The Magical Battle of Britain

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The Magical Battle of Britain

Postby American Dream » Sat Nov 27, 2010 9:07 am

http://www.forteantimes.com/features/ar ... itain.html

The Magical Battle of Britain
Fighting Hitler's Nazis with occult ritual

By Dave Evans and David Sutton
September 2010


Image
Illustration by Alex Tomlinson

FT267

Fundamentalists sometimes assure us that “There is War in Heaven.” Jesus and Lucifer are perpetually at each other’s throats, and the archangel Michael has his sword drawn at all times. Similar imagery can also be found in occultism, where motifs such as the ‘magical attack’ or the stereotypical figure of the ‘magical warrior’ are commonplace. Such martial symbols most often derive from purely personal conflicts – the products of egotism, paranoid imagination or persecution complexes. However, on the 70th anniversary of the Battle of Britain, this article looks at the ways in which magic was used in the wider conflict of World War II. Alongside the aerial battle being fought overhead during the summer and autumn of 1940, there was another battle being fought simultan eously – a magical Battle of Britain.

Let’s be clear – we’re talking here about ‘magic’ in the occult sense, rather than ‘magic’ as conjuring or illusionism, which has already been discussed in these pages (see Gordon Rutter: “Magic goes to War”). War and Magic have long been regular bedfellows. The legendary King Arthur won his victories with his faithful sorcerer Merlin at his side and his magical sword Excalibur in his hand. On the early-modern stage, a British magician was set at combat with a German one in Friar Bacon and Friar Bungay. [1] Moving forward in time, and from myth and literature into history, in 1588 Queen Elizabeth I’s mathematician, court magician and spy, Doctor John Dee, is alleged to have conjured a massive gale to blow the retreating Spanish Armada into disarray. The threat of Napoleon’s invasion in 1807 is said to have been, at least in part, turned back by south coast British witches performing rituals to psychologically deter the French from thinking they could cross the sea in safety. World War I saw the appearance of the mystical motif of the Angels of Mons among other supernatural interventions (see FT68:34–37; 170:30–38; 183:48–51; 210:32–40), and on an individual level many soldiers carried homemade folk-magical talismans to prevent injury or death. [2]

World War II was destined to be fought on many levels. Above and beyond the tried and tested methods of firing some kind of projectile at the enemy, it saw the use of disinformation and the manipulation of psychology reach new heights as a means of waging war. The astrologer Louis de Wohl (1903–1961) was employed by the British Intelligence services, whose staff also included Dennis Wheatley and Ian Fleming, to feed disinform ation about astrological predict ions regarding Hitler directly to the German high command; it has been argued that this is what led to Rudolph Hess’s bizarre flight to Britain in May 1941. See panel ‘Aleister Crowley and Operation Mistletoe’. [3]

The ‘black arts’ of spin, propaganda and disinformation might be one kind of magic, but British occultists were also involved in helping the war effort through even less traditional means.


PSYCHIC SELF-DEFENCE
One figure more than any other has come to be associated with the Magical Battle of Britain: magician and writer Dion Fortune. Born Violet Mary Firth in 1890 to a family of Christian Scientists in North Wales, she was subject to visionary and mediumistic experiences from childhood onwards, believing herself to be a reincarnated Atlantean priestess and to have psychically channelled both Socrates and Merlin. She began to direct these experiences more coherently through her membership of the Theosophical Society. After World War I, she joined the Stella Matutina, a seed group from the original Hermetic Order of the Golden Dawn, the one-time magical proving ground of Crowley, MacGregor Mathers, WB Yeats and others, of which she also became a member. The magical and pen name of ‘Dion Fortune’ under which she became known was a shortening of her inducted name when she joined the Golden Dawn – ‘Deo, Non Fortuna’, which roughly translates as ‘not by luck, but by God’ and derives from the Latin motto from her family crest.

As seems always to be the case with the Golden Dawn, inner schisms led to Fortune leaving to set up her own group, with a strong emphasis on esoteric Christianity and a less formal outlook. She went on to perform considerable meditational and magical experimentation with the Arthurian Grail myths surrounding Glaston bury, on which aspect she worked with the visionary archæologist and mystic Frederick Bligh Bond (see FT143:40–44; 249:50–54).

Perhaps ironically, following what by today’s standards would be called a nervous breakdown, and often perceiving herself to be under some kind of magical attack (one of her most famous books is Psychic Self-Defence, 1930), Fortune also trained and practised as a psycho therap ist. She wrote numerous factual books, novels and articles for such influential magazines as the Occult Review, many of these combining her psychological and mystical interests, exploring the collective unconscious, Jungian notions of the anima/animus, ‘ley lines’, psychic protection and esoteric methods of healing. Fortune developed a profoundly ‘psychologised’ occultism (she used the phrase “occult science” habitually), a syncretic system taking elements from many religious cultures, including Egyptian cosmology, Theosophy, astrology, numerology, Cabbalah and such Eastern techniques as accessing that “psychic library of all things”, the Akashic Record. She employed techniques of channelling, the creation of thought-form entities, trance induction, guided meditat ions, pathworkings, visualisations of protective pentagrams and glowing white spheres, auto-hypnosis, ascetic methods of prayer and meditation, the development of psychic abilities through divination tools such as tarot, scrying with crystal balls and dark mirrors, analysis of visionary dreams, breathing exercises, remote viewing and developing psychic contacts with ‘ascended masters’, inner-plane spirit guides and the ‘Secret Chiefs’ of the Occult Orders which control the world.


A MAGICAL ARMY
For Fortune, what mattered was inclusive and stringent study, with any ‘magical’ effects produced being seen as subsidiary to the overall aim of higher personal and spiritual development: “being in the world but not of it”. She was a pure ‘detached’ mystic who believed massive social problems could have purely magical solutions, and thus eschewed political involvement.

She considered occultism to be “a noble quest for the soul, a true crusade against the Powers of Darkness”, [4] its aim the magical service of humanity, and from 1939 onwards she believed her order – The Frat ernity of the Inner Light – to be entrusted with the magical defence of the realm, inheriting its task from King Arthur and his Grail knights. With the coming of war, she also realised that the task would require more effort than the existing magical initiates of the order, now dispersed around the country, could provide; in a surprising magical ‘call-up’, Fortune invited outsiders into the order, making it, temporarily at least, a mirror of the new democratic spirit abroad in Britain, the idea that “we’re all in it together” reflected in so many wartime speeches, posters and films. With members scattered and meetings difficult, this extended magical fraternity would have to find a new way of operating in such desperate times.

Fortune made 3 Queensborough Terrace, Bayswater, the group’s London ‘HQ’ (the order also owned a property in Glastonbury) and directed her magical war effort from here. Over a period of three years (October 1939–October 1942), she sent a series of weekly (and later, after the tide of the war had turned, monthly) letters to her followers, describing in great detail an escalating series of magical meditations to be performed every Sunday, based on Golden Dawn protection and visualisation techniques and centred around the building up of a vortex of powerful psychic imagery from the ‘national spirit’. [5]

Fortune believed that this national spirit resided in Glastonbury, personified by an Excalibur-wielding King Arthur, although encompassing far more. Focusing on the supposed hollow space beneath Glastonbury Tor, the group also visualised Jesus, [6] the Rosicrucian cross, Merlin, the Holy Grail and the Archangel Michael (whose ley passes across the country, and right through Glastonbury), all united with Arthur in their stand to protect the nation.


BATTLE IS JOINED
Before the first letter was sent out, group members received a set of ‘Meditation Instructions’ on how to prepare for the coming magical battle:

“The members of the Fraternity of Inner Light have been carefully trained in the theory and practice of meditation. Every Sunday morning from 12.15 to 12.30 certain members will hold a meditation circle in the Sanctuary at 3 Queensborough Terrace. Other members, scattered all over the country, will also sit in meditation at the same time. Thus a nucleus of trained minds will be formed… The weekly letters will be sent every Wednesday in order to ensure the punctual arrival in time for the following Sunday. On that day, but not before, study the contents of the letter in preparation for the united meditation at 12.15… Having studied the letter, take your seat if poss ible in a quiet, dimly lit room secure from disturbance; face towards London; sit in such an attitude that your feet are together and your hands clasped, thus making a closed circuit of yourself. Your hands should rest on the weekly letter lying on your lap, for these letters will be consecrated before they are sent out in order that they may form a link.”

Then, through breathing and relaxation, each member, wherever they might be, would enter a meditative state, thinking about the week’s subject and producing visualisations of the appropriate symbolic images and archetypes: “Think of yourself as part of the Group-soul of your race; your life a part of its life, and its life the basis of yours. Then, invoking the name of God, open your minds as a channel for the work of the Masters of Wisdom”

The first meditations were intended to inoculate the ‘group mind’ of the nation against the dark forces of enemy propaganda, but in her fourth letter (29 October 1939) Fortune reported that the symbols were already taking on their own “definite astral forms and appeared and maintained themselves of their own accord”. That this was the case was made clear by the fact that “one member of the group… got switched onto another line, as a train is switched by the points, and found herself in the sanctuary at Glastonbury, instead of at 3QT; and despite all her efforts had to stay there till the meditation ended.”

Such accidents were perhaps bound to happen as the new recruits settled down to life during wartime, but by the year’s end they had begun to get “the feeling that we are not isolated individuals but part of a disciplined army…”. The work of this magical army was both to create a magical powerhouse of specific archetypal imagery that could be tapped into, and to attempt to heal a national psyche under immense stress in time of war.

As their confidence grew, Fortune started to push her psychic soldiers harder. By 28 January 1940 (Letter 15) she was guiding them into an active defence of the realm: “Let us meditate upon angelic Presences, red-robed and armed, patrolling the length and breadth of our land. Visualise a map of Great Britain, and picture these great Presences moving as a vast shadowy form along the coasts, and backwards and forwards from north to south and east to west, keeping watch and ward so that nothing alien can move unobserved.”

By 21 April (Letter 26), she was planning more ambitious experiments in remote viewing, extending the angelic patrols to defend the UK coast and beyond: “…those who have a taste for psychic adventure might… mark out on a map, the long line of the mine-fields that run from the far north down the coast of Norway, divide into two at the passage of the Baltic and wall off both eastern and western seaboards of Germany… such a patrol would be stormy work, and only those with steady nerves should attempt it… The experiment should first be made of patrolling the North Sea coastline, and only when it is proved poss ible to do this steadily and clearly should the attempt be made to carry the patrol through the narrow waters into the Baltic.”

Soon, Fortune was leading magical ritual attacks and ‘astral plane’ battles, with the group visualising themselves armed with swords and flaming torches pointing towards Germany, entering the head quarters and bedrooms of leading Nazis and performing magical attacks on them in attempts either to ‘curse’ Britain’s enemies or to change their behaviour towards good rather than evil.

But even as she went on the offensive, Fortune believed that there were similarly magical forces – much darker ones – at work just across the Channel in occupied Europe. She wasn’t sure to what extent Hitler had “an accurate knowledge of technical occultism and how far in military matters, he avails himself of the services of the experts”, but she was in no doubt that the Führer was, in any case, “himself a natural occultist and highly developed medium” (Letter 86, 5 October 1941).

There is considerable literature supporting the idea that leading Nazis followed their own esoteric interests (see FT196:32–39), particularly the Grail myths, even if nothing has yet come to light to suggest that any of their magicians were involved in any particular magical battle with British occultists at this time. But, according to Fortune, the battle had indeed been joined on the inner planes. Just as she and her followers were sending out telepathic messages to heal a nation under fire and interfere with Nazi propaganda, the Germans were also broadcasting their evil ideology through magical means: “We are… dealing with definite occult forces being used telepathically on the group souls of nations, and finding channels of expression through the subconsciousness of susceptible people who lack spiritual principles.”

Such Nazi occult weapons formed a sort of psychic ‘fifth column’, argued Fortune, adding: “So specialised and unrecognised is it that we might justly talk of Sixth Column activities” (Letter 34, 7 July 1940).


ASTRAL BATTLES, REAL BOMBS
By the time that the Battle of Britain was at its height in the summer of 1940, Fortune felt that the group had already achieved some success; she often heard echoes of their meditations and visualisations in the sermons and speeches of senior establishment figures – from the Archbishop of York to the Prime Minister himself – and saw such momentous events as the evacuation from Dunkirk – “when the storm and the calm fell exactly as needed, and even the military authorities talked of a miracle” – as revealing the rightness of Britain’s course and the support of the higher powers (Letter 34).

The Order’s London HQ at 3 Queensborough Terrace had become a “centre of peace” from which positive energies might radiate out to its dispersed psychic army, who in turn were becoming “nuclei of stability in a profoundly disturbed world” (Letter 26, 21 April 1940).

Despite growing magical success, the war was coming ever closer. In her letter of 2 September 1940 (Letter 40), Fortune noted that “Our meditation this week was conducted to the accompaniment of a dogfight at a low altitude immediately overhead and an incendiary bomb next door but one, and we have never had a more absolute sense of peace and power.”

Such confidence proved slightly misplaced when the London Blitz began in earnest and the HQ was “straddled by a stick of four bombs, our headquarters just fitting neatly into the middle of them, and, though well shaken, escaping all damage”. Even with bombs falling and anti-aircraft fire blasting out, she wrote, “t was possible to see the Invisible Helpers at work as innum erable shadowy presences… Over all was the iridescent dome of protection guarded by great angelic presences. These are among the things we have been visualising and building on the astral, and at the moment of testing it was a wonderful experience to see how potent and tangible they were… there were no casualties. This is the second time this has happened in our vicinity. That there are powerful forces at work can hardly be denied.” (Letter 47, 20 October 1940)

But despite asking members to pray for the protection of the HQ, the following week’s letter recorded that the Order had been bombed out of it, though thankfully without casualties, “ so it may be maintained that the invocation was at least a partial success, though your leader and her librarian look like a couple of sweeps owing to a difference of opinion with the roof, which fell in on them, but tactfully refrained from hitting them”. Whether Fortune’s undimmed good humour was the manifestation of a powerful archetype or simply an example of typical British pluck, this was indeed the ‘Spirit of the Blitz’. She continued: “It has often been alleged that Dion Fortune is a Black Occultist, and we regretfully admit that the allegation can no longer be denied; however, it is hoped that soap and water will restore her to the Right Hand Path…” (Letter 48, 27 October 1940)


THE NEW AGE
As the Battle of Britain and the Blitz passed and the war gradually turned in the Allies’ favour, Fortune directed more of her efforts to the conflict’s aftermath and the challenges of peace. Like many people, she looked forward to a period of reconstruction not just physical but social; the Age of Aquarius, she knew, was dawning, and a bold programme embracing fundamental social change was required to meet it. The practical realm of politics was not open to occult workers like Fortune, but by the end of the war she felt that her Order’s work had been accomplished, the archetypes created. The seeds of the post-war settlement, both at home and abroad, were manifestations of the Fraternity’s work: “Those who were with us in those days will remember how we opened our doors and welcomed all who would sit in meditation with us and taught them the esoteric methods of mind-working that had never been revealed before outside the Veil of Mysteries, and that this work was done with a view to bringing into manifestation those very ideas that are now manifesting. What part we played in their manifestation we cannot know; but we do know that whereas the Fraternity was a voice crying in the wilderness, the cry has now become a chorus.” [7]

Some of Fortune’s followers believe the physical demands of the psychic efforts she expended in magical attacks on the Nazis drove her to an early grave. Having taught her methods to members of her group for around two decades, she succumbed to late-diagnosed leukæmia not long after the war’s end – in 1946, just before her 56th birthday. She is buried in Glastonbury. Her magical order flourishes to this day as the Society of the Inner Light. [8]


FIGHT THE GOOD FIGHT
The Battle of Britain was won, of course, by the immense courage, determination and skill of the British, Commonwealth and Allied pilots fighting in the summer skies of 1940; it was a victory hugely significant for the unfolding history of World War II and the 20th century. Operation Sea Lion was ultimately prevented not by magic, but by the profound sacrifice of these young men, and subsequently – as Hitler turned east – by the even more massive one of the Russian nation. After the beating sustained on the Russian front, it was inconceivable that the German army could be refreshed and rebuilt enough to mount a seaborne invasion, and the entry of the USA into the war in December 1941 had tipped the balance in the Allies’ favour, permanently.

We know that Fortune’s campaign of meditations really did happen between 1939 and 1942, even if the Once and Future King didn’t arise from his slumbers under Glastonbury Tor and smite the Nazi foe with Excalibur. Gerald Gardner’s 1940 Rufus Stone rite might have actually taken place in some form, although it would seem that Crowley’s Ashdown Forest working is more than likely pure myth. Both Fortune and Crowley died soon after the end of hostil ities, with Austin Spare following in 1956 and Gardner living until 1964.

Perhaps Fortune and the others really did achieve something during those dark days: the emergence at the time of the so-called ‘Blitz spirit’ produced a powerful new archetype that Britain continues to call on in times of adversity – after the 7/7 bombings in London, for example. Could the focused activity of Fortune’s patriotic meditation teams have played a part in creating, bolstering and maintaining that spirit?

While the occult interventions of Fortune, Gardner and others might have had a magical, a morale-boosting, or perhaps a purely psychological effect, the efforts of those who actually fought should never be minimised. In oral history work with our ageing WWII veterans, we regularly hear that very few of them felt that God – any kind of God – was protecting them personally in those difficult days. There was, at best, an inconsistent level of divine protection for anyone in a war that claimed, at the latest estimates, some 70 million victims.

Possibly such tales of magical warfare are simply one of the ways, as esoteric scholar Professor Wouter Hanegraaff describes, in “which magic ians seek to legitimate magic to the wider society as well as to themselves” in the modern era. [9]

But magic has continued to play its part, right up until today. In the 1980s, ‘King of the witches’ Alex Sanders performed several magical rituals intended to hasten the British Army’s victory in the Falklands War. [10] And following 9/11, seven and a half tons of steel salvaged from the wreckage of the Twin Towers was used in the construction of a major battleship, the USS New York, which entered service in November 2009. This is a huge piece of magical symbolism, even if we ignore the rumours that some of the same steel is being used to forge symbolic swords for ceremonial ritual use by the US military! It does make you wonder though, who, if anyone, is doing magic regarding the wars in Iraq and Afghanistan, and to what ends?



Notes
1 Robert Greene: The Honourable History of Friar Bacon and Friar Bungay, c. 1589.
2 Vanessa Chambers: “A shell with my name on it: the reliance on the supernatural during the First World War”, Journal for the Academic Study of Magic 2, 2004.
3 Richard Norton-Taylor: “Star turn: astrologer who became SOE’s secret weapon against Hitler: How Britain tried to exploit the Führer’s supposed superstitions”, Guardian, 4 Mar 2008.
4 Dion Fortune: The Esoteric Orders and Their Work, Thorsons, 1994, p4.
5 All quotations from the letters are taken from Dion Fortune: The Magical Battle of Britain (with an introduction and commentary by Damon Knight), Golden Gates Press, Bradford on Avon, 1993.
6 If the use of Jesus surprises anyone who thinks that magic and Christianity don’t cross over, Fort une earlier wrote that: “the mantric effect of the use of the Sacred Name of Jesus is such that anything impure seems unable to withstand its vibrations and has to take refuge in flight”. Dion Fortune: Sane Occultism, Aquarian, 1979, p90.
7 The Magical Battle of Britain, p x.
8 Society of the Inner Light, http://www.innerlight.org.uk.
9 Wouter J Hanegraaff: “How Magic Survived the Disenchantment of the World”, Religion, 33, 357–380.
10 Alex Sanders archive, Museum of Witchcraft, Cornwall. The documents archive is available to researchers by prior appointment. Some of the documents are access ible at http://www.museumofwitchcraft.com/archive, which is a work in progress. Copyright/access terms and conditions apply. Used by kind permission.




PANEL: ALISTAIR CROWLEY AND OPERATION 'MISTLETOE'
The infamous magic ian Aleister Crowley (1875–1947; see FT231:28–57) produced a very small symbolic book in July 1941 designed to boost morale and the war effort via the medium of poetry. [1] For example:

[i]England, stand fast!
Stand fast against the foe!
They struck the first blow: we shall strike the last.
Peace at the price of Freedom? We say No.
England, stand fast!


But there are also stories of a more active war effort on the part of the Great Beast (below left), largely circulated in the 1990s by the late, self-styled ‘Amado Crowley’, who claimed to be Aleister’s son. These include accounts of him and ‘dad’ performing wartime rituals, including a rite held in Sussex in 1941 and intended to bring Rudolph Hess to Britain. [2] Hess had a profound interest in ‘ley lines’, various forms of mysticism and astro logy (in another life he might have been a Fortean Times subscriber!), and his mysterious flight to Britain in May 1941 was allegedly influenced by astro logical propaganda, via deliberately false charts distributed in Germany by British agents.

‘Operation Mistletoe’ was purportedly cooked up by James Bond creator Ian Fleming during his time in Naval Intelligence, and was intended to use Crowley’s occult powers to lure the Deputy Führer to Britain. The ritual, held in Ashdown Forest, involved a large number of sold iers dressed in ad hoc magical robes, and either a burning dummy in Nazi uniform or a symbolic model aeroplane which flew down on a cable stretched from a church tower to a nearby tree, accompanied by considerable pyrotechnics and much ritual chanting. (In some versions of the tale, two German SS officers, codenamed ‘Kestrel’ and ‘Sea Eagle’, had been somehow duped into attending the Ashdown Forest ritual and reported back to Hess that the Order of the Golden Dawn was alive and well and waiting to take power once peace was established).

Cecil Williamson (a former intelligence officer and subsequently the first owner of the Museum of Witchcraft) also describes this ritual in what appears to be confirmatory detail, but in previous corre spondence with Gerald Yorke (one of Crowley’s literary compilers and later the Dalai Lama’s emissary to Britain) Williamson remarks that he’d never met Crowley. Therefore, if Williamson was at Ashdown Forest then Crowleycouldn’t have been; and if Williamson was not there, how can he claim to give a firsthand account? [3] The most parsimonious answer appears to be that Williamson is regurgitating Amado’s tale as if it were his own. More tellingly, there is not a single reference to any such event in Crowley’s own volum inous magical diaries and no independent account has ever arisen; nor can any record of soldiers being deployed be found in the National Records Office or Military archives, while the physical geography described in the tale does not fit current or past maps of the area. All in all, it’s extremely unlikely that anything like the event described ever happened, in Ashdown Forest, or anywhere else. [4]

What does appear to be true is that Ian Fleming suggested Crowley be used to question Hess about Nazi occultism follow ing his capture. Crowley was keen to help, writing a letter to the Director of Naval Intelligence in 1941 stating that: “[I]f it is true that Herr Hess is much influenced by astrology and Magick, my services might be of use to the Department in case he should not be willing to do what you wish.” [5] Crowley was ultimately not employed, his reputation (and his pro-German statements during WWI) perhaps preceding him.

Some of Dion Fortune’s follow ers believe that their works of remote viewing and remote magical influence were the main reason that Hess came to Britain; they see his flight not as a defection, but rather an act of repentance as a consequence of the magical efforts directed at him, causing him to sacrifice himself in the manner of Jesus.

Hess died in 1987 after over 45 years in jail, and was the last senior Nazi in captivity to die. Over 20 books examine the myths around Hess’s flight and the subsequent political machinations surrounding his imprisonment, and the waters are now hugely muddied; the only thing we can be certain of is that the Hess story, with so many unanswered questions, is a boon to conspiracy theorists.



Notes
1 Aleister Crowley: Thumbs Up – a Pantacle [sic] to Win the War, Privately published, 1941 (subsequently Mandrake Press, 1993).
2 Amado has given another account of a major magical ritual performed with Crowley at a megalithic site, the Men an Tol stones in rural Cornwall, in 1943, which supposedly had a powerful effect on the other side of the Atlantic. This has since been absorbed uncritic ally into the Philadelphia Experiment/Montauk mythology in books by Preston B Nichols & Peter Moon. Amado’s account is utter nonsense, of course.
3 Cecil Williamson: Letter to Gerald Yorke, 7-8-1952, Warburg Institute, London. Yorke Collection, Folder YC1EE2.
4 Dave Evans: The History of British Magick After Crowley, Hidden, 2007. One magical event that did happen in Ashdown Forest was that it inspired AA Milne to describe the Hundred Acre wood, whence the British racial-cultural archetypes of Pooh and Piglet and Christopher Robin emerged.
5 John Pearson: The life of Ian Fleming, Jonathan Cape, 1966, p117.





PANEL: GERALD GARDNER AND OPERATION 'CONE OF POWER'
In England shortly before World War II, the retired Civil Servant and recently returned expatriate plant ation manager Gerald Gardner (1884–1964) became involved with the Fellowship of Crotona, a Co-Masonic group (they admitted men and women) with Theosophical Society links. Within this occult body was another more secret group claiming to be made up of hereditary witches. On the eve of war, Gardner (right) was initiated into what he discovered was the ‘New Forest Coven’, which he believed was a genuine survival of the supposed pre-Christian ‘Wiccan’ religion. On 31 July (Lammas Eve) 1940, the coven joined with other witches at the Rufus Stone in the New Forest for a lengthy ritual to prevent Hitler from invading.

Gardner later recalled: “We were taken at night to a place in the Forest, where the Great Circle was erected; and that was done which may not be done except in great emerg ency. And the great cone of power was raised and slowly directed in the general direction of Hitler. The command was given: ‘You cannot cross the sea, you cannot cross the sea, you cannot come, you cannot come.’ Just as was done, we were told, to Napoleon, when he had his army ready to invade England and never came. And, as was done to the Spanish Armada, mighty forces were used, of which I may not speak.” [1] Five witches of the 17 present died soon after, poss ibly because of the demands of the rite – the energetic dancing and chanting required proved a bit too much for some of the older people present (Gardner believed his health had suff ered too – although he lived for nearly 25 more years). Some coven members claimed family traditions involving a similar ritual (and with a similar body count) being performed to stop Napoleon invading almost 150 years before, the death of some elderly and frail witches being considered a boost to the rite’s power. Interestingly, Gardner’s claimed family line contains a Vice-Admiral Alan Gardner, a significant tactician in the British fleet that opposed the French navy at the time. However, it must be remarked that Gardner made very many claims, and only some of them are supported by verifiable facts.

The choice of the Rufus Stone, which marked the death site (and probable assassinat ion) of a King of England in 1100, might seem unusual for a ritual intended to protect the nation; although given that Will iam Rufus was the son of the invader William the Conqueror, perhaps it was an inspired and apposite location to stage such a rite. Gardner of course went on to be the founder, or discoverer (however you wish to view the disputed histories) of modern Witchcraft.



Note
1 Jack Bracelin: Gerald Gardner: Witch, Octagon Press, 1960, p167.





PANEL: AUSTIN OSMAN SPARE AND THE LONDON BLITZ
If ever there was a witch who had good reason to ‘work against’ Hitler, it was the artist and occultist Austin Osman Spare (see FT144:34–40). Before the war, an emissary of Hitler had bought one of Spare’s portraits and the one-time Austrian housepainter wanted Spare to do a portrait of him, complete with Charlie Chaplin moustache. Spare wrote back saying: “If you are Superman, let me be forever animal”.

Spare, who had been a war artist in World War I, lived and worked in a studio at the back of Woolworths in the Walworth Road, near the Elephant and Castle in south London. He even had pencils printed with ‘Spare’s School of Draughtsmanship’ for use by his pupils.

AOS had often recorded the magical involvements he had with contacts from other dimensions, but he’d encountered nothing so foul as the Germans’ attempted destruction of London. He was 57 and working as a firewatcher on the roof of Collier’s, the local department store. He spent many tedious hours while waiting to ‘spot’ enemy aircraft and filled the time drawing his fellow firewatchers as well as pondering the implications of what was happening. During the tense hours of the night shifts, he produced some fabulous sketches showing the psychic devastat ion being inflicted on the capital. Some have a monumental quality, others a real poignancy, with armless but heroic figures endlessly wandering the wastes. He drew in autograph books and in cheap drawing books, but these sketches are some of his finest work. He also worked on camouflage for the Army but was cheated out of the recognition he deserved by the War Office.

He was bombed out of his studio on 10 May 1941, during the last of the Luftwaffe’s raids on the capital. He was lucky. 3,000 people died and many thousands more were wounded in the frenzied attempts to destroy the London docks. Spare lost his home, all his possessions and the use of his right arm, although the physical wounds were nothing compared to the emotional ones he suff ered from being thrown off a fire escape and left lying in his smouldering clothes. After losing everything in the Blitz, Spare was a lost soul, living poorly, in bad health and not having a settled home for many years. We have a young art student called Steffi Grant to thank for his last, bright flowering from their meeting in 1948 until his death in 1956. They connected, she gave him pastels and paper and the magician in him made a magician of her.
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Re: The Magical Battle of Britain

Postby justdrew » Sat May 28, 2011 4:17 am

Tayy al-Arḍ (Arabic: طيّ الأرض‎ "folding up of the earth") is the name for thaumaturgical teleportation in the mystical form of Islamic religious and philosophical tradition. The concept has been expressed as "traversing the earth without moving"; some have termed it "moving by the earth being displaced under one's feet". It is a concept widely familiar to the Sunnis, Shī‘īs and Sufis, each group having a different interpretation on it.

http://en.wikipedia.org/wiki/Tay_al-Ard
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Re: The Magical Battle of Britain

Postby Joe Hillshoist » Sat May 28, 2011 7:15 am

Cheers AD.
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Re: The Magical Battle of Britain

Postby American Dream » Sat May 28, 2011 8:56 am

Ian Fleming on Crowley as a spy

Image

http://www.redflame93.com/Fleming.html

During the interrogation Rudolf Hess spoke in strange ramblings which some viewed as occult. Ian Fleming, who was involved with those interrogations, decided that help was needed. But who could he get who might understand these occult ramblings? Fleming thought about it and then suggested to his boss, Rear Admiral John Godfrey, "that Crowley should be allowed to interview Hess about the role of the occult in Nazism."

(3) Fleming thought Crowley would be able to obtain further details on the influence of astrology with the Nazi leaders. It seemed like a good idea at the time. However it was his friend, Maxwell Knight, who spoke strongly against Crowley's involvement with Hess. It is said that Knight had no intention of allowing Crowley near Rudolf Hess, even though some historians have indicated that Crowley actually was a MI6 agent who spied on the Nazis and Communists in pre-war Berlin for the British government. Still, some members of the British Government, like Fleming, actually believed that Crowley could have helped in understanding Hess and other Nazi leaders. Both sides argued over this issue but Knight won out. In the end, Crowley was never summoned.

Ian Fleming's biographer John Pearson wrote that Fleming "surpassed himself by appealing to one of the most notorious men in the whole of the British Isles. For many years he had been fascinated by the legend of wickedness which had attached itself to the name of Aleister Crowley, necromancer, black magician and the Great Beast 666. This immensely ugly old diabolist and self-advertiser had thrown himself into certain more unsavory areas of the occult with a gusto that must have appealed to Fleming, and when the interrogators from British Intelligence began trying to make sense of the neurotic and highly superstitious Hess he got the idea that Crowley might be able to help and tracked him down to a place near Torquay, where he was living harmlessly on his own and writing patriotic poetry to encourage the war effort. He seems to have had no difficulty in persuading the old gentleman to put his gifts at the disposal of the nation." (4)

Aleister Crowley wrote a brief letter to Ian Fleming, now the Director of Naval Intelligence, offering his help.

Sir:

If it is true that Herr Hess is much influenced by astrology
and Magick, my services might be of use to the Department in
case he should not be willing to do what you wish. I have the
honour to be, Sir,

Your obedient servant,
Aleister Crowley
(5)

With the letter Crowley included a copy of his latest patriotic poem entitled "England Stand Fast". To quote further from Fleming's biography, "It is a pity that this had to be one of Fleming's bright ideas which never came off: understandably, there was hilarity in the department at the idea of the Great Beast 666 doing his bit for Britain." (6) So in the end "Fleming's suggestion was vetoed, and Crowley and Hess never did meet, to the chagrin of the unorthodox historian." (7)

If the reader looks for Ian Fleming's biography by John Pearson for further reading, they should know that when it was released in America (8) this episode regarding Rudolph Hess and Aleister Crowley was totally omitted. One must find the first edition released in England, published earlier the same year, to find this particular story. There is no indication why it was edited out of the American edition.

Even though Aleister Crowley was not allowed to interview Rudolf Hess, he did hatch another scheme to help the war effort. We know he tried to convince Knight and Fleming that the British government should drop 'occult literature' on the Germans as a propaganda tool. (9) Obviously the literature, whatever it might be, would be written by himself. This project was shelved long before it got off the ground.

Years later in 1952 when Ian Fleming wrote his first novel entitled Casino Royale he looked for someone after whom he could model James Bond's arch-villain. He needed an evil figure in Casino Royale so he dredged up his past images of Aleister Crowley. After all, Fleming "always knew a good villain when he saw one." (10) He decided to give his villain the name Le Chiffre, which is a corruption of the word 'cipher', since the villain claimed he was only a number on a passport. This idea stems from the fact that Le Chiffre was once a Jewish prisoner of Dachau who suffered amnesia, not knowing his real name, only his concentration camp number.

Fleming further described Le Chiffre as clean shaven, complexion very pale or white, fat, slug-like, with sadistic impulses, constantly using a benzedrine inhaler and with an insatiable appetite for women. He also had a rather feminine mouth. It is also written that "parallels exist between them {meaning Crowley & Le Chiffre}. Both called people 'dear boy', and both, like Mussolini, had the whites of their eyes completely visible around the iris." (11) But does this really sound like Aleister Crowley? Especially being Jewish!

In the end Crowley's character was killed by an assassin from the Soviet organization SMERSH, which he had betrayed. He was almost ready to pull the trigger and kill James Bond when the end came. His death was graphically described: after a single bullet rang out "and suddenly Le Chiffre had grown another eye, a third eye on a level with the other two, right where the thick nose started to jut out below the forehead. It was a small black eye, without eyelashes or eyebrows." (12)

In April of 1953, after reading Casino Royale, Somerset Maugham wrote Ian Fleming a rather nice letter on how much he enjoyed the book. In that letter he stated, "...particularly enjoyed the battle at the casino between your hero and M. Chiffre. You really managed to get the tension to the highest possible pitch." (13) It's best to say that Maugham probably didn't realize that Fleming based some of the characteristics of Le Chiffre on Aleister Crowley as he failed to mention the similarities in his letter. Maugham was an old acquaintance of Crowley, whom he had used as the model for Oliver Haddo in his own book entitled The Magician.(14) Aleister Crowley definitely disliked the image painted by Maugham and one can only wonder what he might of thought of Le Chiffre...

It is likely that Ian Fleming honestly believed he borrowed a few of Crowley's characteristic for the evil and sinister figure of Le Chiffre, but this figure is completely different from the real-life Aleister Crowley. Actually the only evidence for such a claim is the fact that Fleming has stated he based Le Chiffre on Aleister Crowley-since such is not obviously recognizable in the book itself. If the reader is in doubt, then read the book or rent the movie and see for yourself.
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Re: The Magical Battle of Britain

Postby Joe Hillshoist » Sat May 28, 2011 10:15 am

Cool story. Kind of makes sense too. He's a bit of supervillain archetype parody.
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Re: The Magical Battle of Britain

Postby seemslikeadream » Sat May 28, 2011 10:27 am

Thanks AD for posting and giving me some new interesting stuff to read :partydance:
Mazars and Deutsche Bank could have ended this nightmare before it started.
They could still get him out of office.
But instead, they want mass death.
Don’t forget that.
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Re: The Magical Battle of Britain

Postby semper occultus » Sat May 28, 2011 3:21 pm

pretty sure Crowley gets re-cycled as Blofeld aswell - with the visible whites all around the eyes thing that Fleming regarded as a sign of insanity....

The Mystical James Bond
by Douglas Chapman
www.strangemag.com

The games played in the James Bond novels and movies go beyond the surface thrills. There are hidden meanings aplenty. Philip Gardiner's book The Bond Code: The Dark World of Ian Fleming and James Bond reveals how Bond-creator Ian Fleming's connections with the occult helped him create the mystique of his greatest creation. It covers ground not mined so deeply in more prosaic books on Fleming, such as John Pearson's The Life of Ian Fleming.

Image

Gardiner was inspired to his explorations by a television airing of Live and Let Die, a Bond adaptation with genuine occult material. He noticed the connection between the "standard" James Bond plot in the books and movies and the alchemical Great Work — and the self-work "journey" that is implied in such stories.

Gardiner clarifies that, in most of the books, Bond has to unite with the feminine principle to achieve his goal. But so do many heroes in print fiction and the movies. While Gardiner experiences this theme through symbolism, it is a basic plot formula.

Nevertheless, Gardiner catches details others might miss. In the novel Live and Let Die, when Bond and the heroine Solitaire unite in love, Gardiner describes: "In the alchemical terminology, Solitaire is the watery, wise Sophia of the Gnostics, and Bond is the fire. The picture is painted with Solitaire's hair falling down in a 'cascade,' and Bond being described as an 'angry flame.'"

The Magic of Names
The codes in the Bond books go beyond any used by the characters within them; they are implanted in many of the names. It is not surprising that Ian Fleming would fill his books with hidden details. Fleming was a bibliophile, with an outstanding collection of books in a surprising number of fields, especially works that had "started something." There were esoteric volumes among them. As one of his literary efforts, Fleming once translated a lecture by Carl Jung about Paracelsus. (Jung had been fascinated with the esoteric system of Gnosticism, and considered Paracelsus' alchemical work a later development along that line.)

Another historic notable active in magic and the occult of fascination to Fleming was the mathematician, astronomer, and geographer John Dee – who may well have coined the phrase "British Empire." Dee had an immense personal library, a detail Fleming must surely have noted. The number "007" originally was an insignia number developed by Dee for Queen Elizabeth to use in covert communications between the Court and Dee. The double-Os in the number referred to Dee being the secret eyes of the Queen. The Queen signed her missives to Dee as "M." Some deem that one of Dee's major angelic-cabalistic-alchemical books was actually a cover for intelligence work. Only some of these details are covered in Gardiner's book.

If he is right, the process of writing the Bond novels was in a way an alchemical work. If Gardiner is over-reaching, the implanted symbols are still important parts of the fictional fabric. He makes it clear that some of the connections he draws are provable by events while others are conjecture on his part.

The names of Fleming villains are full of symbols. One example is Sir Hugo Drax ("the Dragon"), the mastermind in the book Moonraker. In the novel Goldfinger, the title character's full name can be taken as wholly alchemical. Auric, in one of its usages, is the alchemical term for gold made from lead, while Goldfinger represents the finger of the alchemist termed golden.

Sympathetic characters too have names with special meanings. That James Bond's wife Teresa had the maiden name of Draco, which refers to a dragon or winged serpent, is interesting in light of her upbringing by a dangerous father, Marc-Ange Draco.

Here are how a few characters in the books are interpreted by Gardiner:

Le Chiffre ("the cipher, or code")

Vesper Lynd ("birth of night")

Tiffany Case ("manifestation fallen from God")

Ernst Stavro Blofeld ("earnest strong")

Fleming had a knack for names. Many of them will be long-remembered, including the ones with the less hidden meanings – such as Pussy Galore from Goldfinger.

Gardiner's interpretations may not be Fleming's but they are valid in their own way.

Fleming probably leaned harder on etymology than symbolism in his creative process. The novel On Her Majesty's Secret Service, with its subject matter of heraldry, is more concerned with the sources of names than the other books in the series. But mystical code certainly seems to feature often enough, however intentional.

In the penultimate Fleming novel You Only Live Twice, Bond's number of 007 is changed to 7777 (which Gardiner explains as meaning "it is done").

Esotericism, codes and game-playing all figure in many of the books.

Fleming's Life
To anchor the themes he explores, Gardiner takes on the arc of Fleming's life. From Gardiner's book, Pearson's biography, and other sources, here are a few details of a life that seems like one out of his fiction.

Ian Fleming's early jobs included working as a sub-editor and journalist for Reuters, and a stint as a stockbroker.

When World War II commenced, Rear Admiral John Godfrey (the director of Naval Intelligence) recruited Ian Fleming as his personal assistant, a sort of male "Moneypenny." During a trip to the United States, William Donovan asked Fleming to write a memo to outline a planned American secret service. Much of his wording was used when the OSS (Office of Strategic Services) was created, and thus Fleming influenced subsequent American intelligence efforts.

Fleming oversaw the 30 Auxiliary Unit (nicknamed "Red Indians") which was a commando unit consisting of men who were true prototypes of the fictional Bond. Fleming was the planner, not the field commander. By the end of the war, higher-ups took charge.

Following the end of WWII, Fleming took up journalism for the Times, despite a scandal involving Fleming's affair with the wife of a press baron. For the Sunday Times, he managed foreign correspondents.

Beginning in 1953, he also wrote the James Bond novels, at the pace of about one a year, usually between January and March at his rather austere and temple-like Jamaican home, Goldeneye. The rest of the year he took care of his journalistic duties.

His drinking and smoking — plus the stresses of a plagiarism lawsuit over the novel Thunderball detailed in Robert Sellers' book The Battle For Bond: The Genesis of Cinema's Greatest Hero — shortened his life. He barely lived into the time of the James bond craze — dying on August 12, 1964 at the age of 56.

Fleming's Novels
Gardiner, having provided the essentials of Fleming's life, tours readers through the James Bond novels, where Fleming used his short life as fuel for his creativity. Gardiner points out the resemblance in the novel Casino Royale of the first Bond villain, Le Chiffre, to the occultist Aleister Crowley. Gardiner also mentions that James Bond devotees observe that Bond villains were based on him. There was a reason for this, which will be discussed shortly.

Gardiner also opines that Bond's relationship with Vesper Lynd (in the same book) seems related to the internal struggles Fleming was having at the time of his marriage to Ann Charteris, the former wife of Lord Rothermere (the press baron Esmond Harmsworth who Fleming cuckolded). In subsequent novels as well, Fleming works out his inner struggles in the context of an adult fairy tale.

By adding the macho of 30 Auxiliary Unit to the traditional spy novel, he took that sort of fiction in a new direction. By combining John Godfrey with Maxwell Knight, he created the memorable spymaster "M."

As a public persona, Fleming mocked and belittled his writings, but he applied much craft to them. To the outside world, he had dashed them off, but surviving marked-up manuscript pages (one of which is printed in Pearson's book) show the real hard work involved. Fleming's outward urbanity hid his troubled artistic temperament, as Michael Howard of Jonathan Cape Publishers once noted to Fleming in a letter.

Fleming's Fight Against Himself
Whether in fiction or fact, analysis was no stranger to Fleming. As a youth with problems, he underwent Adlerian psychoanalysis by Alban Ernan Forbes-Dennis. To Forbes-Dennis and his wife Phyllis Bottome, it was too late for the full intervention Fleming had needed. They improved his German, helped him prepare for Foreign Office examinations and in general encouraged his pursuit of knowledge, and Fleming later remembered them fondly, having come out of the analysis and education a more confident person. Fleming understood the psychological theories that applied to him.

Through Forbes-Dennis, the psychologist Carl Jung gave Fleming permission to translate Jung's aforementioned lecture on Paracelsus. Gardiner makes much of this event in Fleming's life. Jung, in the lecture, emphasized Paracelsus's ideas as being inseparable from "gnosis." Gardiner again emphasizes Fleming's need to heal himself through knowledge gained through his writing.

Fleming's struggle with his own divided self was reflected in his books. But in place of his own identity as a troubled man was Bond as the neutral figure in a divided world. The villains sometimes got Fleming's more negative qualities, like a taste for violent sex.

The fact that his arch-villain Blofeld shares a birthday with Fleming himself indicates to Gardiner that Fleming "was fighting out his own issues on paper."

The Magick of Bond
Some qualities of Blofeld that did not come from Fleming came from a notorious person of whom he knew.

Gardiner, like Pearson and others before him, examines the famous anecdote about Fleming trying to involve Aleister Crowley in the effort to interrogate the captured Nazi Rudolf Hess, who had landed in Britain during World War II. Having been fascinated by Crowley's image for years, Fleming had devised, and spymaster Maxwell Knight had approved, a plan in which Crowley could exploit Hess's interests in the occult. Knight headed up Department 5, the counterespionage unit within MI5. Crowley corresponded that he would be ready to assist. But the plan was vetoed higher-up, and apparently Fleming never met Crowley face to face.

One biography, The Man Who Was M: The Life of Charles Henry Maxwell Knight by Anthony Masters, claims that Fleming was behind the plan that actually lured Hess to Scotland, but is the only book so far to assert this.

Gardiner presents a few versions of the Hess incident, since the actual truth is not fully known. He sees the Crowley anecdote as an indication of Fleming's interests in magic and the occult, and tries to make as many links with Crowley as possible. He also links to Crowley through Maxwell Knight, one of the models for the character "M." Knight had been introduced to Crowley through thriller writer Dennis Wheatley. Both Knight and Wheatley had attended Crowley rituals, out of intellectual rather than magical interest.

Gardiner feels that the use of gold coins as a catalyst in the novel Live and Let Die is another link to Crowley, but this is probably debatable. That Fleming had some knowledge of the occult, and incorporated aspects of Crowley's persona into villains like Le Chiffre and Blofeld, does not mean that Crowley is really a major element of the majority of the books. Fleming was a wide reader, whose readings informed his writings in countless ways, from the Manichean perspective of Bond (dualistic, with the human as the battleground) to the erudition shown by Fleming on many other matters.

Yet touchstones to the esoteric appear in many places in Fleming's writings. There is a Bill Templar in Diamonds Are Forever, alluding to the Knights Templar. The Ourobourous (the alchemical symbol of a serpent eating its own tail) is part of the name of the Ourobouros Worm and Bait Company in Live and Let Die.

The first Bond novel, Casino Royale, was also the first in which the villain had a ciphered name. Bond works through the code, so to speak, and when Le Chiffre (the black knight to Bond's knight errant, the dark side of the psyche to Bond's lighter side) dies, the bullet wound resembles the third eye of illumination.

Other Legends and Tales
Overall the basics of the fairy tale are the basics of storytelling, and Fleming's Bond novels are fairy tales overlaid with Fleming's life and expertise. Gardiner's approach to analyzing Fleming and his famous character can be used to explicate umpteen other adventure novels outside the Bond canon, and he takes on a few of them here, including that most heavily coded of television shows The Prisoner. Like Fleming (and his "alter-ego" Bond), Number 6 in The Prisoner is battling — psychologically or otherwise — with aspects of himself. In the last episode his nemesis is unmasked as himself. This is like in the works of Fleming, where the villains were the repressed side of Fleming and Bond was the idealistic side.

Gardiner opines that Fleming kept much of his inner self private because — as part of his profession — he was expert at keeping secrets.

But Gardiner stretches some of his connections farther than they will go. As in all books that include conspiracy materials, there are many debatable links drawn between strands of the subjects covered. Relating Q to the New Testament source called the "Q Document" is really stretching things. Fleming may have read voluminously, and filled his books with clever allusions, but this does not seem his style. He was playful with his knowledge and experiences, but not to the point of making that sort of joke.

What Gardiner is especially good at in The Bond Code is helping the reader experience the stories anew, with the symbolism laid bare. There have been needs for dream analyses of the Bond books, and Gardiner provides them with panache. Those wanting to tread on more solid ground can refer to the conventional biographies, which do not rely on so much speculation.

Sources:
Philip Gardiner, The Bond Code: The Dark World of Ian Fleming and James Bond (Franklin Lakes, NJ: New Page Books, 2008)

John Pearson, The Life of Ian Fleming (London: Jonathan Cape, 1966)

Robert Sellers, The Battle For Bond: The Genesis of Cinema's Greatest Hero (Sheffield, England: Tomahawk Press, 2007)

John Cork and Bruce Scivally, James Bond: The Legacy (New York: Harry N. Abrams, Inc., 2002)

Lawrence Sutin, Do What Thou Wilt: A Life of Aleister Crowley (New York: St. Martin's Press, 2000)

Ian Fleming — Wikipedia, the free encyclopedia, http://en.wikipedia.org/wiki/Ian_Fleming

Maxwell Knight — Wikipedia, the free encyclopedia, http://en.wikipedia.org/wiki/Maxwell_Knight

John Dee — Wikipedia, the free encyclopedia, http://en.wikipedia.org/wiki/John_Dee

D.W. Cooper and Lawrence Gerald, "A Bond for All the Ages: Sir Francis Bacon and John Dee: the Original 007," http://www.sirbacon.org/links/dblohseven.html

Stephen A. Hoeller, "C. G. Jung and the Alchemical Renewal," The Gnosis Archive, http://www.gnosis.org/jung_alchemy.htm
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Re: The Magical Battle of Britain

Postby American Dream » Sat May 28, 2011 5:17 pm

http://www.american-buddha.com/theotoandthecia.htm

THE OTO & THE CIA -- ORDIS TEMPLIS INTELLIGENTIS

by Alex Constantine



Flying saucer mythology took hold in a big way in the 1950s, wrapped in gaudy pulp covers and flashed on movie screens. Jack Parsons, the CalTech rocket pioneer and high priest of the OTO's Agape Lodge in Pasadena - and one of the first Americans to report a UFO sighting - was addicted to science fiction. He regularly attended meetings of the L.A. Fantasy and Science Fiction Society, where in 1945 the black adept (he took "the Oath of the Anti-Christ" in 1949) met Lt. Commander L. Ron Hubbard, who made "alien" visitations an integral part of a religious doctrine he called Scientology.

The OTO was founded between 1895 and 1900 by a pair of powerful Freemasons, Karl Kellner and Theodor Reuss. Politically, the order was right-wing in the extreme, proposing the creation of a pan-German world based on pagan spiritual beliefs. Kellner died in 1905, and Reuss, a former spy for the Prussian Secret Service, assumed the office of high caliph. While living in London, Reuss spied on German socialist expatriates. In 1912 he made the acquaintance of Aleister Crowley, and appointed him head of the OTO's British chapter. But The Beast's political loyalties have always been an open question.

While living in the States, he wrote pro-German diatribes for two fascist publications, The Fatherland and The Internationalist. After WW II, there were calls for his head. But Crowley offered that his pro-German stance was a ruse of MI6, the military intelligence division in the UK.

In 1912 he had informed the secret service of his correspondence with Reuss, the German spy. Throughout the '20s and '30s, Crowley gathered intelligence on European Communists, the Nazi movement and Germany's occult lodges. Crowley died in 1944, willing the copyright for his books and unpublished manuscripts to the OTO, and leadership of the order to Karl Germer, otherwise known as Frater Saturnus X., formerly Crowley's Legate in the U.S. Germer was born in Germany, served in WW I and was reportedly tossed in the prison by the Nazis for his involvement in Freemasonry. (Crowley believed Germer to be a Nazi spy, but admitted him to the OTO anyway. Typical.)

He settled after the war in Dublin, California and died on October 25, 1962 "under horrifying circumstances," according to his wife in a letter to Marcelo Motta, an OTO official in Brazil. She informed him that Germer, on his death bed, had insisted that Motta succeed him as the Outer Head of the occult order. But the mantle was not passed on to Karl Germer's chosen successor because the CIA orchestrated a coup. But not as an OTO spokesman tells it: "Recently the United States government has legalized our opinion.... [McMurty's] leadership of the Ordo Templi Orientis rests on several rather clear letters of authorization from Crowley himself. They met while McMurty was a young First Lieutenant during World War II. He had been admitted to the OTO in 1941 [by] Jack Parsons."

In fact, the choice of McMurty was not entirely "clear." Motta's advocates insist the court decision was based on the perjured testimony of McMurty and attorneys with CIA paymasters. The cult's position on a successor is moot since, according to charters signed on March 22, 1946 and April 11, 1946, The Beast of the Apocalypse had left it to Germer to veto or amend his designation of a successor. As Motta saw it, no one had a legitimate claim to the title but he. Unfortunately, Herr Germer died during the period the CIA had chosen to move mind control experimentation from academic and military labs into the community. An inner circle of Heironymous scientists experimented on cult devotees, and sometimes collaborated in mass murder to silence the subjects (Jonestown, SLA, Solar Temple). It was a sweet arrangement. Occult societies are secretive and often highly irrational. They follow a leader. They exist on the edge of a society that ignores them because weird religious rhetoric is obnoxious.

A number of intelligence agents with occult interests already had their hooks into the OTO. One of them was Gerald Yorke, a veteran British intelligence agent working, an advocate of Motta argues, "with American intelligence in an attempt to absorb the OTO into the ideological warfare network of the political right." Before the horns of Thelemite succession were bestowed upon Grady McMurty, Yorke the prelate spy "misinterpreted" Germer's will and named Joseph Metzger, a ranking Thelemite (and the son of a former Swiss intelligence chief), to the office of high caliph. One order adept, Oskar Schlag, was an alleged "psychological warfare" specialist from Israel. Even McMurty (with his degree in political science) was a State Department bureaucrat the day Herr Germer died. The coup was sealed while Marcelo Motta, a writer for Brazilian television, fended off operatives of the CIA bent on destroying his sanity and leaving him financially crippled. It was a ritual that subjects of mind control conditioning would come to know well. Strangers approached his friends and filled their ears with lurid stories of debauchery. He was suddenly unable to find work. His mail was opened. Motta took a job teaching English, studied self-defense. "He had begun to doubt his sanity," the advocate says. "He constantly suspected people who approached him. He saw in himself all the clinical symptoms of paranoia."

After a few years of harassment and squabbling over the leadership of the OTO, Motta came to the realization that the McMurty junta and "the American 'intelligence' network behind them had a worry, and a pressing one; Motta's proposed 'New Manifesto' [did] not mention ... Grady at all. Since their purpose was to create an American 'intelligence' tool at the expense of a religious organization, it was necessary to either bring Motta to concede Grady further authority or to discredit Motta completely." They did what they wilt. In 1967 Germer's entire occult library and manuscripts were stolen from the home of his widow. Without the royalties these brought in, Mrs. Germer was destitute and literally starved to death. Motta was cast out of the OTO. Trouble brewed in the cult's cauldron. At least one Cotton Club killer passed through. The OTO's Solar Lodge in San Bernardino was founded by Maury McCauley, a mortician, on his own property. McCauley was married to Barbara Newman, a former model and the daughter of a retired Air Force colonel from Vandenberg. The group subscribed to a grim, apocalyptic view of the world precipitated by race wars, and the prophecy made a lasting impression on Charles Manson, who passed through the lodge. In the L.A. underworld, the OTO spin-off was known for indulgence in sadomasochism, drug dealing, blood drinking, child molestation and murder. The Riverside OTO, like the Manson Family, used drugs, sex, psycho-drama and fear to tear down the mind of the initiate and rebuild it according to the desires of the cult's inner-circle.

On the East Coast, a series of murders created an atmosphere of fear in New York City. Before the world had ever heard of Son of Sam, an obscure Vietnam vet named David Berkowitz moved into an apartment on Pine Street, a rotting gantlet of hovels in Yonkers. Like much of the bloodshed for which he is known, Berkowitz did not make the decision to live on Pine Street. Key decisions in his life were made by the leaders of a religious group based in Westchester, a hybrid of OTO members and acolytes from the Process Church of the Final Judgment. Members of the cult mingled with others in Manhattan and Brooklyn, and had contact with similar groups across the country. The leader of the Westchester "family" was a real estate attorney with a practice in White Plains. He was active in local politics. Balding, lean with years, he directed Berkowitz and his "brothers" to kill in the name of an old cause. The group's meeting place was an abandoned church, a decrepit hulk on the grounds of the abandoned Warburg-Rothschild estate. The church, partially eaten by fire, was the group's "eastern Headquarters." Most of the pews had been removed from the church long ago. On one wall was hung a large silver pentagram, festooned with silver insets in the shape of Waffen SS lightning bolts.
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Re: The Magical Battle of Britain

Postby Pierre d'Achoppement » Sat May 28, 2011 5:22 pm

Cabalistic mysticism is mixed all into this. If you're going to work with this you need to pick up a couple of books on the Cabala. One is by a man named Dion Fortune called "Qabala" with a "q," Dion Fortune. Another is by Ann Huffer-Heller and it's called "The Kabbalah."
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Re: The Magical Battle of Britain

Postby justdrew » Sat May 28, 2011 5:34 pm

Pierre d'Achoppement wrote:Cabalistic mysticism is mixed all into this. If you're going to work with this you need to pick up a couple of books on the Cabala. One is by a man named Dion Fortune called "Qabala" with a "q," Dion Fortune. Another is by Ann Huffer-Heller and it's called "The Kabbalah."


fyi, Dion Fortune is actually a woman, Violet Mary Firth Evans, Psychic Self-Defense being one of her primary books.
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