sounds

[brainpanhandler]

[Seamus OBlimey]

What is up with Noises?

[Seamus OBlimey]

David Byrne: How architecture helped music evolve

[brainpanhandler]

David Byrne: How architecture helped music evolve

Fascinating.

[brainpanhandler]

[Seamus OBlimey]

[brainpanhandler]

[barracuda]

[Allegro]

.

[justdrew]

play them all at the same time ... restart as needed (the water one needs turned down 50-66%)

[brainpanhandler]

I've always found such sounds extremely relaxing. I guess I am not alone.

[brainpanhandler]

We return for one final and potential covert explanation for the Great East Window. It is known that cathedrals, like old churches were built to serve as vibrationary chambers, holding undetected acoustic and sonic properties, and if one were to make the right sounds within them the effect can be Mind expanding. Aware of the octave connection and the window through the I-Ching, I was interested in taking a closer look at what is known as the ‘Liturgical Octaves’. In Christian liturgical useage, octave is the 8th day after a feast, sometimes called ‘Octave Day’ as well as the entire period of these days during observance of certain major feasts. In 2000, author of ‘Music and the Earth Spirit’, musician Bob Dickinson, conducted research on particular acoustic properties of Lincoln Cathedral which he focussed on some ‘ringing pillars,’ an octave and a fifth apart, which connected with certain intervallic relationships of the harmonic series. During the Easter Octave, for each of the days, there are specific chants. Could an analysis of these chant melodic/pitch patterns reveal certain intervallic relationships between notes that might connect with these ‘ringing pillars’?

Scottish author Brian Allan is a firm believer that the musical notation given the title ‘The Devil’s Chord’ by the Catholic church in the 12thC, and banned throughout Christendom, this the musical interval of the augmented fourth, could be the frequency and harmonic chord that holds the key (pun intended) to the ultimate mystery of Rosslyn Chapel, perhaps precipitating the opening of a portal of consciousness. In a prior article on the world wide web ‘Lincoln Cathedral – Battleground of Light and Dark?’, I explained in length the numerous ‘Devil’ connections, and so it might not be unlikely to consider an involvement with the ‘Devil’s Chord’ here.

The classical image of the devil with his pitchfork might actually be a visual allegory of an acoustic resonating tuning fork which can be used to emit a pure musical tone, key or pitch. For use in the opening of a ‘Portal’?

...

http://blog.world-mysteries.com/.../the ... cathedral/

[brainpanhandler]

[brainpanhandler]

The creepy scientific explanation behind ghost sightings


...


Still, if you want to make people who enter your building feel an otherworldly sense of fear or awe, install an infrasound generator. A large pipe organ will do.


...

[Allegro]

In the link brainpanhandler posted, above, the BBC article notes Ms. Sarah Angliss as the project leader for the infrasound generator project in Purcell Room. The article ends with a quote by Sarah, “Organ players have been adding infrasound to the mix for 500 years so maybe we’re not the first generation to be ‘addicted to bass’.”

Moreover, from Sarah’s page titled, Infrasonic: Postscript – deep weirdness or hot air? posted 16 Jan 2009, she wrote:

“When it comes to claims about hauntings, religious awe and beam weapons, people can be highly suggestible.

“In our Purcell Room experiment, we worked hard to overcome the effects of suggestion – by creating a ‘blind’ test of infrasound in two counterbalanced events (see previous pages).

“In a recent art installation, an associate borrowed one of my infrasound generators and put it on display – with a label warning visitors about its ‘powers’ – but did not switch it on. Despite the lack of infrasound, wary visitors complained of a number of strange effects when they went near the generator, including anxiety. One of them asked the exhibitor to switch it off.”

POST 2879