Re: Gold.
Posted: Wed Dec 21, 2011 11:42 am
http://www.24hgold.com/english/news-gol ... 6348G10020
Lost art of stained glass
The town of Chartres, France, boasts one of the finest and earliest example of gothic cathedrals. Its stained glass windows are the object of pilgrimage from the all over the world. The admiring pilgrims look at them in awe as they discover how their glow changes while the Sun journeys across the sky. Words cannot do justice to the deep burning blue, burgundy, purple among the many other colors. They must be seen to be believed.
Nor can they be duplicated, try as one may, with today's technology. There was something the medieval stained glass window makers have known that we don't. Their art is a lost art. For generations after generations its formula was handed down from fathers to sons. But the last member of the dynasty took the secret of blending these exquisite colors with him to the grave when he died. There was many an attempt to rediscover the lost secret - to no avail. No matter how much higher a level chemistry, physics, and other supporting sciences have reached today, the stained glass windows of Chartres are beyond comparison with the proudest achievements of modern science - and art.
Will the gold standard go the way of stained glass?
I want to sound the alarm. The art of the gold standard may go the way of the art of making stained glass windows in Chartres. Calling the gold standard an art is no exaggeration. It achieves as high a degree of harmony in the affairs of man as any other form of art, in addition to being a pillar of economic science. Now this art and science has become and endangered species. When my generation leaves the stage, the gold standard will be expunged from living memory. Young people will only know about the Golden Age of the gold standard what government-controlled schools will let them. Of course, governments like to pose as champions of preserving our intellectual heritage. That may be true, except when it comes to the gold standard which they treat as you would alchemy or astrology. Governments want to be thanked for delivering us from this 'barbarous relic'. They suggest that we should look at the gold standard with the same sense of shame as you would on vivisepulture or ius primae noctis. The gold standard sprang from superstition, they say. We don't want to be reminded of the fact that our ancestors fell under its spell. Their example could be contagious. We must cherish our 'progressive' paper money system that has freed us from the slavery of superstition.
Yet it is this way of looking at the gold standard that is backward, not the gold standard. It is the paper standard that is based on ignorance, not the gold standard. It is the regime of irredeemable currency that has enslaved savers and producers, not the gold standard. It was the sabotaging of the gold standard that caused the Great Depression, not the gold standard. There is no reason to be ashamed of our monetary heritage and to disown its greatest protagonists and practitioners: the schoolmen, Sir Isaac Newton, Adam Smith, among others. We should go out and pick up the pieces before they fall into oblivion.
Lost art of stained glass
The town of Chartres, France, boasts one of the finest and earliest example of gothic cathedrals. Its stained glass windows are the object of pilgrimage from the all over the world. The admiring pilgrims look at them in awe as they discover how their glow changes while the Sun journeys across the sky. Words cannot do justice to the deep burning blue, burgundy, purple among the many other colors. They must be seen to be believed.
Nor can they be duplicated, try as one may, with today's technology. There was something the medieval stained glass window makers have known that we don't. Their art is a lost art. For generations after generations its formula was handed down from fathers to sons. But the last member of the dynasty took the secret of blending these exquisite colors with him to the grave when he died. There was many an attempt to rediscover the lost secret - to no avail. No matter how much higher a level chemistry, physics, and other supporting sciences have reached today, the stained glass windows of Chartres are beyond comparison with the proudest achievements of modern science - and art.
Will the gold standard go the way of stained glass?
I want to sound the alarm. The art of the gold standard may go the way of the art of making stained glass windows in Chartres. Calling the gold standard an art is no exaggeration. It achieves as high a degree of harmony in the affairs of man as any other form of art, in addition to being a pillar of economic science. Now this art and science has become and endangered species. When my generation leaves the stage, the gold standard will be expunged from living memory. Young people will only know about the Golden Age of the gold standard what government-controlled schools will let them. Of course, governments like to pose as champions of preserving our intellectual heritage. That may be true, except when it comes to the gold standard which they treat as you would alchemy or astrology. Governments want to be thanked for delivering us from this 'barbarous relic'. They suggest that we should look at the gold standard with the same sense of shame as you would on vivisepulture or ius primae noctis. The gold standard sprang from superstition, they say. We don't want to be reminded of the fact that our ancestors fell under its spell. Their example could be contagious. We must cherish our 'progressive' paper money system that has freed us from the slavery of superstition.
Yet it is this way of looking at the gold standard that is backward, not the gold standard. It is the paper standard that is based on ignorance, not the gold standard. It is the regime of irredeemable currency that has enslaved savers and producers, not the gold standard. It was the sabotaging of the gold standard that caused the Great Depression, not the gold standard. There is no reason to be ashamed of our monetary heritage and to disown its greatest protagonists and practitioners: the schoolmen, Sir Isaac Newton, Adam Smith, among others. We should go out and pick up the pieces before they fall into oblivion.



