Nordic wrote:Funny stuff, Beeline! Yeah, growing up with at least one older sister is a highly recommended experience. I can usually tell, among my circle of male friends and acquaintances, which ones grew up with sisters and which one didn't, just based on their feelings and attitudes towards women. Thinking someone had lost fingers, that's just hilarious!
Sisters help demystify the female. Which is a good thing.
C2W, that was an excellent take on Madonna. I never really thought of it that way. I think I probably agree with you there, the Lolita-nymphet Britney Spears probably never would have come on the scene without Madonna paving the way. I think Madonna started it, then Britney finished the job. Of pretty much destroying feminism, that is, for an entire generation of young women/girls. I don't hold it against Britney either, in fact, I hear she's a real sweetheart. And bipolar, which is something I wouldn't wish on anybody.
Madonna is an amazing businesswoman, and I think she shrewdly managed to find her niche within the Zeitgeist of her time, and she was rewarded lavishly for it. I understand she's really tough, but you always know what she wants, and that you always know where you stand with her. FWIW. I don't know if she really gives a damn about how she's perceived, though, and what her role in our culture is, as long as it keeps her in the center of attention and making lots of money. Just my opinion.
I don't really think either Madonna or Britney had any impact on feminism, one way or the other. Madonna was and is an enormously influential figure in the localized arena of female pop-stardom. And probably always will be. She's the Elvis of that particular sub-genre, more or less: No one who came after her can really avoid coming to terms with the paths she forged. Because those paths are a defining feature of a terrain that didn't really exist until she brought it into being by occupying it.
But that doesn't mean that Liz Phair, Britney Spears and PJ Harvey all had to go the exact same route as Madonna (or as one another), obviously. I just picked Britney because she's a very clear example of where the Madonnalogical tangent represented by the lingerie/Boy-Toy stuff ended up going in the culture at large. Which was basically: Nowhere. Britney was a kiddie pop idol like Susan Dey was a kiddie pop idol. But in the post-Madonna era. So she could cavort around in that little plaidskirted schoolgirl ensemble like a stripper while beaming messages of pure virginal asexuality to six-year-old girls who had no trouble whatsoever perceiving that she wasn't any more of a sexual threat (or sexual role model) than My Little Pony.
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Yeah, I "know" both of them (ie, have had dealings with both of them). And Britney is a wreck, poor thing. That was pretty disturbing even before it was evident as such (speaking for self here, not consensus) on the social-interface level, just because she was so, so just not there at all. I mean, presumably she was herself in some way that nobody except the inner, inner circle ever saw. But when she was as much as two steps outside of it she was a perfectly charming, gracious, modern-little-Southern-belle robot, as far as the eye could see or the senses could sense. There was, like, no human energy or dynamic anywhere in, around or near her person at all. Just nothing living there. So I'd say, speaking for self, that she was very sweet and easy and likable in every way you could possibly name or identify or see, but nevertheless, a very distressing (even alarming) presence well before she went off the rails. Because in no way that you could possibly name or identify or see, you felt and knew that had already happened.
Though I don't know what she's been like since that got to be something no one could help seeing, apart from what I read in the news. I did see her crying in a building lobby shortly before her public breakdown once. But I have no idea at all what that was about. We didn't ever have a personal bond or anything. Or anything at all close to one. I was just one of the hundreds of people she had to have some one-on-one contact with for professional purposes on a regular basis for a short period of time, year in, year out.
Anyway. She seemed to be trying to avoid notice (I mean "while weeping in the lobby"), so I just got on the elevator and went where I was going. She was really much, much too young to be working such a high-pressure gig, always, imo. And that would still have been true even if she'd had maximum internal resources and extensive external supports. I wish her joy and hope she gets to experience some at some point in her youth.
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Madonna's a sad story, too, ultimately. But if you've ever seen her speak three words on television, as you know, her personal/public demeanor is about as close to 100 percent free of sympathetic attributes as it's possible to be when not actually doing anything offensive. She's kind of an accidental genius that way. Although needless to say, I wouldn't let a little thing like that get in the way of my feeling sympathy for anyone. I'm nothing if not tenacious in the pursuit of my goals. As you know. So poor Madonna, poor thing. I doubt there's much left in her to save, frankly. I just hope her kids are getting enough non-destructive love from her or anyone else to form some vague ideas about what that's like. But again, I totally wouldn't know that on the basis of any personal observation. I haven't been in a position to make any for years and years and years. And years.
Digression over. Sorry. So. Getting back to the finer points of political trends and their impact on the evolution of legal theory and practice in the 13th century....