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IanEye
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Post by IanEye »

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Seamus OBlimey
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Post by Seamus OBlimey »

Cute, isn't she?
By 1924 Riefenstahl's dance career was over after she suffered a serious knee injury. It was during her recovery period that her life would change forever when she saw one of the popular mountain films of Arnold Fanck. With characteristic determination and energy she set out to meet Fanck and talk him into offering her an acting role in his Der heilige Berg (The Holy Mountain, 1926). The film was well-received, and Riefenstahl made up her mind to stay with the relatively new medium of motion pictures. Over the next seven years she made five more films with Fanck. In Fanck's films Riefenstahl was often the only woman in a crew of rugged men who were devoted to adding the beauty and dangers of the still untouched high mountains onto their action-filled adventure films. Not only did she learn to climb and ski well, she also absorbed all she could about camera work, directing, and editing.

http://www.notablebiographies.com/Pu-Ro ... -Leni.html
theeKultleeder

Post by theeKultleeder »

Seamus OBlimey wrote:Cute, isn't she?
Sound like a feminist...

But, is "Triumph of the Will," recognized as a beautiful piece of film making, art or design?
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Seamus OBlimey
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Post by Seamus OBlimey »

Art or design?

I suppose it depends which side of the fence we're sitting on..

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