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Part II
Ginsberg says that Part II, in relation to Part I, "names the monster of mental consciousness that preys on the Lamb". Part II is a rant about the state of industrial civilization, characterized in the poem as 'Moloch'. Ginsberg was inspired to write Part II during a period of peyote-induced visionary consciousness in which he saw a hotel façade as a monstrous and horrible visage which he identified with that of Moloch. Moloch is the biblical idol in Leviticus to whom the Canaanites sacrificed children. Ginsberg intends that the characters he portrays in Part I be understood to have been sacrificed to this idol. Moloch is also the name of an industrial, demon-like figure in Fritz Lang's Metropolis, a film which Ginsberg credits with influencing "Howl, Part II" in his annotations for the poem (see especially Howl: Original Draft Facsimile, Transcript & Variant Versions). Most lines in this section contain the fixed base "Moloch". Ginsberg says of Part II, "Here the long line is used as a stanza form broken into exclamatory units punctuated by a base repetition, Moloch".[4][
http://en.wikipedia.org/wiki/Howl#Part_II
Moloch
by Micha F. Lindemans
"King". The sun god of the Canaanites (Ammonites?) in old Palestine and sometimes associated with the Sumerian Baal, although Moloch (or Molekh) was entirely malevolent. In the 8th-6th century BCE, firstborn children were sacrificed to him by the Israelites in the Valleye of Hinnom, south-east of Jerusalem (see also Gehenna). These sacrifices to the sun god were made to renew the strength of the sun fire. This ritual was probably borrowed from surrounding nations, and was also popular in ancient Carthage.
Moloch was represented as a huge bronze statue with the head of a bull. The statue was hollow, and inside there burned a fire which colored the Moloch a glowing red. Children were placed on the hands of the statue. Through an ingenious system the hands were raised to the mouth (as if Moloch were eating) and the children fell into the fire where they were consumed by the flames. The people gathered before the Moloch were dancing on the sounds of flutes and tambourines to drown out the screams of the victims.
According to some sources, the Moloch in the Old Testament is not a god, but a specific form of sacrifice.
Brighid_Moon wrote:Temple of Set[/url]" (run by Lt. Col. Michael Aquino, and from gossip a cult at minimum accepted in the military), which is supposedly based on worship of Sutekh, and actually teaches an interesting theology on narcissism and secular humanism. So much for Satanists.
theeKultleeder wrote:I read the Satanic Bible as teenager and recognized right away it was worship of the ego - not much different from what people do, anyway.
et in Arcadia ego wrote:Sorry, I should have clarified I was after the origins of the entity. I'm trying to pin down where it originated and particulars of its cult. You hear references to immolating children, but I've also read about a Babylonian King immolating some Hebrew magicians for not giving up secrets to Hebrew magick that sounds more like a precursor of Minos' Iron Bull than Moloch worship.
theeKultleeder wrote:For sure. Isn't Satanism legally protected as a recognized religion?
et in Arcadia ego wrote:Yes, but this Satanic thinger adds a certain tax exemption for certain individuals.
theeKultleeder wrote:I read the Satanic Bible as teenager and recognized right away it was worship of the ego - not much different from what people do, anyway.
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