barracuda wrote:JackRiddler wrote:those aren't me...
That's fucked up, considering I'd already begun engaging in a rather elaborate fantasy involving those images and certain improbable events backstage at an imaginary 911 Truth symposium. Oh well, reboot.
barracuda, sicko: That I don't believe.
9/11 Truth: Gone Wild!*
Okay, okay, to help you with all this I image-searched my own name and on the fifth page or so, finally, I found a pretty good picture of myself speaking at one of the early symposiums:

* Note: I have now irreparably damaged a whole bunch of you who have actually been to any of these events. Sorry to make you imagine backstage combinations of your favorite speakers.
Actually, a certain disinfo faction already had the idea of combining hard-core porn (and scat) with their own, genuinely sick fantasies (no plane crash at WTC and apparently most everyone in New York who says they saw one was in on the plot). But the intent of that was, obviously, to alienate and discredit.
A group in San Diego did better, girls who took pinup shots of themselves in black "Truther" tank tops, but their level of research and message left something to be desired - the formula approximately was Loose Change + Ron Paul = Truth! Which, I'm sorry, is not sexay.
The Tilda is I think from a fantasy sequence in "Female Perversions," probably the only fiction feature film to be adapted from a feminist-psychoanalytic monograph of case studies. I highly recommend.
(If you want to write a column critiquing "America's Sweetheart," you should contrast Swinton's unnominated performance in Julia with the Bullockian cardboard mommie. They have the relative substance of an anvil falling on your head - how come those are always being dropped out of windows?! - and a wet kleenex.)
The Bowie (yes, Cordelia) is from The Hunger, one of the first neo-vampire mood thingies with an unlikely cast where he is debatably second or third-sexiest after Deneuve and Susan Sarandon.
Here my random assortment of thoughts ends.