Bob Marley & Carl Colby

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Bob Marley & Carl Colby

Postby Byrne » Tue May 15, 2012 8:11 pm

Bob Marley died on 11 May 1981.

From Wiki:
In July 1977, Marley was found to have a type of malignant melanoma under the nail of one of his toes. Contrary to urban legend, this lesion was not primarily caused by an injury during a football match in that year, but was instead a symptom of the already existing cancer.


Stories go that Carl Colby (son of the late CIA director William Colby) met Bob Marley backstage, at a concert in Kingston in 1976. (Colby was there on a filming assignment). Colby reportedly gave bob a pair of boots as a gift. When Bob Marley tried the boots on, he sustained an injury from a sharp object within the boot which injured a toe.

Five months later, while playing soccer, he hurt the same toe and the nail came off. By the end of 1977, the cancer would begin to spread throughout his body and it eventually would claim his life in 1981.

Was Bob (like, I believe, John Lennon was) taken out due to his popular/political appeal?
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Re: Bob Marley & Carl Colby

Postby wordspeak2 » Tue May 15, 2012 8:30 pm

My belief is yes. Alex Constantine wrote a book called "The Covert War Against Rock" (I'm looking at a copy right now) that documents the case for the assassinations of Marley, Jim Morrison, both Tupac and Biggie Smalls, Michael Hutchence. Brian Jones (Rolling Stones), Hendrix, Phil Ochs, Peter Tosh, Lennon, Alex Constantine is pretty friggin convincing.

And Bob Marley has been revolutionarily influential even in his death.
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Re: Bob Marley & Carl Colby

Postby cptmarginal » Tue May 15, 2012 9:25 pm

http://bit.ly/g3eYTu

Chanting Down Babylon: The CIA & The Death of Bob Marley

Did a soccer accident really cause Bob Marley’s death, as has been widely reported? Or was the dark hand of CIA covert operations behind the death of the greatest countercultural prophet of our time?

Story By Alex Constantine
Photos by David Burnett

The following article originally appeared in the February 2002 issue of HIGH TIMES Magazine

Marley knew the drill – in Jamaica, at the height of his success, when music and politics were still one, before the fog of censorship rolled into the island, old wounds were opened by a wave of destabilization politics. Stories appeared in the local, regional and international press downsizing the achievements of the quasi-socialist Jamaican government under Prime Minister Michael Manley. In the late 1970s, the island was flooded with cheap guns, heroin, cocaine, right-wing propaganda, death squad rule and, as Grenada’s Prime Minister Maurice Bishop described it three years later, the CIA’s “pernicious attempts [to] wreck the economy.”

“Destabilization,” Bishop told the emergent New Jewel Party, “is the name given the most recently developed method of controlling and exploiting the lives and resources of a country and its people by a bigger and more powerful country through bullying, intimidation and violence.”

In response to the fascistic machinations of the CIA, Marley wove his lyrics into a revolutionary crucifix to ward off the cloak-and-dagger “vampires” descending upon the island. June 1976: Then-Governor-General Florizel Glasspole placed Jamaica under martial law to stanch the bloody pre-election violence. Prime Minister Manley’s People’s National Party asked the Wailers to play at the Smile Jamaica concert in December. Despite the rising political mayhem, Marley agreed to perform.

In late November, a death squad slipped beneath the gates of Marley’s home on Hope Road in Kingston. As biographer Timothy White tells it, at about 9 PM, “the torpor of the quiet tropical night was interrupted by a queer noise that was not quite like a firecracker.” Marley was in the kitchen at the rear of the house eating a grapefruit when he heard the bursts of automatic gunfire. Don Taylor, Marley’s manager, had been talking to the musician when the bullets ripped through the back of his legs. The men were “peppering the house with a barrage of rifle and pistol fire, shattering windows and splintering plaster and woodwork on the first floor.” Rita Marley, trying to escape with her children and a reporter from the Jamaica Daily News, was shot by one of the men in the front yard. The bullet caught her in the head, lifting her off her feet as it burrowed between scalp and skull.

Meanwhile, a man with an automatic rifle had burst through the back door off the pantry, pushing past a fleeing Seeco Patterson, the Wailers’ percussionist, to aim beyond Don Taylor at Bob Marley. The gunman got off eight shots. One bullet struck a counter, another buried itself in the ceiling, and five tore into Taylor. He fell but remained conscious, with four bullets in his legs and one buried at the base of his spine. The last shot creased Marley’s breast below his heart and drilled deep into his arm.

The survival of the reggae singer and his entire entourage appeared to be the work of Rasta. “The firepower these guys apparently brought with them was immense,” Wailers publicist Jeff Walker recalls. “There were bullet holes everywhere. In the kitchen, the bathroom, the living room, floors, ceilings, doorways and outside.”

There has since been widespread belief that the CIA arranged the hit on Hope Road. Neville Garrick, a Marley insider and former art director of the Jamaican Daily News, had film of “suspicious characters” lurking near the house before the assassination attempt. The day of the shooting he had snapped some photos of Marley standing beside a Volkswagen in a pool of mango-tree shade. The strangers in the background made Marley nervous; he told Garrick that they appeared to be “scouting” the property. In the prints, however, their features were too blurred by shadow to make out. After the concert, Garrick took the photographs and prints to Nassau. Sadly, while the Wailers and crew prepared to board a flight to London, he discovered that the film had been stolen.

Many of the CIA’s files on Bob Marley remain classified to the present day. However, on December 5, 1976, a week after the assault on Hope Road, the Wailers appeared at the Smile Jamaica fest, despite their wounds, to perform one long, defiant anthem of rage directed at the CIA – “War” – suggesting the Wailers’ own attitude toward the “Vampires” from Langley:

Until the ignoble and unhappy regimes
That now hold our brothers
In Angola, in Mozambique,
South Africa
In subhuman bondage
Have been toppled,
Utterly destroyed,
Everywhere is war…

Only a handful of Marley’s most trusted comrades knew of the band’s whereabouts before the festival. Yet a member of the film crew, or so he claimed – reportedly, he didn’t have a camera – managed to talk his way past machete-bearing Rastas to enter the Hope Road encampment: one Carl Colby, son of the late CIA director William Colby.

While the band prepared for the concert, a gift was delivered, according to a witness at the enclave – a pair of boots for Bob Marley. Former Los Angeles cinematographer Lee Lew-Lee [his camera work can be seen in the Oscar-winning documentary The Panama Deception] was close friends with members of the Wailers, and he believes that Marley’s cancer can be traced to the boots: “He put his foot in and said, ‘Ow!’ A friend got in there… he said, ‘let’s [get] in the boot, and he pulled a length of copper wire out – it was embedded in the boot.”

Had the wire been treated chemically with a carcinogenic toxin? The appearance of Colby at Marley’s compound was certainly provocative. [And so was Colby’s subsequent part in the fall of another black cultural icon, O.J. Simpson, nearly 20 years later. At Simpson’s preliminary hearing in 1995, Colby – who resided next door to Nicole Simpson on Gretna Green Way in Brentwood, a mile from her residence on Bundy – and his wife both took the stand to testify for the prosecution that Nicole’s ex-husband had badgered and threatened her. Colby’s testimony was instrumental in the formal charge of murder filed against Simpson and the nationally televised fiasco known as the “Trial of the Century.”]

Seventeen years after the Hope Road assault, Don Taylor published a memoir, Marley and Me, in which he alleges that a “senior CIA agent” had been planted among the crew as part of the plan to “assassinate” Marley. It’s possible that this lapse in security allowed Colby entrance to the compound. It’s clear that the CIA wanted Marley out of the picture. After the assassination attempt, a rumor circulated that the CIA was going to finish Marley off. The source of the rumor was the agency itself. The Wailers had set out on a world tour, and CIA agents informed Marley that should he return to Jamaica before the election, he would be murdered.

Taylor and others close to Marley suspect that it was more than a threat. Lew-Lee recalls: “I didn’t think so at the time, but I’ve always had my suspicions because Marley later broke his toe playing soccer, and when the bone wouldn’t mend the doctors found that the toe had cancer. The cancer metastasized throughout his body, but [Marley] believed he could fight this thing.”

British researcher Michael Conally observes: “They certainly had reasons for wanting to. For one, Marley’s highly charged message music made him an important figure that the rest of the world was beginning to notice. It was an influence that was hard to ignore, least of all because everywhere you went you saw middle- and upper-class white people sprouting dreadlocks, smoking spliffs and adopting the Rastafarian lifestyle. This sort of thing didn’t sit well with traditionalists and authoritarian types.”

The soccer game took place in Paris in 1977, five months after the boot incident, Marley took to the field with one of the leading teams in the country to break the monotony of the Wailers “Exodus” tour. His right toe was injured in a tackle. The toenail came off. At first, it wasn’t considered a serious wound.

But it would not heal. Marley was limping by July and consulted a physician, who was shocked by the toe’s appearance. It was so eaten away that doctors in London advised it be amputated. Marley’s religion forbade it: “Rasta no abide amputation,” he insisted. He told the physician, “De living God, His Imperial Majesty Haile Selassie I, Ras Tafari, Conquering Lion of the Tribe of Judah…He will heal me wit’ de meditations of me ganja chalice.” No scalpel, he said, “will crease me flesh… C’yant kill Rasta. Rastamon live out.”

He flew to Miami and Dr. William Bacon performed a skin graft on the lesion. The disease lingered undiagnosed and spread throughout his body.

Isaac Fergusson, a friend and devotee, observed the slow death of Bob Marley firsthand. In the three years separating soccer injury from cancer diagnosis, Marley remained immersed in music, “ignoring the advice of doctors and close associates that he stop and obtain a thorough medical examination.” He refused to give up recording and touring long enough to consult a doctor. Marley “would have to quit the stage and it would take years to recoup the momentum. This was his time and he seized upon it. Whenever he went into the studio to record, he did enough for two albums. Marley would drink his fish tea, eat his rice-and-peas stew, roll himself about six spliffs and go to work. With incredible energy and determination, he kept strumming his guitar, maybe 12 hours, sometimes till daybreak.” Reggae artist Jimmy Cliff observed after Marley’s death: “What I know now is that Bob finished all he had to do on this earth.” Marley was aware by 1977 that he was dying, and set out to condense a lifetime of music into the few years remaining.

The CIA Rocks Trenchtown

In 1975, US Secretary of State Henry Kissinger, on a diplomatic junket to the island, had assured Prim Minister Manley in a private meeting that there was “no attempt now underway involving covert actions against the Jamaican government.” But in the real world, something of a Caribbean pogrom was underway, overseen, of course, by the CIA. As Kissinger croaked his denials to Manley, the destabilization push was already afoot. The emphasis at this stage was on psychological operations, but in the election year of 1976 a series of covert interventions – employing arson, bombing and assassination as required – completely disrupted Manley’s democratic-socialist rule.

An arsenal of automatic weapons somehow found their way to Jamaica. The CIA’s thugs, directed by a growing coven of pinstriped officers reporting to the US embassy in Kingston, quietly organized secret-police cadres to stoke political violence. Huge consignments of guns and advanced communications gear were smuggled onto the island. One such shipment was intercepted by Manley’s security patrols – a cache of 500 man-eating submachine guns.

The firearms were shipped to the island from Miami by the Jamaican Freedom League, a right-wing paramilitary faction with roots in Langley, financed largely by drugs. Peter Whittington, the group’s second-in-command, was convicted of drug trafficking in Dade County, Florida. The funds were laundered by the League at Miami’s Bank of Perrine, the key American subsidiary of Castle Bank, then the CIA’s financial base in Latin America. The bank was owned and operated by Paul Helliwell, bagman for the Bay of Pigs invasion, accused even by the conservative Wall Street Journal of involvement in the global narcotics trade.

A paramilitary force was mustered to quell the Rastafarian backlash, and the inevitable CIA-trained Cuban exiles beached in Jamaica. Among them was Luis Posada Carriles, once a secret-police official under deposed Cuban dictator Fulgencio Batista, currently a full-fledged agent of the CIA.

The “duppies” [ghosts] policed dissent by incarnating the chemical-warfare tactics of the 1960s. In a year’s time, Marley saw the Rastafarian resistance disintegrate with the rise of a ruthless, highly organized narcotics syndicate, apparently from the Jamaican sand. The sudden abundance of hard narcotics in Jamaica wounded the Rastafarian movement with the burning spear of addiction. Marley and former Wailer Peter Tosh promoted ganja as an alternative to cocaine and heroin, a statement of independence and cohesion against the brutal stratagems of colonial rule.

For the first time in Jamaican politics, public figures roundly criticized the governing elite. Peter Tosh, in particular, split form his peers in the local music scene by serving up impassioned political “livalogues” at his public performances. Tosh pushed on, a cursing, joint-smoking, speechifying black militant, until his murder six years after the passing of Marley.

The suppression of Rastafarian protest escalated in the late 1970s, and grotesque human-rights abuses were commonplace. And the political climate in the Caribbean sweltered with the escalation of American covert operations well into the next decade.

The Nazi Doctor

In September 1980, Bob Marley suffered a stroke while jogging in New York’s Central Park. He was released by a physician the following day and recuperated in his room at the Essex Hotel. Rita Marley choked when she saw him. Her fears rose into uncontrollable sobs, “Wha’ has happened to you?” “Doctor say brain tumor black me out,” Marley told her. Isaac Fergusson had caught the dying rebel’s performance at Madison Square Garden a few days before, and had realized then that something was terribly wrong, even as Marley gripped his guitar “like a machine gun” and “threw his ropelike hair about,” a “whirlwind around his small black face. The crack of a drum exploded into bass, into organ.” Midway into the set, the Wailers stood back and Marley did a solo: “These songs of freedom is all I ever had…” Why, Fergusson wondered, was he singing this alone? Why the past tense?

“Emancipate yourself from mental slavery…”

Fergusson noticed that Marley “was always rubbing his forehead and grimacing while performing.” The following weekend, Fergusson stopped to visit Rita Marley and Judy Mowatt. He asked about Bob’s condition. “We don’t know for sure,” Rita told him. “The doctors say he has a tumor in his brain.” In a silent moment, Fergusson realized that Marley was dying.

He was convinced at last to seek medical treatment. Marley was admitted to the Sloan-Kettering Cancer Center in Manhattan. Tests revealed that the cancer had spread to his brain, lungs and liver. The reggae legend received a few radiation treatments, but checked out when the New York papers let on that he was seriously ill. Marley consulted physicians in Miami, briefly returned to Sloan-Kettering, then to Jamaica, where he met with Dr. Carl “Pee Wee” Fraser, recommended to him by fellow Rastafarians. Dr. Fraser advised that Marley talk to Dr. Josef Issels, a German “holistic comprehensive immunotherapist” then practicing at the Ringberg Clinic in Rottach-Egern, a small Bavarian village located at the southern end of Tegernsee Lake.

Marley traveled to Bavaria and checked into the clinic. Dr. Issels met him, looked him over and allowed, without naming sources: “I hear that you’re one of the most dangerous black men in the world.”

The portrait offered by publicity releases from the Issels Foundation is imposing enough: Dr. Issels, born in 1907, founded the first hospital [financed by the estate of Karl Gischler, a Dutch shipping magnate] in Europe for comprehensive immunotherapy of cancer in 1951. He was the medical director and director of research.

All well and good… until it is considered that by this time, Dr. Issels was 44 years old. Certainly, his medical career did not begin in 1951. Why the unexplained gap in his bona fides? During World War II, it seems, Dr. Issels could be found plying his “research” skills for Hitler’s SS. Lew-Lee claims that Dr. Issels was assigned to the Auschwitz concentration camp, working alongside Dr. Josef Mengele. But author Gordon Thomas, in a long-out-of-print biography of Issels, contends that the doctor served in the SS only briefly. At any rate, he was indeed a member of the Nazi Party and served under Heinrich Himmler. Bob Marley, the “dangerous” black upstart, had placed his life in the hands of a Nazi doctor.

Lew-Lee recalls that Marley rejected conventional cancer treatments, “wanted to do anything but turn to Western medicine. This may have been a mistake.” Evidently so. “Dr. Issels said that he could cur Bob. And they cut Bob’s dreadlocks off. And he was getting all of this crazy, crazy medical treatment in Bavaria. I know this because Devon Evans [a musician then playing with the Wailers] told me that Bob was receiving these medical treatments.” Evans came by “every two or three months – 1979-80 – and told me: ‘Yeah, man, they’re killing Bob. They are KILLING Bob.’ I said, ‘What do you mean ‘they are killing Bob?’ ‘No, no, man,’ he said. ‘Dis Dr. Issels, he’s a Nazi!’”

Dr. Issels was one of the scores of Nazi practitioners to escape the attention of the Nuremberg tribunal. Michael Kater, a professor of history at York University in Canada, informs us that physicians of the Hitler period were steeped in Nazi racial doctrines at medical school, that many of them continued to practice undisturbed by war-crimes tribunals: “It was in a conventional medical culture, infiltrated from one side by a science alienated from humanity and from another by charlatanry, that young physicians in the Third Reich were raised to learn and prepare for practice, with many predestined to practice after 1945.”

Dr. Josef Issels first offered his alternative cancer therapies in a Nazi-fied atmosphere of ruthlessness and quackery. In the 1930s, chronic cancer patients consulted Dr. Issels and received his experimental “combination therapy,” a regimen of diet, homeopathic remedies, vitamins, exercise and detoxification, among other holistic approaches. Today, his clinic offers training in cancer immunization vaccines, UV blood irradiation, oxygen and ozone therapy, “biological dentistry” [tooth extraction], immunity elicitation by mixed bacterial vaccine, blood heating, and so on.

The medical establishment, particularly in the UK, has long rallied against some of Issels’ therapies. A former BBC producer reported in a televised documentary that Dr. Issels was arrested in September 1960. The police warrant alleged, “The accused claims to treat… cancer…. In fact [he] has neither reliable diagnostic methods nor a method to treat cancer successfully. It is contended [that] he is aware of the complete ineffectiveness of this so-called… tumor treatment.” It also called Issels a flight risk, noting that “he had prepared for all contingencies by depositing huge amounts in foreign banks.”

Marley, unaware of his physician’s past, was placed on a regimen of exercise, vaccines [some illegal], ozone injections, vitamins and trace minerals.

In time, Dr. Issels also introduced torture. Long needles were plunged through Marley’s stomach through to the spine. The patient-victim was told that this was part of his “treatment.” The torture continued until Marley foundered on the threshold of death.

Cedella Booker-Marley, his mother, visited him three times in the course of the “treatments.” She found Dr. Issels to be an “arrogant wretch” with the “gruff manners of a bully,” who subjected her dying son to a bloodless brand of “hocus-pocus” medicine. Booker-Marley: “I myself witnessed Issels’ rough treatment of Nesta [Marley]. One time I went with Nesta to the clinic, and we settled down in a treatment room. Issels came in and announced to Nesta, ‘I’m going to give you a needle.’” Dr. Issels “plunged the needle straight into Nesta’s navel right down to the syringe. [Marley] grunted and winced. He could only lie there helplessly, writhing on the table, trying his best to hide his pain. ‘Jesus Christ,’ I heard myself mumbling.” Issels yanked out the needle and strolled casually out of the room. Marley was left groaning with pain. “I went and stood at his side and held is hand.

“With every visit,” she recalls, “I found him smaller, frailer, thinner. As the months of dying dragged on, the suffering was etched all over his face. He would fall into fits of shaking, when he would lose all control and shiver from head to toe like a coconut leaf in the breeze. His eyes would turn in his head, rolling in their sockets until even the white jelly was quivering.”

Marley’s torment was aggravated by starvation. “For a whole week sometimes,” Booker laments, her son “would be allowed no nourishment other than what he got intravenously. Constantly hungry, even starving, he wasted away to a skeleton” – starved to death like an Auschwitz inmate. “To watch my first-born shrivel up to skin and bone ripped at my mother’s heart.” Marley weighed 82 pounds on the day of his death. The starvation diet must have devastated his immune system and rushed his demise, not prolonged his life as Dr. Issels and some biographers have contended. It also caused him intense pain. “It would drag on so, for one long painful month after the other, and every day would be a knife that death stabbed and twisted anew in an already open, bleeding wound.” The agony “wrapped him up like a crushing snake.”

Death finally claimed Marley on May 11, 1981. In Jamaica, May 20 was declared a national day of mourning. Marley’s wake at the National Arena was attended by some 30,000 mourners.

He was survived by his old partner Peter Tosh, who was shot to death in 1987. Marley and Tosh were not the only musicians murdered for political reasons in Jamaica. By the end of the decade, all Jamaican musicians were censored and subject to shell-casing politics.

The island’s Daily Gleaner reported in 1987 that Winston “Yellowman” Foster, stopped at a police roadblock and frisked for drugs, resisted detainment. One of the officers hissed, “You want to go like Tosh?” When Tosh went, there was nothing random about it. Witnesses and friends insist that he was a political hit. Two of the gunmen fled to New York to remain at large. The third was Dennis “Leppo” Lobban, an ex-con sentenced for the murder after an 11-minute trial.

Like Marley, Peter Tosh found the bloodshed and hypocrisy of death squad justice and CIA covert ops in the Third World unbearable. He was so obsessed with hidden evil and the upswell of violence in Jamaica that they visited him in his sleep. He had “visions” of “destruction [and] millions of people inside of [a] pit going down. And I… say, ‘bloodbath, where so much people come from?’ and looking in the pit, mon, it the biggest pit… but the way the people was crying, it was awful.”
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Re: Bob Marley & Carl Colby

Postby Marie Laveau » Tue May 15, 2012 9:38 pm

Only a handful of Marley’s most trusted comrades knew of the band’s whereabouts before the festival. Yet a member of the film crew, or so he claimed – reportedly, he didn’t have a camera – managed to talk his way past machete-bearing Rastas to enter the Hope Road encampment: one Carl Colby, son of the late CIA director William Colby.


[Prime Minister] "But for heaven's sake -- you're wizards! You can do magic!...."

[Scrimgeour] "The trouble is, the other side can do magic too, Prime Minister."

And so it goes.
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Re: Bob Marley & Carl Colby

Postby seemslikeadream » Wed May 16, 2012 9:49 pm

Mazars and Deutsche Bank could have ended this nightmare before it started.
They could still get him out of office.
But instead, they want mass death.
Don’t forget that.
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Re: Bob Marley & Carl Colby

Postby jlaw172364 » Thu May 17, 2012 3:47 pm

I had no idea someone actually tried to gun down Bob Marley, nor did I know that Peter Tosh died by violence. Thanks for posting.
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Re: Bob Marley & Carl Colby

Postby Wombaticus Rex » Thu May 17, 2012 5:25 pm

Strange synch: watched this drunk last night and didn't connect the dots until today...
http://firstrunfeatures.com/themannobodyknew/

A son's riveting look at a father whose life seemed straight out of a spy thriller, THE MAN NOBODY KNEW: IN SEARCH OF MY FATHER, CIA SPYMASTER WILLIAM COLBY uncovers the secret world of a legendary CIA spymaster. Told by William Colby’s son Carl, the story is at once a probing history of the CIA, a personal memoir of a family living in clandestine shadows, and an inquiry into the hard costs of a nation's most cloaked actions.

From the beginning of his career as an OSS officer parachuting into Nazi-occupied Europe, William Colby rose through the ranks of "The Company," and soon was involved in covert operations in hot spots around the globe. He swayed elections against the Communists in Italy, oversaw the coup against President Diem in Saigon, and ran the controversial Phoenix Program in Vietnam, which sparked today's legacy of counter-insurgency. But after decades of obediently taking on the White House's toughest and dirtiest assignments, and rising to become Director of CIA, Colby defied the President. Braving intense controversy, he opened up to Congress some of the agency's darkest, most tightly held secrets and extra-legal operations.

Now, his son asks a series of powerful and relevant questions about the father who was a ghost-like presence in the family home – and the intelligence officer who became a major force in American history, paving the way for today’s provocative questions about security and secrecy vs. liberty and morality. The film forges a fascinating mix of rare archival footage, never-before-seen photos, and interviews with the "who's who" of American intelligence, including former National Security Advisers Brent Scowcroft and Zbigniew Brzezinski, former Secretary of Defense Donald Rumsfeld, former Secretary of Defense and Director of CIA James Schlesinger, as well Pulitzer Prize journalists Bob Woodward, Seymour Hersh and Tim Weiner. Through it all, Carl Colby searches for an authentic portrait of the man who remained masked even to those who loved him most.


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Re: Bob Marley & Carl Colby

Postby MinM » Thu May 17, 2012 7:49 pm

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You know this Penn State thing must be making some people nervous for them to bring deepstate fixer/cleaner Louis Freeh in. :offair:
viewtopic.php?p=436032#p436032

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Former CIA Director's Death Raises Questions, Divides Family
WASHINGTON -- A new film on the life and death of master spy and former CIA director William E. Colby, created by his son, raises the question of whether the man who pioneered U.S. counterinsurgency warfare may have ended his own life -- a question that has divided the intelligence community and Colby's family.

Colby developed the strategy of training and arming local troops to assist with counterinsurgency during the Vietnam War -- the same tactic in use today by U.S. and NATO forces in Afghanistan. But as former National Security Adviser Brent Scowcroft speculates in the film, "The Man Nobody Knew," Colby's role in the creation of U.S. counterintelligence programs in the Vietnam War may have contributed to his suffering "a tortured soul."

If this alleged remorse were real, and had any connection to Colby's death, it could cast a shadow over the early history of U.S. counterinsurgency.

When Colby vanished in rough waters on a late-night, solo canoe trip in 1996, local sheriffs ruled out suicide before they even found his body. A lifetime of espionage meant Colby had enemies from Baltimore to Bali, and conspiracy theories about his death still circulate between Georgetown mansions and CIA headquarters in Langley, Va., today, despite an official ruling of accidental death.

Up to this point, conspiracy theories have focused mainly on the possibility of foul play -- not on suicide. But this may be changing.

Fifteen years after Colby drowned in Maryland's Wimlico River, his son, filmmaker Carl Colby, has produced a documentary about him, "The Man Nobody Knew." The film portrays his father as a man who was wracked with guilt over his actions in the Vietnam War, and whose life fell apart after he left the CIA in 1975. By the time William Colby took his canoe out for one last trip, Carl says "he had had enough of this life."

A narrative that suggests the possibility of suicide is convenient for the film, but for the rest of the Washington-based Colby clan, Carl's public revision of their father's death is painful, and they strongly believe, inaccurate.

Carl Colby's film presents an alternative to the medical examiner's report. "[My father's] death was ruled an accident -- a stroke or a heart attack -- but I think he was done. He didn't have a lot left to live for. And he never wanted to grow old," Carl told Vanity Fair.

But interviews with family members and with Colby's biographer, Randall Woods, paint a very different picture of William Colby's emotional life than Carl's movie does. They portray him as a straightforward, unrepentant soldier who did what he felt was necessary without agonizing too much over the costs. Colby's family also provided The Huffington Post with the coroner's report, which has never been released before, available here.

The Coroner's Report

"I respect my brother's movie, but the implication that my father took his life is not correct, and we felt it was important for people to see the final report of how he died in writing," Jonathan Colby, William Colby's eldest son, said in an interview at his downtown D.C. office Thursday.

The official cause of death is listed as "drowning and hypothermia associated with arteriosclerotic cardiovascular disease," meaning that either a stroke or a heart attack debilitated Colby, who was 76 years old, and caused him to fall out of the canoe into the freezing water, where he drowned.

Carl Colby, meanwhile, told The Washington Post that his father "had had enough long before [he drowned]." Asked whether he believes his father committed suicide, Carl was cryptic, though his movie carries strong implications. "I think he just got tired," he said.

But Colby had severe plaque buildup in his arteries, and not just any arteries: specifically the left, anterior descending artery -- known for producing heart attacks so massive that it's nicknamed the widow-maker.

Another clue Jonathan pointed out was the fact that Colby's body was found without his shoes, likely the result of his kicking the water, and largely inconsistent with suicide, he said.

Colby's Private Life

Carl Colby and his siblings also hold deeply divergent opinions about what kind of person their father was.

Throughout the film, Carl focuses on the impenetrable and complicated "Rubik's cube" that he believed his father to be. Carl did not include any of his siblings in the film, telling HuffPost, "everyone has their own story to tell; this is simply mine."

Yet the film only presents Carl's version of his father's life and death. Furthermore, William Colby was a public figure who had an impact on American history, so the story that Carl calls "simply mine" is in fact much bigger.

One sister, the late Catherine Colby, figures prominently into a narrative suggesting that remorse may have been a motive in Colby's death. Catherine suffered from epilepsy and died in 1973, at age 24. Carl says that "while she was alive, [her father] was never there for her." But 23 years after her death and two weeks before their father's final canoe trip, Carl Colby says his father called him "seeking absolution for his not doing enough when Catherine was so ill."

The film is dedicated to Catherine's memory, and the implication is that William Colby was wracked by guilt over her death. But it's difficult to reconcile this narrative with another line in the movie, where Carl, the narrator, says of his father, "I'm not sure he ever loved anyone; I never heard him say anything heartfelt."

Colby's Public Life

Among historians, William Colby is best-remembered as the man who gave away the CIA's "family jewels," details about covert actions the agency carried out between 1950 and the end of the Vietnam War. Colby was ordered to release them to Congress as part of the Church Committee hearings of 1975, but many of his colleagues at the time considered it a major betrayal. In "The Man Nobody Knew," Scowcroft, then the National Security Advisor, speculates that giving up the information was a form of penance Colby performed to absolve his "tortured soul" of sins he believed were committed during the war. But Colby's family disagrees.

"My father saw how the country was changing after Watergate, with a weak White House and a powerful Congress, and he believed that a covert intelligence agency could exist with congressional oversight," Jonathan said.

Bridge Colby, Jonathan's son, added that "the release of the family jewels was the only way he knew to save the agency, in effect showing Congress, 'Look, this is all we did, nothing more!'"

"For him, the world was very black and white. He fought the Nazis in Europe and then fought the Communists in Vietnam, and as far as he was concerned, these were not good people, full stop," Jonathan said. "Was he introspective? In a word, no."

The program Colby pioneered in Vietnam was known as the Phoenix program, and it armed Vietnamese soldiers and helped them root out suspected Communist insurgents -- much like American intelligence agents do today by training Afghan soldiers to find and fight al Qaeda militants. But the plan resulted in the deaths of more than 20,000 Vietnamese villagers at the hands of their countrymen, leading human rights activists to liken it to a U.S.-backed assassination program.

But Jonathan Colby compared civilian deaths in the Phoenix program to President Obama's use of CIA drones in the tribal regions of Afghanistan and Pakistan, which have unintentionally killed civilians, alongside their intended targets: members of al Qaeda's leadership. "Do people think Obama and Gen. [David] Petraeus are 'tortured souls' over this?" he asked rhetorically. "Of course not."

Randall Woods spent the past seven years studying Colby's life for his upcoming biography, "America's Jesuit: William Egan Colby and the CIA," which contains interviews with hundreds of Colby's friends and colleagues. Woods also dismisses the idea that the career spy had deeply-buried guilt over his family or his decisions in Vietnam.

"In terms of his emotional and psychological life, there's nothing else here than what you see," Woods told HuffPost. "This was a well-intentioned, decent guy who loved adventure, and whose greatest fault was his naivete."

After The CIA

Woods also disputes another claim Carl Colby makes in "The Man Nobody Knew": that William Colby was "very bitter and angry" when then-President Gerald Ford fired him in 1975.

Jonathan Colby agrees with Woods, and he recalls his father neither bitter nor broken-up when Ford replaced him with future president George H.W. Bush. "He actually stayed on for three months after Ford canned him, unlike [then-Defense Secretary James] Schlesinger, who was fired the same day as my father was, and who walked out right away."

Schlesinger was replaced by a young Donald Rumsfeld, who would face the same challenge in Afghanistan post-9/11 as Colby and Schlesinger had in Vietnam: How to wage a guerilla war for the hearts and minds of rural villagers with an army designed for massive, scorched-earth combat ops.

For his part, however, William Colby did not seem to suffer from the kind of mental anguish that would drive a man to suicide, his son Jonathan said.

"With all that happened in the Vietnam years," he said, "what's really striking to me is why he wasn't tortured by it more."

http://www.huffingtonpost.com/2011/12/0 ... 30176.html


Nordic wrote:
Evidence points to Bob Marley's particular Cancer vector being copper wire inserted within a pair of brand new boots, delivered personally by Carl Colby, son of the infamous CIA Director William Colby. Marley then unaware, ended up in the hands of Dr. Josef Issels, a Nazi former doctor at Auschwitz and contemporary of Dr. Josef Mengele, where he was carefully managed to ensure his "natural" death.


I'd be very interested in hearing about Carl Colby in this regard. I met him years ago, worked for him for a few days, in fact, and he was possibly the CREEPIEST man I've ever met in my life.

It's kind of awful to think he's probably still out there doing .... whatever.

As it was, he was actually directing a corporate film for Martin Marietta outside of Denver. Which was something of a military base when you'd approach and enter it. I mean, I grew up on military bases, and this was quite similar to a military base including big banners reading "Peace Through Strength" hung across the way. We were doing some sort of what we call "industrial films" which are corporate films that nobody ever sees except people within the corporation, or other businesses and if I remember correctly it had something to do with "Star Wars". This was probably in 1987 or 88 or so.

Man that guy was creepy.

on edit: Man, I just did a google search on the bastard. Check this out:

Nicole Simpson lived next door to Carl Colby (former CIA director Bill Colbys son). Colby's wife and kids have been subjected to mind-control. Colby's wife testified in O.J. Simpson's trial, but was addressed as "Miss Boe" rather than by her name.


Is this true? Hell if I know. The source seems dubious: http://www.whale.to/b/simpson.html

Then there's this:

http://www.law.umkc.edu/faculty/project ... colby.html

Where a Carl Colby testified in the Simpson trial, and is obviously a neighbor. The same one? I dunno.

Ugh, the guy is still making films:

http://www.carlcolbyfilms.com/current.html

But check out what he's trying to get made now: a film about his Dad and the CIA.

William E. Colby was a career CIA Officer and was Director of the CIA from 1973 to 1976. His career was legendary: beginning as an OSS Jedburgh officer parachuting behind enemy lines into Nazi occupied Europe in WWII; “quietly” influencing elections in ‘50’s Communist leaning Italy during the height of the Cold War; serving as the CIA Station Chief in Saigon in the 60’s; then as the architect of the controversial Phoenix Program at the height of the Vietnam War.

Amid the scandalous revelations of the CIA’s “Family Jewels” to televised House and Senate Hearings in the early 1970’s, Colby preached “reform” as CIA Director in order to “save the agency”; yet by opening up to Congressional oversight, these Hearings effectively ruined Bill Colby in the eyes of the intelligence community. He drowned in an apparent boating accident in ‘96. His front-page New York Times obituary labeled him “the Professional’s Professional”.

This is the story of the CIA – intelligence gathering and covert action – with Bill Colby as our starting point. His son, Emmy award-winning documentary filmmaker Carl Colby, will explore who his father was, interviewing people inexorably connected to his life: high ranking political, military and intelligence officials, active and retired; historians, journalists, and policy experts; his family and friends; who are all participating because they knew Carl’s father personally or professionally and because his legacy impacted their lives – and US policies - then and now.

They will talk about Colby’s life, what they knew of him and the ways they possibly did not - or could not - know him. They will tell us about his legacy as a pioneer in counterinsurgency and paramilitary operations – whether they feel these actions were successful - from a tactical and a “values” perspective - and what consequences these actions have upon a “civilized” society.

As the different aspects of Colby’s life are uncovered, we will also become witness to Carl’s personal journey - what does it mean to have a father who was a master of covert activities, who lived in the murky gray zone between truth and lies, and who became one of the most powerful and controversial figures of the post-WWII era?

Beyond this personal story, the film will ask the question of what the CIA’s role in this country is and should be and where we as a society draw the line on what we are willing to ask, and order, our current intelligence officers and covert operatives to do in the name of our national security in an increasingly dangerous world – and who is responsible for the consequences.

The film will examine whether the CIA’s effectiveness has been compromised by focusing on secret paramilitary actions - with much less emphasis on intelligence gathering - or if this has caused US intelligence to continue to make the same old mistakes. If this is true, do these proactive covert programs and practices of the CIA still remain in our best national interest?

And do they remain true to our values as Americans who desire to abide by the Constitution? And is there a workable balance? This film will ask these tough questions - and ask them of those who are in a position to best understand and answer them.


Weird.

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