Re: Evidence of Revision: MLK
Posted: Tue Mar 30, 2010 10:23 pm
Just finished RFK. Did anybody else sob through that? That is singlehandedly the most powerful collection of film I have ever seen.
What you don't know can't hurt them.
https://www.rigorousintuition.ca/board2/
https://www.rigorousintuition.ca/board2/viewtopic.php?t=27653
Maybe he was expecting someone to meet him there? Maybe he was simply given a one-man job to do on his own while the other workers were reliably assigned elsewhere? (Just brainstorming here. Were his colleagues and bosses ever interviewed about the actual work-schedule in the TSBD on that day?)StarmanSkye wrote:Any thoughts on how the plotters could have insured LHO would be alone and unseen at the time of the shooting so no one could contradict his being framed, or conclusively saying he wasn't on the 6th floor during the shooting?
Thanks.
This in itself is strange. Oswald is allegedly preparing to kill a President, and yet he has the time & leisure & peace of mind (and strength of stomach!) to sit in a canteen four floors below, placidly eating lunch, only 15 minutes before the motorcade passes? What nonchalance! And how could he be sure the motorcade wouldn't arrive a little earlier? (Also, and not to put too fine a point on it: what if he'd needed to take a shit immediately after lunch?)Apparently, TSBD employee Bonnie Ray Williams left the sixth floor after his lunch break, leaving a paper sack of chicken bones, about 12:15-12:20 to join other workers on the fifth floor watching the motorcade. About the same time, employee Carolyn Arnold saw LHO in the 2nd floor lunchroom eating his lunch at 12:15.
Perhaps ironically he was given a task on the floor which had the worst view of the passing motorcade so as to insure that when the tsbd employees predictably gathered somewhere in the building to watch the motorcade they would go somewhere other than the 6th floor.Maybe he was simply given a one-man job to do on his own while the other workers were reliably assigned elsewhere?
I've often wondered if he realized he was a patsy while still at the Book Depository. He had to know the movements he had been directed to take for several years would make him a suspect in the assassination, and then we have the possible warning note to Hosty about a plot. If he did know immediately he had been set up his having an assignation in the theatre with one a handler would be exactly the wrong thing to do if he was trying to evade being captured and quietly "dealt with". Was he hanging on to the last vestiges of trust in his handlers or was he trying to be caught in a populated theatre and at least minimally protected from the forces seeking to frame him?streeb wrote:In general, as I understand it, Oswald would be following a schedule determined by his simultaneous Intelligence or whatever-it-was role. That is, he was where he was told to be at any given moment on that day. His behaviour at the Texas Theatre, fruitlessly going from seat to seat, indicates that he was supposed to meet somebody there. Whereupon the Dallas police flood through the door, and the other Oswald - who shot Tippit - leaves through the back.
Naturally, the controllers can't control everything, and witnesses emerged to defy the official rundown of events. But that's what the cover-up is for.
Of course, or at least most probably, we'll never know. He pulled a gun in the theatre (but it jammed). Why?? I suppose you could speculate that this was to guarantee his arrest and the minimal protection of the DP. But why the reportedly furtive search for his handler?I've often wondered if he realized he was a patsy while still at the Book Depository. He had to know the movements he had been directed to take for several years would make him a suspect in the assassination, and then we have the possible warning note to Hosty about a plot. If he did know immediately he had been set up his having an assignation in the theatre with one a handler would be exactly the wrong thing to do if he was trying to evade being captured and quietly "dealt with". Was he hanging on to the last vestiges of trust in his handlers or was he trying to be caught in a populated theatre and at least minimally protected from the forces seeking to frame him?