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I don't mean to mock you yathrib.
Not at all.
It's just the WiH materials can drive a person mad.
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Twyla LaSarc wrote:I remember seeing a program once that involved a young man who slipped on ice, hit his head and claimed to have lived an entire other life in another time while he was out (a matter of minutes).
These things happen and the explanation seems to be either really cosmic or relatively mundane.
I always wonder if I will seem to die in this life and wake up somewhere else and discover this life was just an altered state formed from cerebral trauma. It would certainly explain a lot.
It is the tale of a man who is about to be hanged, and at the last moment, the rope magically breaks and he plunges into the water, and manages to escape. The first ten minutes or so of the film are the moments leading up to the hanging. No words are spoken, and the focus is almost entirely on the ritual and detachment of the executioners. It is clear from the onset that the person about to be hanged has not had a trial, and has had no time at all to come to terms with his fate. Desperate and confused, he can only focus on his surroundings, as he still hopes for a final chance of escape. In one of the very last moments, he cries out for who we can presume is his wife... and we realize that he will not only lose his opportunity to say goodbye to her, but she will probably never know what became of him.
By some miracle however, the rope snaps as he falls into the water, and manages to escape from the firing of his executioners.
The final revelation that the entire escape existed only in the mind of the protagonist could have easily been a cheap twist in the vein of "it was all a dream type ending", but it is actually very affecting (on screen and in print). I think this is in part because it disrupts our perception of time and space. The timeline of the "escape" probably runs a few hours in the mind of the character, and takes up two thirds of the running time of the film. In "real time", the entire imagined event actually only takes place within a fraction of a second, from the moment that the protagonist falls to the point that the rope gives in, presumably resulting in an instantaneous death."
In Proof of Heaven, Alexander writes that he spent seven days in "a coma caused by a rare case of E. coli bacterial meningitis." There is no indication in the book that it was Laura Potter, and not bacterial meningitis, that induced his coma, or that the physicians in the ICU maintained his coma in the days that followed through the use of anesthetics. Alexander also writes that during his week in the ICU he was present "in body alone," that the bacterial assault had left him with an "all-but-destroyed brain." He notes that by conventional scientific understanding, "if you don't have a working brain, you can't be conscious," and a key point of his argument for the reality of the realms he claims to have visited is that his memories could not have been hallucinations, since he didn't possess a brain capable of creating even a hallucinatory conscious experience.
I ask Potter whether the manic, agitated state that Alexander exhibited whenever they weaned him off his anesthetics during his first days of coma would meet her definition of conscious.
"Yes," she says. "Conscious but delirious."
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