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MinM » Wed Aug 21, 2013 11:25 pm wrote:@IntelligenceHub: Roseanne Barr: “MK Ultra Rules In Hollywood”: Not long ago, Roseanne made some shocking statements, elud... http://intellihub.com/?p=114652
JackRiddler » Thu Aug 22, 2013 6:59 am wrote:
Another one from the fwiw department, taken from the new "Seinfeld Dreamwashing" thread.
IanEye » Thu Aug 22, 2013 8:19 am wrote:JackRiddler » Thu Aug 22, 2013 6:59 am wrote:
Another one from the fwiw department, taken from the new "Seinfeld Dreamwashing" thread.
i started that thread six years ago.
JackRiddler » Thu Aug 22, 2013 2:39 pm wrote:
Just to shift gears a bit, how does it feel to say, "I started that thread six years ago."
JackRiddler » Wed Jul 31, 2013 11:31 am wrote:Still waiting/searching for video of our Left Forum presentation on "Hollywood and the CIA." Damn it!
Modern art was CIA 'weapon'
By Frances Stonor Saunders, Sunday 22 October 1995
For decades in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art - including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in the Cold War. In the manner of a Renaissance prince - except that it acted secretly - the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.
Olympus has Fallen — Flat
About the time I was a teen-ager, Disney Animation fell into a rut. When I was a child, they had a long list of solid animated feature films — Snow White, Sleeping Beauty, Cinderella, Peter Pan — that captured something of the mythic dimension of these old stories. Then sometime in the 1970′s, they started cranking out formula films that looked and felt more like Saturday morning cartoons than mythology. Their animation release schedule slowed to a crawl, and their live-action films were, if anything, even more formulaic and insipid than their animations. It wasn’t until Beauty and the Beast, in 1991, that they recovered something of the old Disney magic.
Recently, both Stephen Spielberg and George Lucas have predicted the imminent demise of the Big Blockbuster studio model, in part because the blockbuster films are in a rut, just like Disney was in the 1970′s. The big-budget Olympus has Fallen has been listed among the examples of the kinds of flops that are dragging down the genre...
continued here: http://www.themonthebard.org/olympus-has-fallen-flat/ (contains spoilers)
JackRiddler wrote:If there are to be movies that cost a hundred million and more to make, why the hell aren't we seeing more like Cloud Atlas and none whatsoever like Olympus Has Fallen?
or direct payoffs to illuminati
See Cloud Atlas...
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