Moderators: Elvis, DrVolin, Jeff
Novem5er wrote:Interesting poster. What's it from? I can only hope it's from movie or TV production . . .
82_28 » Thu Jul 21, 2016 4:26 pm wrote:
EDIT: That is a period ad from the early to mid 80s. I had some quack prescribe me that shit and I had "paradoxical side effects" from it. I only took a low, low dose of it and it made me feel like I was tripping. Took it only once. But benzos were huge back then. Something inside me fought back from the "calming" properties. I am a really calm person actually, but damn that shit was pushed on people like crazy back then.
brekin » Thu Jul 21, 2016 4:30 pm wrote:Novem5er wrote:Interesting poster. What's it from? I can only hope it's from movie or TV production . . .
If you like Hawkins, Indiana, you are going to love Scarfolk:
Scarfolk Council
http://rigorousintuition.ca/board2/view ... 81#p569630
Novem5er » Thu Jul 21, 2016 3:16 pm wrote:Interesting poster. What's it from? I can only hope it's from movie or TV production . . .
Nostalgia is a thing now.
Yes, nostalgia is a thing now. That’s the perfect—I hear people asking, is that a thing now? And it’s interesting because it being set in 1983, and I remember that year. It was a more innocent time. Well, yes and no. It was the Reagan administration. I remember being in school when Reagan made ketchup a vegetable, because you would get the tater tots and the fish sticks, and then ketchup as your vegetable. And there was obviously corruption and government conspiracies going on, which I’m a believer in, I guess you could say.
Any specific government conspiracies?
I’m just highly suspicious. Maybe it was just the house I grew up in. It’s weird. The government actually came up with the phrase “conspiracy theory,” so it would sound like just a theory during the Pentagon Papers. My parents were very active in the ’60s. It’s pretty common knowledge what was going on.
I remember when Occupy Wall Street happened, and my dad went down there, and they were taking videos just like they used to—the thing that Hoover did. There’s a great documentary on Netflix called 1971 about this group that was never caught that broke into an FBI thing who released all these papers, and it was literally, “Spy on this woman’s group at this college,” really crazy, and “take photographs.” And they were doing that with Occupy Wall Street. There were people in there that were planted taking photos.
In my household, we were raised not to believe the mainstream press. But you don’t want to just listen to one source. And it’s still that way I feel. It’s just been such a hard couple of weeks, when Orlando happened, you go to CNN because you know that CNN is the most level-headed and it’s like Terror Alert in these huge letters—it’s hard to get a more neutral take. But now with the Internet—I do wonder sometimes if part of me didn’t want to have kids because it’s such a crazy world. You really can’t control what they see.
Netflix’s new streaming series “Stranger Things” is a fantastic voyage through ‘80s sci-fi, horror, teen romance and paranormal tropes. I gorged on all eight episodes in two days after its July 15 release, in part because the show — about the odd disappearance of a little boy and the discovery of a suspicious government lab, slimy creatures and a stoic little girl in a small Indiana town in 1983 — is riddled with cliffhangers. But it’s also a noteworthy series because twin showrunners the Duffer Brothers effortlessly disperse so many clever meta references throughout each episode. They do this narratively (with winking nods to things like “Tales from the Darkside,” “E.T.,” “Poltergeist,” “The Goonies,” “Aliens,” “Altered States” and “Under the Skin,” as well as with actors Winona Ryder, Matthew Modine and River Phoenix doppelgänger Charlie Heaton), but they also really nailed their musical references.
Watching “Stranger Things” immerses you in the sounds and the soundtracks of the ‘80s. The Clash’s “Should I Stay or Should I Go” is a repeated theme here, and other nuggets such as New Order’s “Elegia” and Modern English’s “I Melt with You” encapsulate key scenes. But the musicians who really set the tone for “Stranger Things” are Kyle Dixon and Michael Stein of the synth band Survive. Dixon and Stein wrote the spectral theme song and the show’s spine-chilling synth score. As a result, they now have an avid social media following posting about their work.
Col. Quisp wrote:I don't understand why so many people like this show. So much screaming. So much overacting. Hyperactive children. I wanted to like Winona but I hated her in this. Is MKUltra really all about contacting Cthulhu?
Users browsing this forum: No registered users and 38 guests