug dealer or had committed some other crime that warranted such a quick and quite clearly targeted response by the state protection apparatus.

The whole event caused quite a scene right near one of London’s busiest tourist areas, everybody else had stopped in their tracks to watch this display of government control – and I’m sure that, just like I did, they all presumed that the man deserved to be arrested. In fact, our first thoughts as a group were: ‘we were standing next to that guy when he was approached by the police. He could have had a bomb in that bag, we’re lucky that he wasn’t a terrorist!‘.

I don’t want to digress too much with this scene, but I hope you will realise just how surreal it is to be picking up tickets for a movie about paranoia of totalitarian government and heavy handed state apparatus – storm troopers in full battle gear on one side of the street – and the real police arresting a man who was violently and very loudly protesting the event. We knew nothing of the circumstances leading up to this confrontation, but we presume that he must have done something to deserve it. That the state had protected us from some unforeseen and unknown danger. We presumed that we were being helped; saved. With that image in your mind, let me now discuss the latest adaptation of a Philip K Dick novel: Radio Free Albemuth.

Radio Free Albemuth screen 3The showing itself was a test screening as such, complete with feedback forms for us to fill out at the end. We were told that our views on the film may impact the manner in which it is finally edited, and the chances of it finding wider distribution of one kind or another. Let me begin then by telling you what I wrote in the final section of the form: ‘Thank you for providing us with such a gift for the legacy of PKD!‘

Being an independent film, there are the usual quirks that come with having such a low budget to play with. There are quite a few visionary sequences in the piece that come with the kinds of special effects you often see on a late night sci-fi channel special – reminiscent of mid-90s shows like Quantum Leap and other such efforts. There are also a few animated dream sequences, both in 2d and 3d, that show the lack of serious Hollywood money for the project. Added to all of this, some of the performances do play a little wooden at times; again, as you would expect from a film that cannot afford A-list actors to take part. But don’t think for one second that any of this impacts the film in any large way, far from it.

Because, in the end, it is these things – brought about by the very real restrictions of actually creating a feature length film with relatively little money – that are my only criticism; and they are minor criticisms at that. The script does an amazing job of transplanting about 90% of the original text almost perfectly. There were a few omissions (such as the ’shoe-ad’ sequence) that I would be interested in hearing why they were removed. But otherwise, there were only one or two points (such as the aversion to alcohol, and some of the conflict between Nick and his wife later in the film) that I could not remember being in the original book but were likely added in order to help the narrative process for those who were not familiar with the work.

Beyond this, it is a perfect adaptation of Radio Free Albemuth. Absolutely spot on. When you consider that this book was also Philip K Dick’s attempt to deal with his own experiences in a semi-autobiographical manner this means something a great deal more than it would have were it an adaptation of another of his short stories of which Hollywood seems to love to delve into for ideas. This is the most accurate representation of Philip K Dick as a man that we have outside of his own words and appearances – it captures his soul perfectly, and faithfully recreates the inner turmoil that this true genius experienced towards the end of his life.

Radio Free Albemuth screen 2For those of you who are not aware, and it’s not a spoiler to say it, Philip K Dick himself is a character in this story – the stone pillar that exists at the centre of the other character’s chaotic whirlwind of emotion and personal upheaval.

It helps tremendously, then, that the role of Philip K Dick is by far the most convincing and magnetic performance on the screen, a truly wonderful piece of acting by Shea Whigham which completely exonerates him from his part in Fast & Furious recently. He captures the tenderness that Philip K Dick was known to display with such authenticity that it is difficult to imagine it done in any other way. The other actors are at the very least perfectly capable and believable; with Hanna Hall, who plays FAP (Friends of the American People: a Neighbourhood Watch version of the gestapo) agent Vivian Kaplan, another who wonderfully captures the essence of the role she was given.

The film is probably being most publicised because of the involvement of Alanis Morissette as Silvia Saddassa, and she has certainly been appropriately cast – if giving us a slightly laboured performance at times. Her presence in the film, however, does provide an important sense of genuine musical talent which is required and thankfully provided. Those involved in the production of the film have also done a wonderful job when it comes to location scouting and providing the film with the right sense of slow-paced ominous build up that the book demands in order for the film to be an accurate adaptation.

Which is exactly what you get with Radio Free Albemuth – one of the most truthful and genuine on-screen depictions of the mind of Philip K Dick that has ever been, and, quite likely, ever will be produced. This film is for the fans, for the legacy of Philip K Dick, but at the same time will hopefully introduce a whole new audience to a genius mind that was well ahead of his time and is even still today under-appreciated.

You don’t get the masterful cinematography of Blade Runner. It doesn’t have the flawless characterisation of A Scanner Darkly. But what Radio Free Albemuth does provide us with is the most faithful film representation we have to date of just who Philip K Dick was as a man, a writer, a mystic.

Seeing the surreal muscle-flexing of a society edging ever closer to a police state right before my eyes only served to prove to me completely and utterly that Philip K Dick is a man that needs to be read – and Radio Free Albemuth is as perfect a gift towards helping ensure the immortality of his message and legacy as one could ever ask for. A legacy left for those who need it. For the kids.


:jumping:
There is no me. There is no you. There is all. There is no you. There is no me. And that is all. A profound acceptance of an enormous pageantry. A haunting certainty that the unifying principle of this universe is love. -- Propagandhi
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Re: Philip K. Dick Discloses the Matrix in 1977

Postby Hammer of Los » Fri May 21, 2010 6:06 am

It's a thin line between insanity and genius.
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Re: Philip K. Dick Discloses the Matrix in 1977

Postby Nordic » Fri May 21, 2010 11:24 pm

Hammer of Los wrote:It's a thin line between insanity and genius.


I'm not sure it's even a "line" but a border.

I've always been unwilling to go there. It's actually pretty frightening.
"He who wounds the ecosphere literally wounds God" -- Philip K. Dick
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Re: Philip K. Dick Discloses the Matrix in 1977

Postby ivanbo2003 » Sun May 23, 2010 8:15 am

Look here for possible NASA photos of "Black Night"-lookalike satellites/artifacts in space:
http://www.dumpert.nl/mediabase/587491/ ... craft_(ufo).html

The serial number of each photo taken by NASA is in the video. The artifacts look interesting to say the least.
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