The censorship of the thin-skinned self-righteous

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The censorship of the thin-skinned self-righteous

Postby stefano » Thu Oct 02, 2014 7:51 am

A couple of stories from the last week that annoyed me.

Banksy anti-immigration birds mural in Clacton-on-Sea destroyed

A new Banksy mural showing a group of pigeons holding anti-immigration banners has been destroyed following a complaint the work was "racist".

The mural in Clacton-on-Sea - where a by-election is due to take place following the local MP's defection to UKIP - appeared this week.

It showed four pigeons holding signs including "Go Back to Africa", while a more exotic-looking bird looked on.

The local council, which removed it, said it did not know it was by Banksy.

Tendring District Council said it received a complaint that the mural was "offensive" and "racist".

The artist, who chooses to remain anonymous, posted pictures of the work on his website earlier.

But by the time it had been announced, the mural had already been removed due to the complaint received on Tuesday.


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So - a complaint, not lots of complaints. A special case, perhaps, seeing as one man's artsy mural is another council's gratuitous vandalism, but what annoyed me was the way in which a single person acting outraged and crying 'racism' can shut down discussion. And it should be obvious that comment on racism is not itself racist.

Which brings me to:

Slavery exhibition featuring black actors chained in cages shut down

Protest campaign that saw entrance to Brett Bailey’s Exhibit B blockaded by 200 protesters leads to Barbican closing it

Hugh Muir
The Guardian, Wednesday 24 September 2014

A controversial art exhibition featuring black actors chained and in cages to depict the horror of slavery has been closed by the Barbican gallery following a vociferous campaign of protest. Officials from the arts venue decided to end an impasse with demonstrators who on Tuesday evening greeted the opening of Brett Bailey’s Exhibit B at the Vaults in south London by blockading both the entrance and the road leading to the building.

Two hundred protesters with drums and placards demonstrated outside, prompting the attendance of officers from both the Metropolitan police and British transport police. The officers were summoned to address reports of a disturbance, but made no arrests. The event was quickly cancelled. The installation, which garnered acclaim and brickbats on display in Edinburgh, was due to remain open in London until Saturday.

Its abandonment was hailed as a victory by campaigners who claimed 20,000 signatures on a protest petition against what they called “complicit racism”. But the move is bound to prompt fresh discussion about the extent to which artists can legitimately use shock and graphic images to make points and address controversial issues.

Simon Woolley, coordinator of Operation Black Vote and a former equalities and human rights commissioner, said efforts had been made to communicate to the Barbican the strength of feeling. “They underestimated it. They failed to see people’s anger at being exploited in this way. This was a vanity project. Having people objectified in this humiliating way was always going to cause a fierce reaction. It is a shame that it reached this stage but the feeling was that no one was listening.”

In a statement, the Barbican said: “Due to the extreme nature of the protest outside the Vaults, regrettably we have cancelled this evening’s performance of Exhibit B as we could not guarantee the safety of performers, audiences and staff. We respect people’s right to protest but are disappointed that this was not done in a peaceful way as had been previously promised by campaigners.”

A statement handed to protesters by the Vaults, an independent venue which had been hired by the Barbican, went further. “This evening’s performance has been cancelled. Further subsequent performances up to and including Saturday 27 have also been cancelled,” it said. The Barbican is expected to confirm the cancellation of the London project early.

The installation arrived in the capital with an enviable reputation. Peter Brook described it as “an extraordinary achievement”. A review in the Guardian said the South African artist’s work was both “unbearable and essential”.

According to the Barbican itself, “Exhibit B critiques the ‘human zoos’ and ethnographic displays that showed Africans as objects of scientific curiosity through the 19th and early 20th centuries.” The 12 tableaux featured “motionless performers placed in settings drawn from real life.” Together, it said, the images “confront colonial atrocities committed in Africa, European notions of racial supremacy and the plight of immigrants today.

But protesters said any good intentions were outweighed by the scenes of degradation.

Among the strongest supporters of the project were the actors involved. Prior to Tuesday’s protest, they met with demonstrators, but neither side was able to convince the other. In a statement seeking to head off the controversy, they said: “We find this piece to be a powerful tool in the fight against racism. Individually, we chose to do this piece because art impacts people on a deeper emotional level that can spark change.

“The exhibit does not allow for any member of the audience, white, black or otherwise, to disassociate themselves from a system that contains racism within it. We are proud to be black performers in this piece; to represent our history, our present and ourselves by playing the various characters taken from the record books.”

Protesters also met with the Barbican’s board, but talks ended without agreement, setting both sides on a collision course.


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More comment on the Bailey thing here. The protesters have a valid point, about the erasure of black agency, but that is precisely the point that Bailey was seeking to make. An exploration of colonial exploitation is seen as an example of the same, and shut down accordingly.

More important than the debate about the art is the way in which more and more discussion is simply censored because someone doesn't like it. I get the feeling it's on the increase, lots of instances from universities where some 'radical' idiots shout down speakers and so on.
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Re: The censorship of the thin-skinned self-righteous

Postby brainpanhandler » Thu Oct 02, 2014 10:03 am

apologies Stefano
Last edited by brainpanhandler on Thu Oct 02, 2014 11:27 am, edited 1 time in total.
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Re: The censorship of the thin-skinned self-righteous

Postby seemslikeadream » Thu Oct 02, 2014 10:31 am

.
Last edited by seemslikeadream on Thu Oct 02, 2014 9:24 pm, edited 1 time in total.
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Re: The censorship of the thin-skinned self-righteous

Postby seemslikeadream » Thu Oct 02, 2014 2:11 pm

6 Artists Who Were Banned, Censored or Arrested by Conservatives
With a brief reprieve after the ‘90s culture wars, it looks as though the tide is shifting back in the direction of visual art censorship.
January 3, 2011 |


With a brief reprieve after the ‘90s culture wars, it looks as though the tide is shifting back in the direction of visual art censorship, particularly with the incoming GOP Congress and its disdain for expression that is not squeaky clean. And the war is being fought from the halls of Congress -- as with the much-publicized Smithsonian dismissal of “A Fire in My Belly” -- to perpetually conservative points of consumerism -- as with retail outlets’ disdain for Kanye West’s album cover painted by American artist George Condo. Most nefarious are those instances when museums, galleries and other outlets for art practice self-censorship, preemptively or not, to avoid controversy. The very last place artists should fear morality police are the institutions that are meant to support them, and the willful abnegation of free speech is dangerous indeed.

Here are six artists who were banned, censored or arrested, evoking controversy and setting precedents in visual art:

1. Frederick MacMonnies, Copley Square, 1894.To our modern eyes, sculptor Frederick MacMonnies’ "Bacchante and Infant Faun" could hardly be more innocuous. A naked but desexualized image of the Roman wine deity, cast in bronze and holding a child, its litheness seems countered only by its gaiety. But in 1854, when architect Follen McKim tried to mount it in the courtyard of the Boston Public Library in Copley Square, a huge scandal erupted around the very qualities that seem so innocent today. The statue’s “drunken indecency” greatly offended the Women’s Christian Temperance Union, it seemed, and they had enough pull in the city that McKim thought better of his gift and shipped the Bacchus down to liberal New York. It resides in the Metropolitan Museum of Art to this day, and partly as a result of the uproar surrounding it, MacMonnies became world-famous for the sculpture.

It was an early lesson for subsequent moralists -- the bigger the stink over a piece of art, the bigger the artist will become. Case in point: the familiarity of armchair art aficionados with “Piss Christ,” Andres Serrano’s controversial photograph that became synonymous with the Republican war against the National Endowment of the Arts in the 1990s.

2. Jean Toche, Flyers, 1974.In 1974, Jean Toche, co-founder of the situationist Guerrilla Art Action Group, mailed 30 flyers to museums and galleries throughout New York City criticizing their exhibition policies as bourgeois and exclusionary. In particular, he was defending what he believed was the artistic right of Tony Shafrazi to deface Picasso’s “Guernica,” having spraypainted the words “KILL LIES ALL” across the masterpiece in a protest against Vietnam and a purported effort to snatch it back from the gullet of history.

Toche’s defense wasn’t incendiary in itself, though the GAAG built its reputation on anti-war “happenings” inside museums, including one 1969 incident that ended with animal blood spewed all over the lobby of the Museum of Modern Art. Where he got himself into trouble was this passage in the flyer’s text:

We now call for the kidnapping of: museum’s trustees, museum’s directors, museum’s creators, museum’s benefactors, to be held as war hostages until a People’s Court is convened, to deal specifically with the cultural crimes of the ruling class, and with decision of sanctions, reparation and restitution, in whatever form decided by the People and the Artists.

Though his “kidnapping” was meant to be symbolic, the FBI is not known for its subtlety as art critic, and immediately arrested him at the behest of a presumably more nuanced critic, Douglas Dillion, then-president of MoMA. Toche was compelled by a federal judge to undergo a psychiatric evaluation, after which the charges were dropped. He continues to make political mail art, in caps lock.

3. Blu, MoCa, 2010. It’s remarkable (and confusing) that MoCA director Jeffrey Deitch, who made his name in New York City by displaying some of the most interesting and innovative contemporary art around in his eponymous gallery for nearly 15 years, would ever censor anything. But that’s exactly what happened in December, after he commissioned the celebrated and controversial Italian graffiti artist Blu to paint a large-scale mural at the museum’s entrance. Their contract was signed without a preliminary sketch, as is Blu’s standard modus operandi. And so, while Deitch attended Art Basel in Miami, Blu worked on his piece: a huge painting of the coffins of war casualties, with dollar bills instead of American flags draped over them.

Blu does not shrink when it comes to making strong statements with his work -- using the dollar bill as a common theme, he’s commented on the varying tentacles of corporate greed since 2000. According to an email conversation between the artist and longtime graffiti archivist Henry Chalfant, Deitch requested Blu paint a different mural over the coffins, “suggesting he would have preferred a piece that ‘invites people to come in the museum’. I told him that i will not to do that, for obvious reasons, and that probably I was not the artist best suited for this task.”

LA MoCA justified its actions by claiming sensitivity to veterans:

The Geffen Contemporary building is located on a special, historic site. Directly in front of the north wall is the Go For Broke monument, which commemorates the heroic roles of Japanese American soldiers, who served in Europe and the Pacific during World War II, and opposite the wall is the LA Veterans’ Affairs Hospital. The museum’s director explained to Blu that in this context, where MOCA is a guest among this historic Japanese American community, the work was inappropriate. MOCA has invited Blu to return to Los Angeles to paint another mural.

A lucid reading of Blu’s original mural is not that it belittled the veterans or trivialized their heroism, but that it criticized the motivations behind the present long wars in Iraq and Afghanistan. But it was whitewashed immediately after it was finished, before it could invite legitimate critique or conversation.

4. Karen Finley, 'The Chocolate Smearing Incident,' 1990. The late 1980s and 1990s were a tornado of art battles, with Jesse Helms having palpitations over Robert Mapplethorpe’s homoerotic portraits and Andres Serrano’s crucifix-in-a-urinal. But feminist performance artist Karen Finley was the first of the targeted artists to have her NEA grant revoked because of a column written by two reporters scolding her without having even seen her work. Rowland Evans and Robert Novack took a belittling, paternalistic slant on Finley’s act, characterizing the 34-year-old artist as a “chocolate-smeared woman” based on a piece she created about male violence toward women. Ironic! Her NEA solo performance grant was defunded, then refunded, leading to a 1998 Supreme Court case in which she challenged the law that required the NEA to be held up to decency standards. She lost, but not before she got in a retort, 1998’s “Return of the Chocolate Smeared Woman.” This time, the chocolate was smeared liberally.

5. Chris Ofili, The Holy Virgin Mary, 1999. Broken windows weren’t blustery Mayor Rudy Giuliani’s only concern during his lengthy stay as head of New York. He was also markedly unenthused by “Sensation,” a provocative exhibit held at the Brooklyn Art Museum showcasing young British artists culled from the collection of Charles Saatchi. In particular, Giuliani had it out for Chris Ofili’s depiction of an African Virgin Mary punctuated by nude derrieres meant to evoke blaxploitation films -- and elephant excrement to evoke Ofili’s Nigerian background. He called the piece “anti-Catholic” and further, thought the art itself was “horrible” -- perhaps his first bit of art criticism on record during his tenure. He proceeded to file a lawsuit against the museum that sought to evict it from a lease it had held for over a century, in addition to slashing the funding it received from the city of New York.

After a several months-long fracas that included protests, support, amused patrons and gallerists -- “That was great! You’d pay a million dollars to get publicity on that scale,” enthused British art dealer Jay Jopling -- the city and the museum reached a settlement. But not before Giuliani’s lawyer, Michael Hess, got in the old standby quote-- that the art is “really not even for the general public the kind of exhibit that taxpayers should pay for.” Echoes of Boehner and Cantor in this statement -- it’s a particularly relevant tactic to invoke taxpayer ire, and fits in neatly with all the empty belt-tightening rhetoric.

6. Rose Bochovski, Second Life, 2010. It seems odd that art censorship should bleed into virtual reality, a mirror existence built on pixels inside the Internet. But this past June, when the video artist Rose Bochovski exhibited her computer-graphic, 3-D film Susa Bubble in a Second Life art gallery, it was promptly removed, with the censors citing Second Life’s rules disallowing nudity beyond spaces with an “adult” rating. The images, viewable below, depict a young girl who is naked but not in any real provocative way and is completely devoid of sexualization, whether in the rendering or in the context. Real 21st-century problems, these, but they illustrate the vast illogic of censorship -- a couple of keystrokes on the Internet and anyone can view anything from real-life corpses to hardcore pornography. And yet in an online gaming system, a woman whose art piece is moderately less naked than Henry Darger’s cherubic hermaphrodites gets the boot? Surreal. Go here to read Bochovski’s response.




Protecting Scholars of Art From Persecution
Posted: 04/03/2014 5:28 pm EDT Updated: 06/03/2014 5:59 am EDT

The United States is a world leader in providing a safe haven to political activists fleeing oppressive dictatorships.

But what if your only crime is that you are an artist whose work is viewed as critical of your government? What happens if, as a professor of art or literature, you use creative expression to give voice to an oppressed people? How do you preserve your country's rich cultural heritage when you become the target of death threats?

Totalitarian regimes are increasingly targeting scholars of art, seeking to silence them and their ideas. Many of these individuals have worked for years in respected institutions only to find themselves and their families suddenly under threat of physical attack, or they are intimidated into fleeing their homes and countries. Consider these examples:

A well-known painter and professor with three decades of experience teaching in Iraq's colleges of art became the target of militants. In 2010, he found a bullet in an envelope on his doorstep -- a common warning used by extremist factions to silence and frighten their victims. Knowing the risks, he and his family fled the country.
A female scholar of dramatic arts credited for shaping a generation of Syrian performers was repeatedly interrogated by government authorities who condemned her work as too controversial. After 30 years of teaching, she was forced into exile.
An Iraqi architecture scholar known for his contributions to public and private buildings in Baghdad was blindfolded and had his hands and feet bound while militants ransacked and robbed his home, threatening to blow it up. After 30 years as a lecturer in the Department of Architecture at a Baghdad university, he was forced to leave the country after being involuntarily retired from his position.
One of Chechnya's most important poets was wounded when violence broke out in the region. Russian authorities then began harassing him at his university because they considered his work inflammatory.
In Syria, a renowned scholar of medieval Islamic architecture and the country's urban architectural history was threatened with arrest and violence because members of the Assad regime decided that his allegiance was to the opposition after he spoke out against Syrian ministers. Despite his efforts to promote Syria's cultural heritage, he was driven out of his homeland.
In the horn of Africa, an award-winning professor and multimedia visual artist resigned from a national school of fine art and design to protest the politically motivated appointment of a new university president. When he returned to his faculty position, his artwork had been destroyed and his access to campus art studios curtailed.
In a perfect world, scholarship would be judged only on things like originality of thought, depth of research and the ability to put forth a cogent argument. But these scholars are being attacked for the simple reason that they are using creative expression to give a voice to an oppressed people.

Recognizing the contribution of these scholars to world culture, the Institute of International Education has established the Janet Hennessey Dilenschneider Scholar Rescue Award in the Arts as part of IIE's Scholar Rescue Fund to protect free expression and creativity. Jan is a visual artist and her husband Robert, together with our trustee Mark A. Angelson, have created this award that will allow IIE to rescue 10 art scholars.

Threatened scholars in fields such as painting, dance, music, architecture, theater and archeology will be able to apply. They will receive financial assistance to relocate and a position at a host institution of higher learning.

The freedom of artistic expression we cherish in the United States is under attack around the world. Rescuing scholars of art guarantees that their voices will be heard and their artistic contributions preserved -- to be shared with future generations in their homelands, and with people everywhere who value the treasure that is human creativity.



Speaking on a television interview, several decades ago, the great Australian satirist Barry Humphries was asked why Australia produced so many excellent sports people. He thought for a moment, and then replied that it had a lot to do with good food, glorious weather, outdoors life – and the total absence of any kind of intellectual distraction.

His joke carried a core of truth. A whole generation of artists, writers and intellectuals, such as Humphries, Germaine Greer and Clive James had to leave Australia to be taken seriously. But then, Australia has never liked its artists. They make you think too much.


Censorship is stifling Australia's artistic freedom of expression
Challenging Australian artworks are being attacked and censored. If we are only permitted to view 'correct' works then art's primary function is destroyed

Protest at the Linden Centre for Contemporary Arts in St Kilda which has been closed since police raid Photograph: Lyndal May Stewart./Lyndal May Stewart
It seems ironic that within a Melbourne exhibition examining the legacy of the late, radical Australian artist Mike Brown, it was a new work of art that should have been found offensive and removed by police. The Linden Centre for Contemporary Arts has not defended artist Paul Yore, or the works in question. Instead, it immediately closed the gallery with no explanation, effectively also censoring the work of the other artists exhibiting. Its position seems a stark reminder that freedom of expression, which artists should be able to take for granted in any democratic country, is steadily being eroded in Australia.

Art can only mirror the culture which produced it. It shows us all of the positive aspects of humanity, but it is also the duty of art to examine the uncomfortable, dark stuff. Sometimes art will be troubling, but then so too will the society it is depicting. Intelligent, rational viewers of art acknowledge that while a work may sometimes challenge us or we may not agree with the artist’s point of view, a different perspective might be equally valid.

Unfortunately, it seems that challenging Australian art is attacked and censored. And if we are only permitted to view “correct”, officially sanctioned work then art’s primary function – to reveal us to ourselves – is destroyed. We only see half of our culture’s story. Like America, isolated Australia is puritanical in mindset and prudish about sexual matters, mistakenly confusing its deep-seated anxiety over sexuality for moral rectitude. This boils into moral panic when it comes to “difficult” art.

In 1963, Mike Brown’s large collage, Mary-Lou as Miss Universe, was withdrawn from an overseas tour after complaints over its content. Charges of obscenity were laid against Brown, who was later sentenced to three months in prison with hard labour, eventually reduced to a fine. More than 30 years later, Brown's work was still causing controversy: in 1999, his painting You're Welcome came under attack from the Catholic Archbishop of Perth – who had not personally seen the work – because it contained anti-religious phrases.

It is not a phenomenon limited to Brown. Juan Davila’s satirical work Stupid as a Painter, which depicted Marilyn Monroe masturbating, was removed from the 1982 Sydney Biennale. It was presumably the close proximity of a crucifix to her vagina that caused the uproar. And we are all very familiar with the Bill Henson case of 2008. The fact that the Australian censorship body eventually stated that Henson’s censored work was "not sexualised to any degree" must have been of small comfort the artist.

In the aftermath of the Henson debacle, extensive new guidelines were drafted by the Australia Council concerning the depiction of children in art, many of which are largely impracticable. Writer Frank Moorhouse told The Age that the protocols were "the most dangerous movement in the arts in my life time” and accused the Australia Council of failing in its duty to protect and promote art.

I'd argue that creating protocols for art is in itself an infringement of artistic freedom.

And now, in 2013, the serious intentions of an artist have again been hijacked and misrepresented by those who seem unable to tell the difference between actual, real life and fictional artifice; who are apparently dumbfounded by such elements as irony and social satire. Why should they have the power to deprive intelligent, rational viewers of engaging with “difficult” art?

Speaking on a television interview, several decades ago, the great Australian satirist Barry Humphries was asked why Australia produced so many excellent sports people. He thought for a moment, and then replied that it had a lot to do with good food, glorious weather, outdoors life – and the total absence of any kind of intellectual distraction.

His joke carried a core of truth. A whole generation of artists, writers and intellectuals, such as Humphries, Germaine Greer and Clive James had to leave Australia to be taken seriously. But then, Australia has never liked its artists. They make you think too much.
Mazars and Deutsche Bank could have ended this nightmare before it started.
They could still get him out of office.
But instead, they want mass death.
Don’t forget that.
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Re: The censorship of the thin-skinned self-righteous

Postby Searcher08 » Thu Oct 02, 2014 2:38 pm



bph, please would you consider re-posting what you wrote - I was up for having an interesting general non-personal discussion about it and thought you raised some important points.

There is also the censorship of turning anything within one's personal catchment area into a single issue focus, which can become as much a means of control and suppression as 'gaming' and spamming.

This type (OP) of 'voice removal' is a subject I care a lot about and see it becoming much worse. I looked at the organisation behind the demonstration and it seems to plug into a big 'establishment' anti-racism eco-system.

I wish the public would demonstrate against Damien Hirst and Simon Cowell, but that is because I consider them both an insult to pond scum.
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Re: The censorship of the thin-skinned self-righteous

Postby seemslikeadream » Thu Oct 02, 2014 3:16 pm

Open Letter on Censorship

Posted on Oct 1, 2014

By Zuade Kaufman

Image

George Orwell was right: “Who controls the past controls the future. Who controls the present controls the past.”

Such power isn’t limited to rewriting history. It extends to defining what we hear, what we read, what we say—and ultimately what we think. It affects all of us, especially those who believe in the potential of words to shine a light on hidden agendas, hold the powerful to answer, and express ideas that shape our values.

The threat is both from governments, which feel a need to control their people, and from companies that have an unceasing urge to increase their power and their wealth.

Google is one of those companies. It is everywhere, so it is the premier gatekeeper. To a large extent, it dictates not only what information “gets in” but defines what is unacceptable and what is to be kept out.

Advertisement


Over the years, Google has been involved in many disputes over the power it wields.
A 2012 article in The Huffington Post by Wharton professor Eric K. Clemons posed the question, “Can Google influence an election?” Clemons’ answer: Of course it can. Simply by controlling the flow of information. Search engines are uniquely capable of doing this.

One issue that recurs often is Google’s broadly defined prohibition against “mature content” on its advertising network, AdSense. This has wide-ranging repercussions because AdSense, which targets ad placements, is a significant source of revenue for blogs and websites, as well as a major revenue source for Google. Play by its rules, or you will be banned.

Earlier this year Google threatened to block an award-winning U.K.-based music webzine, Drowned in Sound, for displaying covers of albums by Sigur Rós, a post-rock band from Reykjavik, Iceland, and Lambchop, an alternative/country band from Nashville, Tenn. DiS fixed the matter by laying colored squares over the disputed areas. But DiS founder Sean Adams worried out loud that Google was only a small step away from seriously compromising freedom of expression.

For the past 18 months, Truthdig has been engaged in on-and-off battles with Google—and it’s been baffling for us. At best, the rules being imposed are poorly defined. At worst, they are arbitrarily imposed.

We were banned from AdSense for nearly a year. Why? Because an automated Google system identified “violations.”

What were the violations? Google refused to say because information about them was “proprietary” and the company didn’t want others to know what’s deemed inappropriate. Otherwise websites might “circumvent our detection system.” Finally Google relented and restored our AdSense account, but only after Truthdig hired a legal team and took the fight to Google’s general counsel.

Frequently, Google falls back on vague boilerplate: “Publishers are not allowed to include ad placements on pages which contain mature content (including explicit language).”

Fair enough. But what is “mature” or “explicit”?

Often, Google’s characterization of explicit language is questionable. Some of the references involve comments posted by the public.

Truthdig’s alleged offenses are a curious mixture.

One targeted article is a brief blog about a newsworthy court ruling on pornography, contains a cartoon of Pepé Le Pew hugging a cat and links to an article in another publication.

Another is an excerpt titled “The Victims of Pornography” from a book that made the New York Times best-seller list. It is hard-hitting and powerfully written, and its language is raw because it quotes people formerly in the pornography industry speaking out about abuses.

Then there was an item about aerial drones—which had only two sentences of text and featured still and video images—that Google insisted was in violation of unspecified rules and must be taken down. In came our legal team again. Google reviewed the posting and—surprise, surprise—found nothing inappropriate. The article was allowed to remain, but only after we challenged Google’s original decision.

The purported violations are as much as seven years old. Why weren’t they mentioned to us previously? Is someone complaining only now?

The danger for all of us is Google dictating what is and isn’t permissible and feeling it’s free to explain its reasons or not because it is the sole arbiter. This affects not only the media but also readers who comment online. Do we really want anyone—companies, governments, neighbors, religious institutions—to have that sort of power? The restrictions on freedom of expression could be enormous.

Today, we are the target. What happens tomorrow when it’s you?
Mazars and Deutsche Bank could have ended this nightmare before it started.
They could still get him out of office.
But instead, they want mass death.
Don’t forget that.
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Re: The censorship of the thin-skinned self-righteous

Postby stefano » Fri Oct 03, 2014 5:32 am

Searcher08 » Thu Oct 02, 2014 8:38 pm wrote:


bph, please would you consider re-posting what you wrote - I was up for having an interesting general non-personal discussion about it and thought you raised some important points.

Yeah, an interesting general non-personal discussion would have been fun, right? I remember when we had those here.

Searcher08 wrote:This type (OP) of 'voice removal' is a subject I care a lot about and see it becoming much worse. I looked at the organisation behind the demonstration and it seems to plug into a big 'establishment' anti-racism eco-system.

That's interesting, could you say more?

bph in his post yesterday (which I read but couldn't reply to before he, erm, self-censored), mentioned the validity of the anti-Bailey argument made in a comment on the Daily Maverick's article (my bold):

Kwamla Hesse wrote:This really is not that difficult to appreciate or understand....

The history of the denigration of African peoples and everything Black has never really officially been told. This means when any aspect of it comes up in any media context. It can either be told or expressed positively - questioning and challenging the legacy - OR it can be expressed negatively - re-enforcing and normalising that same history.

These Black performers chose not to inform or avail themselves of the legacy or history of what they were choosing to participate in. Or perhaps they had already internalised the imposed negative origins of their own history as "normal"?

Because it should be clear that no person with a respectful true knowledge of their origins and ancestry would volunteer or otherwise to participate in their own inherited denigration. No self-respecting white or Jewish person would agree to do this. Why? The answer should be obvious.

The fact that it seems lost on the majority of "privileged" commentators comes really as no surprise. Its one thing to claim to produce something which masquerades as "art" challenging white supremacy (racism) when it does nothing of the sort. Its another to try to defend this on the basis of simply telling history "like it is". When that version of history is told via the same colonial and imperialist perception - #humanzoo - which in itself re-enforces and exploits that perception rather than questioning or challenging it. This is totally disingenuous and is precisely what allows an un-reflective of "whiteness" artist like South African Brett Bailey to indulge privileges which the vast majority of African artists have been and continued to be denied. Which is the opportunity to tell their History from anti-colonial and anti-imperial perspective.

Of course the argument against this might say colonialism and imperialism was a "good thing" for Africans. But this is clearly the privileged white supremacist perception. A perception that is never contested or reflected on but IMPOSED! Hence "Exhibit B"...

Anyway, the REAL argument is - White privilege! - Freedom of speech for white people and anyone else Sharing this mindset. Forget about the REALITY that Black people are not privileged to express and showcase their point of view. So YES censorship for unequally represented view points! Which become, as in the case of Exhibit B, an imposition!


So, firstly, he's making a big call in saying that the Exhibit "re-inforces and normalises" exploitative history - both Bailey and his actors are absolutely clear that their intention is to challenge not only the history but the contemporary black experience of being seen and not heard, which is why some of the exhibits are of domestic workers and so on. Secondly, he makes the facile argument that the actors don't know their history, which is a pretty condescending thing for a Brit to say to a black South African. Or else they suffer from 'internalised racism' - but either way, the fact that they defend their participation is evidence of some sort of intellectual weakness. Then he has a go at Bailey for being white, which a lot of this is based on, and raises a bullshit strawman - no one in this debate can possibly have argued that colonialism was a good thing. The conclusion is a weird argument, and seems to be that no point of view may be heard as long as all points of view aren't heard. Any art that focusses on one specific element of the human condition (isn't that all art?) is invalid, because it neglects another aspect.

Searcher08 wrote:There is also the censorship of turning anything within one's personal catchment area into a single issue focus, which can become as much a means of control and suppression as 'gaming' and spamming.

Right. But, politically, it seems to be about three issues especially: anti-Semitism, racism and gender issues. I think this board is familiar enough with the use of anti-Semitism as a tool of censorship that it doesn't need elaborating on. Racism and gender issues are used in similar ways, although accusations tend to be more spontaneous and less professionally co-ordinated than in the case of bogus anti-Semitism charges (which is why I find it interesting that you mention an "establishment anti-racism eco-system"). As with anti-Semitism, public figures are so sensitive to the charge, especially in academia, that they tend to avoid controversial or even interesting work for fear of being slandered. For the same reason, third parties are reluctant to rush to the defence of those so accused. The worst are filled with a passionate intensity, and the upshot is a cultural and intellectual landscape of the most uniform blandness, with an easily-offended crowd there to be goaded through Twitter and Facebook and Tumblr to start shouting at anyone who approaches a sensitive or complicated subject.

More broadly I feel that the left's increasing rejection of liberal values - it's not what it was in the days when European socialists were defending Joe Stalin, but it does seem to be on the up - plays a major role in Europe's turn to the right.
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Re: The censorship of the thin-skinned self-righteous

Postby Wombaticus Rex » Fri Oct 03, 2014 10:42 am

"If you ask me whether I think liberty is under huge attack in Europe now, I would say yes. I feel repressed by not being allowed to express my views. I have permanent troubles with this. Suddenly I have discovered, for the first time in 20 years, having been invited to be a keynote speaker at a conference, that the organisers find out I have reservations about the EU, about same-sex marriages, about the Ukraine crisis, and they say, “We are very sorry, we have already found a different keynote speaker, thank you very much.” This is something I had experienced in the communist era but not in so-called free Europe. Only a very narrow range of opinions is now considered politically correct."

--Václav Klaus
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Re: The censorship of the thin-skinned self-righteous

Postby Zombie Glenn Beck » Fri Oct 03, 2014 5:40 pm

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barracuda wrote:The path from RI moderator to True Blood fangirl to Jehovah's Witness seems pretty straightforward to me. Perhaps even inevitable.
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Re: The censorship of the thin-skinned self-righteous

Postby American Dream » Fri Oct 03, 2014 6:05 pm

http://blackorchidcollective.wordpress. ... -politics/

Privilege Politics is Reformism
Posted on March 12, 2012

3/15/2012: Some responses to this piece here

This piece was written by Will, a close comrade to many members of Black Orchid Collective.


Notes on Privilege Theory
Introduction: White Supremacy Lives on


It is crystal clear that white supremacy exists. It seeps through every pore in our society. It infects every social relationship. It obviously affects Occupy Wall Street.

Everyone knows the wealth divide, the incarceration numbers, gentrification, the education gap and more are part of the class and racial oppression of the United States. All this is obvious. More politically contentious matters are the social interactions, which are racialized in negative ways in society and specifically in OWS. It is always painful, because at best we hope movement spaces are places where people can finally engage with one another on universal-human terms. However, it is not a surprise that even in movement spaces people experience white supremacy. Our society is saturated with it, so to expect non-racialized human relations in the movement would be utopian.

The combination of structural oppression based on race and class, the history of white supremacy and capitalism, and how that affects people’s interactions with one another, has led to a school of thought called Privilege theory. Privilege theory recognizes structural and historical oppression, but has an undue focus on individual behavior and thoughts as a major way of addressing white supremacy (and other oppressions, but I will tend to focus on white supremacy and class). Privilege theory has a set of basic principles: a) Privilege theory argues that movement spaces should be safe for all oppressed groups. One way to make such a space safe is by negotiating one anothers’ actions in non-oppressive ways. For example, this means straight white men should talk less or think about the privileges they have when discussing an action or political question. b) Privilege theory justifies that militancy and political sophistication is the domain of a privileged elite based on class, gender and racial privileges. c) Privilege theory roots political and strategic mistakes in the personal privileges that people bring into the movement. d) Privilege theory seeks to deal with these issues primarily through education, teach-ins and conversations. This piece will point out key failures in all four principles of Privilege theory. It will tentatively lay out some ways forward, while recognizing more research and, more importantly, more struggle is needed to resolve some of the outstanding problems facing the movement.


There is certainly a long history of people of color facing white supremacy inside the movement. However they have tended to focus around programmatic and organizational critiques. Areas where deficiencies could be more easily seen and addressed. For example, if a group does not organize around Black prisoners, it can be addressed by having political discussions, changing the program of the group, and making an organizing orientation towards Black prisoners. Privilege theory addresses this by claiming that someone’s privilege creates a blind spot to the reality of incarceration of Black men.

Another aspect of oppression Privilege theorists tackle are social interactions. However, it becomes much harder to objectively assess if a white man’s glance objectifies a person because of the color of their skin; if a white man yelling at a person of color is due to race, if it is a non-racialized-gendered reaction to political differences; or if a white man is taking up a lot of space because of his privilege or because he needs to speak because he simply has something valid/ important to say.

There is no doubt that in any organization or movement, where this is common behavior, people of color will either not join or leave after some time. But at the same time, any movement/ organization which spends tons of time on this will no longer be a fighting organization/ movement and eventually people of color will leave. It will become talk shops or consciousness raising circles. In a period when the NYPD are killing Black and Latino men with impunity, schools are being closed in POC neighborhoods, anti-Muslim propaganda is rampant, and immigrants are deported every day, few will join a group which only focuses on inter-personal relationships. They key is to understand the tension and get the balance right.

At the same time it is undeniable that that many POC believe this to be a serious way to deal with white supremacy. That many believe a movement can be built from Privilege Theory’s political and strategic claims. Privilege Theory has come to be the dominant trend under specific historical circumstances, which I will briefly address. I believe this to be a false strategy, ultimately failing to actually solve the problems Privilege Theory wishes to address.

Probably every person of color has experienced some variety of interaction described above. First, lets discuss the complexities: when this happens, even amongst people of color there is disagreement over the perception of what the interactions meant. Understanding the seriousness of the charge is tied up with the white militants’ past behavior or track record. People of color are also coming in with their own experiences with white supremacy.

This certainly affects how they see social relationships. Lastly, some agreement has to be found that as a general rule people who join the movement are not white supremacists. This should be a fundamental assumption, otherwise, we are left with the ridiculous and suicidal political reality that we are building a movement with white supremacists. So that leaves us dealing with racial alienation or white chauvinism by people who we assume are against white supremacy. That seems to be a crucial point that needs to be recognized.

Usually people of color want acknowledgement that something fucked up happened. It is true that generally, most white militants flip out. On one hand the white militants grasp the seriousness of the accusation, but on the other hand, in their defense, they fail to give recognition of how another person of color perceived an event. The white militant usually acts as if the theory of white supremacy infecting everything stops with their mind and body when they are accused of anything. This is understandable, as no serious militant should take such accusations lightly.

This is particularly important as people of color, based on all the shit that happens to them, tend to see the world differently, and are obviously sensitive to racial slights. The lack of recognition usually escalates the situation as the person of color tends to feel, what is “objectively true” falls back on how the white militant defines reality. At such a point, productive conversation usually breaks down.

Lastly things are more complicated today because white supremacy is much more coded today in language and behavior. No one in the movement is going to call anyone nigger. People actually did so in the 1910s, 20s, and 30s. No one is going to say that a person of color should not speak because of their color of their skin. Things are not that clear. This is partially a sign that struggles of people of color have forced white-supremacy’s anti-POC language to take a different form. However, white supremacy still exists. In the media for example talk of crime or poverty is code word for lazy Black or Latino people who ruin paradise for the hard working great white citizens of America. Exactly how white supremacy works in coded language and behavior in the movement is still something that needs to be investigated.

While the difficulties of being a person of color militant in movements is difficult as hell, there are certain odd problems of being a white militant in the movement. People of color enter the movement expecting better racial relationships. This is certainly fair. This usually means that white male militants are expected to take up less space, talk less, etc. Every personal interaction, while always influenced by the weight of history, cannot be judged solely by that dimension alone. For example, Black people have been slaves in the US and specifically servants to white masters. Extrapolating that historical past to the social interaction when a Black man or woman gets a white friend a cup of water would be ridiculous. There is always agency and freedom in the actions we participate in today. They are always shaped by race, class gender, sexuality and history; but we are not completely trapped by the crimes of the past either. Otherwise friendship, love, camaraderie would be impossible. The very possibility of any form of human social relationship would be destroyed. We would be parroting the past and dogmatically replicating it in the present.

Usually, after acknowledgement, things can be left at that. However, sometimes deeper organizational and political issues come up. Especially if a person of color says there is a pattern/ history of such behavior. If this is the case, it should be dealt with in terms of organizational and political dynamics. The limitations of privilege politics in dealing with such situations will be spelt out later.

Fanon, Black Liberation, and Humanity

The most sophisticated traditions in Black liberation have struggled to deal with such problems. Revolutionaries such as Frantz Fanon in Black Skin and White Masks (BSWM) used the philosophical tools of Phenomenology to explore the experience of consciousness/ lived experience of people of color. This tradition in the movement is sadly dead. In light of his investigations of Phenomenology, there is strong evidence in Fanon’s writings and practice in his life showing that conversation cannot solve such racialized experiences; only the most militant and violent struggle can cleanse racialized human relations. The United States has not experienced high levels of struggles in over 50 years. Major problems develop because of the lack of militant struggle in the country.

Fanon also left a puzzling legacy by writing Black Skin, White Masks, which often is used to justify privilege theory. However, two problems exist with such a treatment of BSWM. The first is that this book was part of Fanon’s development; his working out of problems he saw and experienced. Second and more importantly, almost all privilege theorists ignore the introduction and conclusion of the work. This is strange considering those two chapters are the theoretical framework of the book. In these two chapters Fanon expresses equality with all of humanity and denies anyone demanding reparations or guilt of any kind for past historical oppressions. What else can Fanon mean by, “I do not have the right to allow myself to be mired in what the past has determined. I am not the slave of the Slavery that dehumanized my ancestors. I as a man of color do not have the right to hope that in the white man there will be a crystallization of guilt toward the past of my race.” The gendered language aside, this stands in stark contrast to privilege theory.

Fanon stands at the heights of attempting to reconcile the experiences of oppression with the need to develop human interactions and the necessity of changing them through militant struggle. There is no doubt that Fanon’s attempt to have human interactions with white people constantly clashed with white people’s racialized interactions with him. In other words, white people do talk to people of color in condescending ways, dismiss POC issues as secondary, ignore POC etc. The issue is how to address it when it happens and in that realm Privilege theory fails.

Privilege theory puts too much weight on consciousness and education. It ends up creating a politics of guilt by birth. At the same time, there is no doubt that more education is needed on the history of white supremacy in the United States and on a global level. Furthermore, the relationship of white supremacy and its effect on consciousness is vital and a legitimate field of politics and philosophical inquiry. W.E.B. Du Bois, James Baldwin, Michelle Wallace, Frantz Fanon and others have all made vital contributions in the United States regarding this tradition. Re-framing the debate along such a tradition is vital.

New social relations can only be forged in collective struggle of the most militant character. No amount of conversation and education can form new relationships. It is only the mass involvement and struggle of oppressed people which can ultimately destroy white supremacy, re-establish the humanity of people color, and create social relationships between people as one among humans instead of the racially oppressed and white oppressor.

The Failure of Privilege Theory

Privilege theory seeks to redress and describe the huge inequalities which materially, psychologically, and socially exist in society. While it is often accurate in its sociological analysis of such inequalities, it fails in crucial realms of actual struggle. Privilege theory ends up being a radical sociological analysis. It ends up not being a theory of struggle, but a theory of retreat. Privilege theory’s main weakness are a tendency towards reformism, a lack of politics, and a politics of retreat.

Reformism

Privilege theory tends towards reformism or at best the radical politics of a group of people who seek to act above the oppressed. The latter is especially important. We have lived through a century of where people claiming to represent the masses claiming revolutionary politics acting above them: Hugo Chavez, Fidel Castro, Jawaharlal Nehru, Weather Underground, Josip Broz Tito or Julius Nyerere are just some figures who have fallen in this trap. Today the names are not so grandiose, but things are not so different.

There is no doubt that certain groups are more likely to be targeted by the police during political actions and that the repression they face will be greater, not to mention they might have less resources to call upon in their defense. These are all fairly obvious realities of white supremacy. These factors certainly hinder greater struggle. At no point should they be underestimated. At the same time, these factors are exactly the forms of oppression which must be defeated. These movements must find ways to deal with these issues politically and organizationally. Who will defeat these forms of oppression and how? If the liberation of oppressed people must be carried out by oppressed people then the tasks of liberation remain in the hands with the people who have the greatest risks. If white supremacy can only be defeated by mass and militant action and not legislation or pithy reforms then the style of struggle is fairly clear as well. What is privilege theory’s response to these two fundamental premises? Privilege theory ends up in a dead end.

According to its arguments, the most oppressed should not struggle in the most militant ways because they do not have the privileged access to bail money, good lawyers and not to mention their racial status which will surely guarantee extra punishment. This leaves only one group of people who can possibly resist: those with a set of privileges who have access to lawyers, have the spare time to struggle, etc. This is in sharp contrast to the revolutionary tradition which has argued that the defeat of capitalism, white supremacy, patriarchy, homophobia, imperialism etc are the responsibilities of billions of oppressed people. This is exactly the group of people Privilege theory tends claims has so much to risk.

No doubt huge gaps exist in speaking, writing, confidence etc amongst movement activists based on race, class, and gender. Privilege theorists are at the forefront of acknowledging this reality. However, where the task is to make sure that everyone in the movement has roughly the same skills, privilege theorists are rarely clear on how to address this, other then reminding the privileged of their privilege. Privilege theorists so far have not demonstrated how this can be dealt with.

Privilege theory in a partially correct way grasps that people of color do not participate in many of the militant actions precisely because they face greater risk of arrest and more punishment. But instead of finding ways to get around this problem, privilege theorists fetishize this problem into a practice of demobilization and reformism.

Lastly, Privilege theory has no response to the rich history of oppressed people who struggled in the past. In Privilege theories on words, these were some of the most under-privileged humans and yet their theories and actions were at the front of militancy and revolutionary politics. What makes the situation any different today is not clear.

Lack of Politics

Privilege theory de-politicizes most discussion from their most revolutionary potentials. Privilege theory has no political program other then a sociological analysis of who is more likely to be imprisoned, shot, or beaten in protests, strikes, and rebellions.

The past struggles have been over communism, anarchism, nationalism, Maoism, anti-colonialism, African socialism etc. These struggles have fought for the defeat of capitalism, the state, patriarchy, white supremacy, and homophobia (or at least they should have fought for all their defeats if they failed to do so in actuality). The point is that the greatest struggles of the oppressed rallied around mass struggle, militancy, and revolutionary theory. Privilege theory de-centers all three.

In the United States, generations of militants, since the defeat of the 1968 current, have developed with little revolutionary theory and organization, and even less experience in mass struggle. This has meant extremely underdeveloped politics. And at the university setting, where political theory resides, it has been generally dominated by middle class, academic, and reformist tendencies. There is little thinking through of this dynamic in the movement. At its worst, there is a sloppy linkage between any theory–even revolutionary theory — and academia, which only destroys the past tradition of oppressed people who fought so bravely to acquire the freedom to read, theorize strategies of struggle and liberation on revolutionary terms.

Privilege theory is completely divorced from a revolutionary tradition. I have yet to meet Privilege theorists who hold classes on revolutionary politics with unemployed people, with high school drop outs, with undocumented immigrants etc. Privilege theory’s fundamental assumption exposes its proponents class background when they claim that theoretical-political knowledge is for people who come from privileged backgrounds. That is true if the only place you develop that knowledge is in universities. Privilege theorists have not built the schools the Communist Party did in the 1930s or the Panthers did in the late 1960s. These were not official universities, but the educational institutions developed by the oppressed for the oppressed.

They claim that to act in militant ways or to theorize is the luxury of the privileged. This actually leaves no solution for freedom for the oppressed. The theory that the oppressed cannot theorize or struggle militantly is the theory of an elite who see the oppressed as helpless and stupid. It is the oppressed who must theorize and must eventually overthrow capitalism. They actually have the power.

Political mistakes as seen by Privilege theory roots in the privileges a given person has. Usually the person is asked to check their privileges as a way to realize whatever political mistake. This obscures political and organizational conversations, instead diverting the conversation into unmeasurable ways of addressing politics. How do we know this person has checked their “privilege”? By what political and organizational means can we hold this person accountable?

The more important tasks are what is the political program, what organizing does the group actually do, are people of color (or any other oppressed group) developed as revolutionaries and through development they too are leaders of the group/ movement.

The Politics of Retreat

Privilege theory has only come to dominate the movement in the last twenty years or so. In the United States the last forty years has been a period of massive retreat in militancy and revolutionary politics. The rise of privilege theory cannot be separated from the devastation of mass movements. It is in this context that privilege theory has risen.

Privilege theorists are a generation who have never known mass and militant struggle. They are a generation who have never seen the masses as described in Frantz Fanon’s Towards the African Revolution. They have never met an oppressed people who have simply stated, I will either live like a human or die in struggle. I do not know if they have been in rebellions where very oppressed people choose to fight the police and other oppressors risking imprisonment and much worse. Have they seen such a people? Is there any doubt it is only a people who are willing to go this far who have any chance of defeating white supremacy?

Privilege theory thrives off the inactivity of the masses and oppressed. They seek only to remind the masses of its weaknesses. Instead of immortalizing fallen sheroes they only lament of the tragedy of the dead. Perhaps it is better to be beaten and killed in struggle then to die on your knees like so many have in the past 50 years. Who does not live on their knees today? Humiliation by the police, humiliation by the boss, humiliation everywhere we go.

Ironically these privilege theorists who claim to be representatives of the underprivileged tokenize and trivialize the struggles of the past. They name drop past struggles only to argue that the conditions are different today. They fail to recognize that “the conditions are not right for struggle” is an old argument going back hundreds of years constantly reminding the oppressed to delay revolution and mass struggle. Who is willing to tell the oppressed, “the system sees you as a dog. Only when you struggle on the terms of life and death will you achieve humanity.” Every fighter in the past has known this. The privilege theorists are afraid to accept from where human freedom comes from.

Every struggle for freedom carries the risk of death imposed on the oppressor or the oppressed. It is a universal reality. There was a time when Harriet Tubman simply told all slaves that. Ironically, she is lionized today, but her life and wisdom have no practical political lesson for revolutionaries other then tokenizing this brave Black woman.

I simply state: those who speak of privilege are reformists. Their only task is to remind oppressed people of what it cannot do and what it has to lose. The privilege theorists have not lived in an era of rebellions and revolutions. They are far removed from the days when Black and Brown worker-unemployed militants shook 1968. Such privilege theorists cover their own tracks by hiding behind the risks which the proletariat must take. No doubt, deportation, imprisonment, and certainly death are at stake. Is the price of freedom and human recognition be any else?

When any militant action or militant politics is proposed in a meeting, privilege theorists are the first to stand up and remind those at the meetings that only those with such and such privilege can participate in such and such militant action. That the oppressed has no such luxury in participating in militant actions.

Gone are the days when revolutionaries such as Harriet Tubman simply stated that human live was meant to be lived in freedom or not at all. That existential proclamation of humanity has been lost to fear and political degeneration. Those are the stakes. There is no denying that militancy and revolution are a grave risk for the oppressed. The struggles of the past are littered with corpses and destroyed lives.

If capitalism, patriarchy, white supremacy, imperialism, ableism, homo and transphobia can only be destroyed by the most violent, militant, and revolutionary means, what other option then all out struggle do oppressed people have. What say the Privilege theorists? Is there any other strategy? Voting for the Democrats?

My experiences in the POC Space

The People of Color Working Group at Occupy Wall Street in New York City was certainly a testing ground for the effectiveness of Privilege theory. One of the most contentious issues was the question of Queer politics where some members of the working group argued that being Queer had nothing to do with being a person of color. The argument tended then to dissolve in people saying those members did not recognize their straight or male privilege. This ignored the reality that not all straight men of color agreed with the anti-Queer politics put forward, but more importantly that there should been a discussion of program and organization.

In terms of program, the working group could have struggled to put out a document which stated that the POC Working Group is against anti-Queer politics. That seems simple enough. And in fact, if memory serves me correct this was eventually done. However politics must always be enforced or otherwise they are just empty words on a piece of paper.

This brings us to the organizational dimensions of the discussion which as far as I am aware of were never discussed. Once a group of people agree to something, what are the repercussions when someone violates that set upon agreement? This is a question which has no easy solutions. In a tightly knight organization, the person could be kicked out. But OWS has a very open and fluid organizational structure. Hell, it cannot even be called an organization in sensible way. This poses serious problems. At the same time it seems OWS can ban people from the space as seen in the discussion around the Spokes Council and the decision to ban folks who are violent.

Another problem in the POC Working Group was that few if any people had a revolutionary pedagogy in teaching others about the relationship of Queer oppression to POC oppression. Attempts to address the question were left to accusations that some were not recognizing their straight privilege, or informal discussions with little historical or theoretical discussion of the questions. It simply was not enough to bridge the political differences. The inability to come to terms with such questions seems to have alienated many people, further hampering whatever possibilities of unity in the POC Working Group.

A Concrete Example and a Possible Alternative

There is no denying that if Graduate students from Columbia or NYU demanded that workers at a McDonald’s go on strike for the upcoming May 1st meeting it would be a preposterous politics. Grad students at these two institutions have huge autonomy. If they are not teaching or if they have class on May 1st, missing it is going to be of little or no consequence. If they teach, cancelling class is also an option with much less consequences for going on strike. It is absolutely correct that the stakes are different for workers at McDonalds. At best they can request the day off, but that is hardly in the spirit of going on a one day strike. If they do not go into work that day and they were on schedule, they could risk losing their job in an already poor economy.

Privilege theorists would focus on the privilege the Grad Students have which blocks them from recognizing the political or organizational problems. It is almost as if the Privilege theorists are divorced from concretely thinking through the organizational and political tasks required to ultimately have McDonald workers going on a general strike. That is the point of organizing isn’t it? So, yes the dangers of going on strike are huge for McDonald workers. How do we make it so that the McDonald workers can enforce their class power on the boss and the company? That is something you never hear the Privilege theorists discuss.

I am not a full expert on the rise of Privilege theory in academia. But one can wonder if people like Peggy McIntosh or Tim Wise have ever had to organize. Obviously many organizers today are major Privilege theorists. Instead of finding militant and political solutions to problems of the most oppressed, I see them pointing out sociological realities as I mentioned earlier. Unfortunately, organizing is not a Grad School sociology class. Organizing means class struggle–with all its different subjectivities– and revolution.

Conclusion

The implications of Privilege theory run much deeper then what has been addressed in this small essay. While they have not been addressed, some of the best readings regarding this are the works of Frantz Fanon. He sharply dealt with the very question of being a human being in light of the color of his skin, in relationship to the anti-colonial struggle, and the desire to forge a common human-bond.

The purpose of this essay has been to challenge the framework of Privilege theory. This theory fails in its ability as a theory of struggle and actual emancipation of oppressed people. In fact, it locks in people in the very categories capitalism assigns them by only focusing on their oppressed category: whether it be Black, woman, Queer, worker or student. It fails to develop actual politics, organizations and strategies of liberation, because it was never meant to do that. Privilege theory is the politics of radical sociology attempting to struggle.

Privilege theory forces serious discussion of revolutionary politics, organization and strategy out. Forms of oppression obviously mean different risks depending on who you are, but what solutions does Privilege theory offer? It is only the revolutionary tradition which offers a way forward so oppressed people, through their own militancy and politics, can destroy all the things which oppress them.

Appendix

Our generation has few older revolutionaries to learn from. Their wisdoms are largely being forgotten as they pass away. For this purpose, I paraphrase a conversation I recently had with an ex-Black Panther. I outlined the basic points of this article and his responses were the following. They are brief, but I believe outline some important questions revolutionaries of our generation should think through. At times there are contradictory pieces of advice, but helpful none the less.

First this Panther was against politics of guilt. The Panther felt that privilege theory created such a situation and people who are guilty are not good revolutionaries. The Panther off handedly also mentioned the politics of guilt are the bedrock of the Catholic Church.

Second, the Panther said that you should just “fuck’ em” when negative racial incidents happen. It is about remembering people who make you feel that way do not deserve your respect and attention–so “fuck’em”. This could also be read as simply having thick skin.

Third, the Panther said that one should not focus on the little things. That the goal of politics is to achieve big things: general strikes, smashing the state, getting rid of the police, ending patriarchy etc. Perhaps the Panther was also saying out organize such people. Make them irrelevant by your organizing skills.

Fourth, the Panther said that there has been a rightward shift in all aspects in the United States for over thirty years. Such interactions are bound to happen. People are a part of this society.

Last, the Panther went on to explain the importance of keeping your dignity. It was not clear why the Panther brought up this point. The Panther said if someone is ignoring you because of your gender, class, or race; clear your throat, or directly go up to them and say, “excuse me, but I believe we have the following things to talk about.” But keeping your dignity seemed important.
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Re: The censorship of the thin-skinned self-righteous

Postby seemslikeadream » Sat Oct 04, 2014 12:35 am

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Nobody Promised You A Life Unoffended

By Gordon. Published on June 11, 2014 37

Anybody else remember the heady days of dial-up IRC? It was an absolute lifeline for teenage Gordon to realise there were other weirdos out there. Welcoming weirdos, for the most part. (Too welcoming in one guy’s case.)

I shudder to think what teenage Gordon would find in today’s digital climate. When did we all become such massive dicks? The instant we find something that isn’t a 100% confirmation of our existing worldview, we all take to facestalk and fizz with impotent consternation.

Here’s a disclosure.

I disagree with probably most of what I read in the magical internet. Why do you think I read it in the first place? Isn’t that what we all do? Isn’t that the point? If you have enough time to only consume stuff you agree with and then even more time to overreact to anything that slightly deviates from it then, humbly, you need to look at how you are spending your incarnation.

At the moment it’s all so toxic. Even apparently non-hostile topics like money or cursing are presented in such a shouty way, like it’s already halfway through an argument: THIS IS WHAT I BELIEVE AND YOU CAN ALL GET FUCKED. And not only is that toxicity painful for the people involved in it, it also stifles some of the quieter voices… And they are often my favourite. (Quiet ones: email me, I miss you.)

I appreciate that things are pretty fucked right now. As mentioned in the Archonology series (on hiatus lest I go insane), on a psychic level we are experiencing what I can only characterise as ‘cooking the frog’. Magical folk must, by definition, feel this more than most. America seems to have achieved the dubious paradox of ascending to full police state while simultaneously having its most vulnerable members of society gunned down in mass shootings. (Surely the one good thing about a police state is that this doesn’t happen?)

As for Europe… well, what elections were you watching?

But no, let’s take to facestalk and shriek about trigger warnings and dark fluff because someone out there does not share our opinion. (On. The. Internet.) . Check this out. I get a frisson of discomfort from the characterisation of ‘trans activists’ as some kind of homogeneous group and possibly a slightly creepy use of speech marks. Do you think I should impotently fizz about it, or mention it and ask your opinion? Because I find Savage’s perspective hugely valuable.

Popular sex columnist Dan Savage finally gave a response to critics who had attacked him for using the word tranny in the context of a discussion about whether tranny was a hateful word.
During a moderated discussion at the University of Chicago’s Institute of Politics (IOP) last month, Savage had explained why he stopped using the word tranny, which he viewed as offensive to some in the LGBT community. He had to actually say the word to make his point, however, and that triggered a transgender person in the audience—a person named Hex who identifies as an “it.” Hex interrupted the discussion and demanded that Savage stop saying tranny, a word that made it feel unsafe.
Numerous free speech enthusiasts and civil libertarians defended Savage. He has now given a defense of his own. He began by summarizing what happened, from his perspective:

I asked the student who objected if it was okay for me to use the words “dyke” and “sissy.” After a moment’s thought the student said I could use those words—permission granted—and that struck me a funny because I am not a lesbian nor am I particularly effeminate. (And, really, this is college now? Professors, fellows, and guest lecturers need to clear their vocabulary with first-year students?) By the not-your-word-to-use standard, I shouldn’t be able to use dyke or sissy either—or breeder, for that matter, as that’s a hate term for straight people. (Or maybe it’s an acknowledgment of their utility? Anyway…)
This student became so incensed by our refusal to say “How high?” when this student said “Jump!” that this student stormed out of the seminar. In tears. As one does when one doesn’t get one’s way. In college.

Savage saluted IOP for refusing to play speech police and censor future speakers—something trans activists demanded after the kerfuffle. He also demanded an apology from Hex and its friends, who have accused Savage of hate speech against trans people.
Something has gone awry when Dan Frikking Savage is accused of using hate speech in a speech about how he doesn’t use hate speech. We can disagree but we must be civil. Or at least I must be civil. That is a directive from my savage gods.

Let me be clear.

If you practice magic then I am your ally. I will pray and enchant for your happiness. It’s likely we will disagree about everything after that first step of practising magic and I love that even more. Because if you have taken the sovereign decision to explore your consciousness and the non physical then we are kin. End of.

And I don’t treat kin the way we are currently treating each other. So I’m probably taking a break for a bit.

Here, have a mantra:

Aham prema – I am divine love

I use this every morning at the top of my crumbling tower in the middle of the Hellmouth.

Silently vibrate it until you ‘catch the signal’.
Chant out loud, ramp that signal up until you glow with rose-gold-inflected white light.
Emanate that light in all directions, while continuing to chant.
Advanced option: try and direct that light into facestalk and see what happens. Which medium offers more resistance? The actual world or facestalk.
When you stop confusing comfort with happiness you will find at least one of them. I genuinely love you weirdos. Play a bit nicer, maybe.

Saint Martin says so.
Mazars and Deutsche Bank could have ended this nightmare before it started.
They could still get him out of office.
But instead, they want mass death.
Don’t forget that.
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Re: The censorship of the thin-skinned self-righteous

Postby jakell » Sat Oct 04, 2014 5:38 am

sorry to snip, but I wanted to focus on this part:

stefano » Fri Oct 03, 2014 9:32 am wrote:..snip....
Searcher08 » Thu Oct 02, 2014 8:38 pm wrote:There is also the censorship of turning anything within one's personal catchment area into a single issue focus, which can become as much a means of control and suppression as 'gaming' and spamming.

Right. But, politically, it seems to be about three issues especially: anti-Semitism, racism and gender issues. I think this board is familiar enough with the use of anti-Semitism as a tool of censorship that it doesn't need elaborating on. Racism and gender issues are used in similar ways, although accusations tend to be more spontaneous and less professionally co-ordinated than in the case of bogus anti-Semitism charges (which is why I find it interesting that you mention an "establishment anti-racism eco-system"). As with anti-Semitism, public figures are so sensitive to the charge, especially in academia, that they tend to avoid controversial or even interesting work for fear of being slandered. For the same reason, third parties are reluctant to rush to the defence of those so accused. The worst are filled with a passionate intensity, and the upshot is a cultural and intellectual landscape of the most uniform blandness, with an easily-offended crowd there to be goaded through Twitter and Facebook and Tumblr to start shouting at anyone who approaches a sensitive or complicated subject.

More broadly I feel that the left's increasing rejection of liberal values - it's not what it was in the days when European socialists were defending Joe Stalin, but it does seem to be on the up - plays a major role in Europe's turn to the right.


I think a few are noticing how constricting this landscape has become, and that the only relatively clear air is to be found in areas that have previously been proscribed, a stark example of this is the recent output of Red Ice Radio. It's fairly plain to me that the direction he is taking is in line with it's stated objectives ('to boldly go' etc), and the only objection I might raise is how far he is traveling in that direction
" Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism"
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Re: The censorship of the thin-skinned self-righteous

Postby stefano » Mon Aug 07, 2017 3:36 pm

The Toxic Drama on YA Twitter

Young-adult books are being targeted in intense social-media callouts, draggings, and pile-ons — sometimes before anybody’s even read them.
By Kat Rosenfield

The Black Witch, a debut young-adult fantasy novel by Laurie Forest, was still seven weeks from its May 1 publication date, but positive buzz was already building, with early reviews calling it “an intoxicating tale of rebellion and star-crossed romance,” “a massive page-turner that leaves readers longing for more,” and “an uncompromising condemnation of prejudice and injustice.”

The hype train was derailed in mid-March, however, by Shauna Sinyard, a bookstore employee and blogger who writes primarily about YA and had a different take: “The Black Witch is the most dangerous, offensive book I have ever read,” she wrote in a nearly 9,000-word review that blasted the novel as an end-to-end mess of unadulterated bigotry. “It was ultimately written for white people. It was written for the type of white person who considers themselves to be not-racist and thinks that they deserve recognition and praise for treating POC like they are actually human.” [Shauna Sinyard is white.]

The Black Witch centers on a girl named Elloren who has been raised in a stratified society where other races (including selkies, fae, wolfmen, etc.) are considered inferior at best and enemies at worst. But when she goes off to college, she begins to question her beliefs, an ideological transformation she’s still working on when she joins with the rebellion in the last of the novel’s 600 pages. (It’s the first of a series; one hopes that Elloren will be more woke in book two.)

It was this premise that led Sinyard to slam The Black Witch as “racist, ableist, homophobic, and … written with no marginalized people in mind,” in a review that consisted largely of pull quotes featuring the book’s racist characters saying or doing racist things. Here’s a representative excerpt, an offending sentence juxtaposed with Sinyard’s commentary:

“pg. 163. The Kelts are not a pure race like us. They’re more accepting of intermarriage, and because of this, they’re hopelessly mixed.”
Yes, you just read that with your own two eyes. This is one of the times my jaw dropped in horror and I had to walk away from this book.

In a tweet that would be retweeted nearly 500 times, Sinyard asked people to spread the word about The Black Witch by sharing her review — a clarion call for YA Twitter, which regularly identifies and denounces books for being problematic (an all-purpose umbrella term for describing texts that engage improperly with race, gender, sexual orientation, disability, and other marginalizations). Led by a group of influential authors who pull no punches when it comes to calling out their colleagues’ work, and amplified by tens of thousands of teen and young-adult followers for whom online activism is second nature, the campaigns to keep offensive books off shelves are a regular feature in a community that’s as passionate about social justice as it is about reading. And while not every callout escalates into a full-scale dragging, in the case of The Black Witch — a book by a newcomer with a minimal presence online — the backlash was immediate and intense.

Based almost solely on Sinyard’s opinion, the novel became the object of sustained, aggressive opposition in the weeks leading up its release. Its publisher, Harlequin Teen, was bombarded with angry emails demanding they pull the book. The Black Witch’s Goodreads rating dropped to an abysmal 1.71 thanks to a mass coordinated campaign of one-star reviews, mostly from people who admitted to not having read it. Twitter threads damning the novel made the rounds, while a Tumblr post instructing users to “be an ally” and signal boost the outrage racked up nearly 6,000 notes. Sinyard kept a running tally of her review’s circulation; “11,714 views on my review of THE BLACK WITCH and .@HarlequinTEEN and .@laurieannforest have not commented,” she tweeted. (That number eventually swelled to 20,000.)

Positive buzz all but died off, as community members began confronting The Black Witch’s supporters, demanding to know why they insisted on reading a racist book. When Kirkus gave the novel a glowing starred review, dozens of commenters demanded a retraction; the uproar was so intense that Kirkus ran a follow-up essay by editor Vicky Smith on the difference between representation and endorsement: “The simple fact that a book contains repugnant ideas is not in itself, in my opinion, a reason to condemn it,” Smith wrote. “Literature has a long history as a place to confront our ugliness, and its role in provoking both thought and change in thought is a critical one.”

“Mimi” (not her real name), a teen book blogger with a follower count in the thousands and who describes herself as “a huge fantasy reader,” was among those who had been looking forward to The Black Witch — and she was initially thrilled to see Sinyard, an influential voice in the community, pick up the book. “I was really excited for what she was going to say about it. I thought it was going to be 600 pages of epic-ness,” she says. But her excitement soured when she caught wind of the book’s issues; just reading the sentences collected in Sinyard’s review and Twitter threads was painful, she says: “It hit me really hard. I’m so upset about it. It was very hurtful, and very, like, just harmful and triggering.”

The harm Mimi describes is central to campaigns like the one against The Black Witch, which are almost always waged in the name of protecting vulnerable teens from dangerous ideas. These books, it’s claimed, are hurting children.

But a growing number of critics say the draggings, well-intended though they may be, are evidence of a growing dysfunction in the world of YA publishing. One author and former diversity advocate described why she no longer takes part: “I have never seen social interaction this fucked up,” she wrote in an email. “And I’ve been in prison.”

Many members of YA Book Twitter have become culture cops, monitoring their peers across multiple platforms for violations. The result is a jumble of dogpiling and dragging, subtweeting and screenshotting, vote-brigading and flagging wars, with accusations of white supremacy on one side and charges of thought-policing moral authoritarianism on the other.
Representatives of both factions say they’ve received threats or had to shut down their accounts owing to harassment, and all expressed fear of being targeted by influential community members — even when they were ostensibly on the same side. “If anyone found out I was talking to you,” Mimi told me, “I would be blackballed.”

Dramatic as that sounds, it’s worth noting that my attempts to report this piece were met with intense pushback. Sinyard politely declined my request for an interview in what seemed like a routine exchange, but then announced on Twitter that our interaction had “scared” her, leading to backlash from community members who insisted that the as-yet-unwritten story would endanger her life. Rumors quickly spread that I had threatened or harassed Sinyard; several influential authors instructed their followers not to speak to me; and one librarian and member of the Newbery Award committee tweeted at Vulture nearly a dozen times accusing them of enabling “a washed-up YA author” engaged in “a personalized crusade” against the entire publishing community (disclosure: while freelance culture writing makes up the bulk of my work, I published a pair of young adult novels in 2012 and 2014.) With one exception, all my sources insisted on anonymity, citing fear of professional damage and abuse.

None of this comes as a surprise to the folks concerned by the current state of the discourse, who describe being harassed for dissenting from or even questioning the community’s dynamics. One prominent children’s-book agent told me, “None of us are willing to comment publicly for fear of being targeted and labeled racist or bigoted. But if children’s-book publishing is no longer allowed to feature an unlikable character, who grows as a person over the course of the story, then we’re going to have a pretty boring business.

Another agent, via email, said that while being tarred as problematic may not kill an author’s career — “It’s likely made the rounds as gossip, but I don’t know it’s impacting acquisitions or agents offering representation” — the potential for reputational damage is real: “No one wants to be called a racist, or sexist, or homophobic. That stink doesn’t wash off.”

Authors seem acutely aware of that fact, and are tailoring their online presence — and in some cases, their writing itself — accordingly. One New York Times best-selling author told me, “I’m afraid. I’m afraid for my career. I’m afraid for offending people that I have no intention of offending. I just feel unsafe, to say much on Twitter. So I don’t.” She also scrapped a work in progress that featured a POC character, citing a sense shared by many publishing insiders that to write outside one’s own identity as a white author simply isn’t worth the inevitable backlash. “I was told, do not write that,” she said. “I was told, ‘Spare yourself.’ [Some other people might remember that Jonathan Franzen got shit for saying in an interview that he hadn't written an important black character into Purity because he didn't feel qualified to.]
...
At the height of the pushback against The Black Witch, Forest was being derided as a Nazi sympathizer and accused of palling around with white supremacists, while those who questioned the tone of the discourse were rebuked for coded bigotry.)

The diversity-in-publishing debate is very much at the root of the outrage when it comes to campaigns like the one against The Black Witch, reflecting larger dissatisfaction with an industry that’s overwhelmingly white at just about every level. The multiyear push for more diverse books has yielded disappointing results — the latest statistics show that authors of color are still underrepresented, even as books about minority characters are on an uptick — and while the loudest critics demanded that The Black Witch be dropped by its publisher, others simply expressed exhaustion at the ubiquity of books like it. In a representative tweet, author L.L. McKinney wrote, “In the fight for racial equality, white people are not the focus. White authors writing books like #TheContinent or #TheBlackWitch, who say it’s an examination of racism in an attempt to dismantle it, you. don’t. have. the. range.” (McKinney did not respond to multiple interview requests.) [LL McKinney, who is black, has not yet been published but her debut book is expected out in 2018. It has an average rating of 4.8/5 on Goodreads, by 101 reviewers, not one of whom has read a page of it.]

Still, the interpretation of Forest’s novel as a 600-page paean to anti-miscegenation seems rare among those who’ve actually read it. On Amazon, where the book is currently rated 4.3 stars out of 5, reviews generally agree that the book is firmly anti-prejudice, and that Elloren’s long slog in the direction of enlightenment is a realistic depiction of the process by which an indoctrinated person begins to expand her worldview. (There, the most common criticism is that the book’s message of tolerance is heavy-handed.) However, just reading a so-called problematic book in order to judge its offensiveness for oneself is considered by many to be beyond the pale.
...
Mimi, the teen blogger who had once been so excited about The Black Witch, was among those who urged others to avoid the book, writing on her website and Twitter about the emotional pain it had caused her. She still hasn’t read it, and doesn’t plan to; she feels that Sinyard’s review tells her all she needs to know. “I trusted her take on it. She showed pictures from the book, and certain passages in the book, so it’s not like she was making it up,” Mimi says. And in the wake of the book’s release on May 2, Mimi is upset by the lack of response from Harlequin and galled by descriptions of the novel as pro-diversity and anti-prejudice. “I wanted the author and publisher to understand that there were people who were hurt by this,” she says. “But [Forest] says her book is for diversity, anti-homophobia, anti-racism, and it’s poking fun at all of us, like we did this all for nothing.”
...
It’s also a process in which tough questions lie ahead — including how callout culture intersects with ordinary criticism, if it does at all. Some feel that condemning a book as “dangerous” is no different from any other review, while others consider it closer to a call for censorship than a literary critique. Francina Simone, for one, falls firmly in the latter category. “People seem to want these books to validate them, and that’s almost completely impossible,” she says. “It would be like me watching The Simpsons and saying, ‘It’s harmful to me, take it off the air.’ It’s baffling. People pretend as if there is no off switch. [The idea] that it shouldn’t be in the public atmosphere — I find it extremely funny that people don’t think that’s censorship.”

And even if it becomes an article of faith that certain books are harmful and shouldn’t exist, how to adjudicate the claims of harm is a question nobody seems able to answer. During our conversation, the ambivalent agent suggests that Twitter shaming is called for “when someone is resistant and won’t acknowledge when they’ve clearly made a mistake,” but hedges on the question of who gets to decide what a clear mistake looks like, or when an authorial decision is a shaming-worthy offense:

“I don’t have an easy answer to that. The problem with these sorts of conversations and debates online is that as soon as an accusation is made, the burden of proof is put on the accused party. You can make all sorts of allusions to The Crucible. I don’t know what needs to be done. I’m certainly not happy with how it plays out.

“But,” he adds, “I don’t think the answer is to have everyone shut up and not criticize it.”

Twitter being Twitter, that outcome seems unlikely. In recent months, the community was bubbling with a dozen different controversies of varying reach — over Nicola Yoon’s Everything Everything (for ableism), Stephanie Elliot’s Sad Perfect (for being potentially triggering to ED survivors), A Court of Wings and Ruin by Sarah J. Maas (for heterocentrism), The Traitor’s Kiss by Erin Beaty (for misusing the story of Mulan), and All the Crooked Saints by Maggie Stiefvater (in a peculiar example of publishing pre-crime, people had decided that Stiefvater’s book was racist before she’d even finished the manuscript.)
...

So very religious.

“It would be like me watching The Simpsons and saying, ‘It’s harmful to me, take it off the air.


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Re: The censorship of the thin-skinned self-righteous

Postby stefano » Tue Aug 08, 2017 11:07 am

SAN FRANCISCO — Google on Monday fired a software engineer who wrote an internal memo that questioned the company’s diversity efforts and argued that the low number of women in technical positions was a result of biological differences instead of discrimination.
...
James Damore, the software engineer who wrote the original memo, confirmed in an email to The New York Times that he had been fired. Mr. Damore had worked at Google since 2013. He said in his memo that he had written it in the hope of having an “honest discussion” about how the company had an intolerance for ideologies that do not fit into what he believed were its left-leaning biases.


The memo is here. It doesn't argue that low representation of women is "a result of biological differences instead of discrimination" - he says there are biological differences, but also that there is sexism and that the company ought to be more diverse. Seems perfectly straightforward to me, and even if you don't think so, forcing the guy out of a job is extreme.
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Re: The censorship of the thin-skinned self-righteous

Postby brekin » Tue Aug 08, 2017 1:54 pm

stefano » Tue Aug 08, 2017 10:07 am wrote:
SAN FRANCISCO — Google on Monday fired a software engineer who wrote an internal memo that questioned the company’s diversity efforts and argued that the low number of women in technical positions was a result of biological differences instead of discrimination.
...
James Damore, the software engineer who wrote the original memo, confirmed in an email to The New York Times that he had been fired. Mr. Damore had worked at Google since 2013. He said in his memo that he had written it in the hope of having an “honest discussion” about how the company had an intolerance for ideologies that do not fit into what he believed were its left-leaning biases.

The memo is here. It doesn't argue that low representation of women is "a result of biological differences instead of discrimination" - he says there are biological differences, but also that there is sexism and that the company ought to be more diverse. Seems perfectly straightforward to me, and even if you don't think so, forcing the guy out of a job is extreme.


Yeah, his manifesto is actually tame stuff, kind of a reasonable and sympathetic undergrad engineering major forced to write a term paper for a required gender studies class. A lot of his thoughts many women in a psychology college class would probably agree with if presented with such trends. Most of of it is easily condensed into misrepresenting twitter triggers though for the 1 minute news cycle. Some of his musings (and basically it's just one guys musings looking around at a pretty insular and non-typical environment) are obviously leaky, women preferring lower stress jobs (nursing & medicine hello?) but some/most of it makes pretty much common sense, but no doubt should have, (if he discussed with his spouse or reasonable colleague before hand, one imagines would have), been diverted to his personal blog which no one would have read. Although, me thinks, this guy might have been prepping for such a legal-cultural wars-martyrdom and this was his Martin Luther moment.

The bigger, mostly unstated irritants, I think were:

1. He, being (I assume) a straight white male in a white collar profession, (tech especially being the last bastion of the rich, intelligent but maybe out-of-touch, content perma-adolescent, nerdy white guy), spoke his mind openly on the taboo subject at a very poor performing time in tech with harassment, diversity and inclusion issues.
2. He brought up shame culture and the retaliatory nature of it.
3. After being regularly indoctrinated about such issues he dared present back his view/critique when his place is to just listen, self flagellate and atone.
4. He brought up the b-word, "Biology", albeit gingerly, non-noncommittally, and inconclusively that it could have something, possibly, with some members of a sex and their behavior. He obviously has been too busy dicking around with coding or whatnot at Google to know that, hello! Biology = Oppression now, you darwinian-technocratic-eugenic-medievalist!
5. But most troubling was that he put forth that the present "cure" might just be part of the greater malady - which someone of a supposed/actual, marginalized/protected/exploited class could find fault with - hence afflicting psychological trauma on them.

And of course ironically, after years of Google yammering on about gender:

In an email titled “Our Words Matter,” Mr. Pichai said that he supported the right of employees to express themselves but that the memo had gone too far. “The memo has clearly impacted our co-workers, some of whom are hurting and feel judged based on their gender,” Mr. Pichai wrote. “Our co-workers shouldn’t have to worry that each time they open their mouths to speak in a meeting, they have to prove that they are not like the memo states, being ‘agreeable’ rather than ‘assertive,’ showing a ‘lower stress tolerance,’ or being ‘neurotic.’”


It has become a thing that people can't agree on. This is bad news for Google, though, because PR and work a day wise anyone who examines further than the tweet headline will see that Google, no stranger to censorship and glass bubble creation, is appearing to start a sacrificial cycle in the attempt to gain purity, for mostly appearances sake and the minders fearing "this could go too far with those who don't know how to think". It's like a dictator saying we are very progressive in my country, anyone caught being intolerant or insensitive we execute. And they are acquiescing to those who are the most reactive at the expense of politically quirky, slightly out of touch, socially and cultural clue wise often a bit misfitty, engineer types who are very reliable in other core areas, but not social engineering manifestos. You really don't want that set switching anxiously from their apolitical diversionary activities of anime, cosplay, and gaming to bone up on their Ayn Rand, Jordan Peterson, Camille Paglia, et al. to engage in the cultural wars.

Edited to add Creed's Blog.

If I knew all mysteries and all knowledge, and have not charity, I am nothing. St. Paul
I hang onto my prejudices, they are the testicles of my mind. Eric Hoffer
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