Looks fascinating and like it also addresses the questions about his death.
https://www.youtube.com/watch?v=bRDSTw6mNwY
2016 BBC piece on the making of the film:
https://www.youtube.com/watch?v=0CQKHWvK8Ro
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Iamwhomiam » Sun Sep 03, 2017 2:53 pm wrote:One I've been looking forward to experiencing! Thanks for news of its release, Cordelia. I'm actually excited for once to go and see a movie!
I recall some claim his work, particularly Starry Night, was due to how he saw the world through an astigmatism. An unprovable claim, but possibly true.
Iamwhomiam » Sun Sep 03, 2017 5:53 pm wrote:One I've been looking forward to experiencing! Thanks for news of its release, Cordelia. I'm actually excited for once to go and see a movie!
Burnt Hill » Sun Sep 03, 2017 6:22 pm wrote:
I think it was actually Glaucoma, Cataracts and potentially Foxglove and/or Lead poisoning.
Iamwhomiam » Sun Sep 03, 2017 7:53 pm wrote:One I've been looking forward to experiencing! Thanks for news of its release, Cordelia. I'm actually excited for once to go and see a movie!
I recall some claim his work, particularly Starry Night, was due to how he saw the world through an astigmatism. An unprovable claim, but possibly true.
Harvey » Tue Sep 05, 2017 8:23 pm wrote:Iamwhomiam » Sun Sep 03, 2017 7:53 pm wrote:One I've been looking forward to experiencing! Thanks for news of its release, Cordelia. I'm actually excited for once to go and see a movie!
I recall some claim his work, particularly Starry Night, was due to how he saw the world through an astigmatism. An unprovable claim, but possibly true.
If you need a film to experience the work then you probably can't be told. 'Hollywood' exists to explain away the experience until only the banal is left.
Iamwhomiam » Wed Sep 06, 2017 3:32 am wrote:Harvey » Tue Sep 05, 2017 8:23 pm wrote:Iamwhomiam » Sun Sep 03, 2017 7:53 pm wrote:One I've been looking forward to experiencing! Thanks for news of its release, Cordelia. I'm actually excited for once to go and see a movie!
I recall some claim his work, particularly Starry Night, was due to how he saw the world through an astigmatism. An unprovable claim, but possibly true.
If you need a film to experience the work then you probably can't be told. 'Hollywood' exists to explain away the experience until only the banal is left.
You need to be told you can be a real ass sometimes, Harvey.
The film is animated. A unique production, a tale with its subject a somewhat mysterious, talented but troubled character and his form of artistic expression and tragic end as interpreted by artists of a different time working in and with a different medium. The subject, and those who tell his story through animation have in common their love of drawing. Loving Vincent, imho, has the potential to reach out and touch an audience even decades from now, just as Vincent's work does and will as long as people continue to appreciate art.
One of the cultural treasures of our area, actually in the Berkshires, 40 miles east, in Williamstown, Massachusetts, is the Clark Art Institute. During the Summer of 2015, the Clark hosted a fantastic showing of Van Gogh's work, Van Gogh and Nature that was critically acclaimed and advertised widely.
You might want to fork over $50 for the book written by the show's curator, so then you could see the works I saw in person. Really, check it out.
https://www.bostonglobe.com/arts/2015/05/16/extraordinary-van-gogh-inspired-nature-clark/0qVYBWGkCbAsgTqyPwrgvL/story.html
http://www.clarkart.edu/Mini-Sites/Van-Gogh-and-Nature/Exhibition
http://vangoghletters.org/vg/
MacCruiskeen » Fri Apr 27, 2018 5:11 pm wrote:Thanks for that, Cordelia. I've just read Van Gogh: A Power Seething*, a very short, very sympathetic biographical study by the painter Julian Bell. There are only a few illustrations, but they're well chosen. It's astounding to look at VvG's earliest drawings and to realise how far he came so fast. He did it all in only eight years, as you say, and not so much by an act of will as by an act of desperate self-surrender out of an impulse one might call religious. His time as a priest among the poor was not wasted time.
His ending makes one of the saddest stories in art history, at least as sad as the short life of Keats, another writer of unforgettable letters.
*The subtitle comes from one of his letters to Theo: "Sometimes I feel a power seething within me..."
on edit: Bell dismisses the suggestion that Vincent was murdered. I don't have the book to hand right now so I can't quote it, but his reasoning convinced me, fwiw.
I dreamt of pinks and yellows and the new van Gogh that MOMA got and the “Irises” that sold for 53.9 million and, wishing a van Gogh was mine, I looked at my English hand-lasted shoes and thought of van Gogh’s tragic shoes. I remembered me as I was. A painter losing a painting.
Flan Kittredge
Six Degrees of Separation
Philosophers Rumble Over Van Gogh’s Shoes
By Scott Horton
Cologne’s Wallraf Richartz Museum has launched an impressive new exhibition entitled “Vincent van Gogh: Shoes,” built around a celebrated painting by the Dutch master from 1886. Some might wonder how an exhibition can be framed around a single work with such a modest subject matter, but the curators provide us an impressive model. The exhibition focuses on the extraordinary role this painting has played in modern philosophy surrounding art, its reception, and its relationship to the history of ideas. A half dozen philosophers and art historians have written about van Gogh’s painting of shoes, including Martin Heidegger, Meyer Schapiro, and Jacques Derrida. The exhibition takes us on a trip through their writings—sometimes comic, occasionally downright rude, and often exhilarating. These thinkers certainly bar no holds in their clamber to be exceedingly profound.
https://harpers.org/blog/2009/10/philos ... ghs-shoes/
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